1 00:00:31,565 --> 00:00:33,934 *[Sugar Baby Love by The Rubettes playing] 2 00:01:06,434 --> 00:01:08,102 [man yelling] 3 00:01:10,037 --> 00:01:12,540 (man) YOU CAN THROW A FAST ONE. 4 00:01:12,606 --> 00:01:16,009 * SUGAR BABY LOVE 5 00:01:16,076 --> 00:01:19,280 * SUGAR BABY LOVE 6 00:01:19,347 --> 00:01:21,749 * I DIDN'T MEAN TO MAKE YOU BLUE * 7 00:01:21,815 --> 00:01:23,517 HOW ABOUT IT, KITTEN? 8 00:01:23,584 --> 00:01:25,653 WHAT'S THE CHANCE OF A BIT TONIGHT? 9 00:01:25,719 --> 00:01:27,655 OH, WHY, YES, OF COURSE, BOYS. 10 00:01:27,721 --> 00:01:29,056 I'LL LEAVE THE FRONT DOOR OPEN 11 00:01:29,123 --> 00:01:31,825 AND YOU CAN ALL TROOP IN AND GIVE ME A JAB. 12 00:01:33,093 --> 00:01:34,228 NOT UP TO IT, THEN? 13 00:01:34,295 --> 00:01:36,730 YOU INNOCENT, SHOVEL-WIELDING, 14 00:01:36,797 --> 00:01:39,467 HORNY-HANDED SONS OF THE NATIVE SOD. 15 00:01:39,533 --> 00:01:42,603 NOT MANY PEOPLE ARE, MUNCHKIN. 16 00:01:42,670 --> 00:01:46,574 NOT MANY PEOPLE CAN TAKE THE TALE OF PATRICK BRADEN 17 00:01:46,640 --> 00:01:48,409 A.K.A. SAINT KITTEN, 18 00:01:48,476 --> 00:01:52,813 WHO STRUTTED THE CATWALKS, FACE LIT BY A HALO OF FLASHBULBS 19 00:01:52,880 --> 00:01:57,218 AS, "OH!" SHE SHRIEKED, "I TOLD YOU, FROM MY BEST SIDE, DARLINGS." 20 00:01:57,285 --> 00:01:59,653 (Patrick) I WAS BORN, YOU SEE, MUNCHKIN, 21 00:01:59,720 --> 00:02:02,790 IN A SMALL TOWN NEAR THE IRISH BORDER. 22 00:02:02,856 --> 00:02:06,126 I WAS LEFT IN A BASKET ON A CERTAIN DOORSTEP 23 00:02:06,194 --> 00:02:08,396 AND ONLY THE ROBINS KNEW WHY. 24 00:02:08,462 --> 00:02:11,732 OH, BUT THEN, THEY KNEW EVERYBODY'S BUSINESS. 25 00:02:11,799 --> 00:02:14,735 THOSE RED-BREASTED BUSYBODIES. 26 00:02:14,802 --> 00:02:19,207 EVERY SECRET BEHIND EVERY LACE-CURTAIN WINDOW. 27 00:02:38,959 --> 00:02:40,127 [twittering] UH-OH, BEHIND YOU! 28 00:02:40,194 --> 00:02:42,996 * SUGAR BABY LOVE 29 00:02:43,063 --> 00:02:46,300 * SUGAR BABY LOVE 30 00:02:46,367 --> 00:02:49,303 * I DIDN'T MEAN TO MAKE YOU BLUE * 31 00:02:49,370 --> 00:02:50,871 [twittering] THIS LOOKS LIKE TROUBLE. 32 00:02:50,938 --> 00:02:52,473 [twittering] OH, DEAR! 33 00:02:54,041 --> 00:02:57,478 * SUGAR BABY LOVE 34 00:02:57,545 --> 00:03:00,248 * SUGAR BABY LOVE 35 00:03:00,314 --> 00:03:01,482 [twittering] LET'S GO. 36 00:03:01,549 --> 00:03:04,285 * I DIDN'T MEAN TO HURT YOU 37 00:03:06,354 --> 00:03:08,088 [baby bawling] 38 00:03:11,124 --> 00:03:16,029 * PEOPLE, TAKE MY ADVICE 39 00:03:17,931 --> 00:03:23,136 * IF YOU LOVE SOMEONE, DON'T THINK TWICE * 40 00:03:23,203 --> 00:03:26,707 * LOVE YOUR BABY LOVE 41 00:03:26,774 --> 00:03:30,411 * SUGAR BABY LOVE 42 00:03:30,478 --> 00:03:34,081 * LOVE HER ANYWAY 43 00:03:34,147 --> 00:03:37,685 * LOVE HER EVERY DAY * 44 00:03:48,462 --> 00:03:50,197 ROBINS! WOULD YOU BELIEVE IT, FATHER? 45 00:03:50,264 --> 00:03:51,799 PECKING AT THE CREAM. 46 00:03:51,865 --> 00:03:54,234 I SUPPOSE IT'S CHRISTMAS MORNING, AFTER ALL. 47 00:03:55,836 --> 00:03:57,671 IS YOUR BREAKFAST ALL RIGHT? 48 00:03:59,840 --> 00:04:02,743 WELL, I'LL GET READY FOR MASS, SO. GOD BLESS. 49 00:04:04,645 --> 00:04:06,046 GOD BLESS. 50 00:04:12,019 --> 00:04:14,522 HE HASN'T BEEN HIMSELF LATELY, SO. 51 00:04:16,790 --> 00:04:19,427 [twittering] NO, HE HASN'T BEEN HIMSELF AT ALL, 52 00:04:19,493 --> 00:04:21,362 [twittering] SINCE THE BLONDE HOUSEKEEPER LEFT. 53 00:04:21,429 --> 00:04:23,497 [twittering] THE ONE THAT LOOKED LIKE THE FILM STAR 54 00:04:23,564 --> 00:04:25,799 [twittering] WITH THE BUBBLE-CUT CURLS. 55 00:04:25,866 --> 00:04:27,234 [twittering] MITZI GAYNOR! 56 00:04:39,112 --> 00:04:41,081 JUST THE JOB. (woman on T.V.) MR. STEED? 57 00:04:41,148 --> 00:04:42,215 CUTEX CORAL PINK. 58 00:04:42,282 --> 00:04:44,385 (Steed) YES. 59 00:04:44,452 --> 00:04:46,920 WHAT A CHARMING ATMOSPHERE YOU HAVE HERE. 60 00:04:47,855 --> 00:04:48,989 DO YOU MIND? 61 00:04:49,056 --> 00:04:49,990 (woman) NOT AT ALL. 62 00:04:50,057 --> 00:04:51,124 THANK YOU. 63 00:04:51,191 --> 00:04:52,360 OOH, WILL YOU HAVE A LOVE SEAT? 64 00:04:52,426 --> 00:04:54,061 THE LOVE SEAT? WHY NOT? 65 00:04:56,530 --> 00:04:59,667 MR. LOVEJOY WILL SEE YOU IN A MOMENT. 66 00:04:59,733 --> 00:05:02,135 HE'S JUST CONGRATULATING ONE OF OUR HAPPY COUPLES. 67 00:05:02,202 --> 00:05:04,104 HOW VERY ENCOURAGING. YES. 68 00:05:04,171 --> 00:05:06,374 UH, PERHAPS YOU'D LIKE A GLASS OF CHAMPERS? 69 00:05:06,440 --> 00:05:07,575 CHAMPERS? NOW YOU'RE TALKING. 70 00:05:07,641 --> 00:05:10,878 OR, A PIECE OF WEDDING CAKE? 71 00:05:10,944 --> 00:05:12,780 NO, THANK YOU. I'VE JUST HAD BREAKFAST. 72 00:05:14,181 --> 00:05:15,449 (man) MR. STEED? 73 00:05:17,851 --> 00:05:20,788 MY GOOD SHOES! MY GOOD SHOES, YOU LITTLE BRAT! 74 00:05:20,854 --> 00:05:22,289 (Caroline) DO IT HARDER, MAMMY. 75 00:05:22,356 --> 00:05:23,724 TEACH HIM NOT TO WEAR MY DRESS AGAIN. 76 00:05:23,791 --> 00:05:26,226 HE'LL MAKE A DISGRACE OF US? WELL, YOU'LL NOT! 77 00:05:26,293 --> 00:05:27,728 DO YOU REALLY HAVE TO? 78 00:05:27,795 --> 00:05:29,463 I'LL MARCH YOU UP AND DOWN THE STREET 79 00:05:29,530 --> 00:05:31,131 AND DISGRACE YOU IN FRONT OF THE WHOLE TOWN. 80 00:05:31,198 --> 00:05:32,566 PROMISE? 81 00:05:32,633 --> 00:05:34,702 HIT HIM WITH IT, MA! GIVE HIM THE BRUSH AGAIN! 82 00:05:34,768 --> 00:05:36,770 SAY, "I AM NOT A GIRL." I'M NOT A GIRL. 83 00:05:36,837 --> 00:05:38,338 "I AM A BOY. I'M NOT A GIRL." 84 00:05:38,406 --> 00:05:39,840 I'M A BOY, NOT A GIRL. 85 00:05:39,907 --> 00:05:41,108 SAY IT RIGHT. 86 00:05:41,174 --> 00:05:42,610 MAKE HIM SAY IT RIGHT, MA. 87 00:05:42,676 --> 00:05:45,379 MY HEART BROKE FROM THE CURSED DAY I EVER TOOK YOU IN. 88 00:05:47,014 --> 00:05:48,749 (commentator on T.V.) A SHORT ONE BY GARETH CAREY, 89 00:05:48,816 --> 00:05:50,083 UP ALONG THE FAR WING TO TONY HADDON. 90 00:05:50,150 --> 00:05:52,720 TONY HADDON, 40 YARDS OUT NOW, FROM THE... 91 00:05:52,786 --> 00:05:55,055 OFF HE GOES THEN, THE BALL ACROSS HIM TOWARDS THE CENTER. 92 00:05:55,122 --> 00:05:57,124 AND COMING, ALFRED WHITNEY. HE'S CAPPED THERE. 93 00:05:57,190 --> 00:05:59,226 WELL DOWN OVER HIS EYES IS, UH, NICK BRADY. 94 00:05:59,292 --> 00:06:00,994 THE BALL COMES OVER. WHO'S GOT IT? REID MORGAN. 95 00:06:01,061 --> 00:06:02,896 REID MORGAN GETS THE 35-YARD... 96 00:06:02,963 --> 00:06:04,998 BROTHER BARNABAS SAYS HE'LL TRY YOU ON THE FOOTBALL TEAM 97 00:06:05,065 --> 00:06:06,700 AND I WANT YOU TO READ THIS. 98 00:06:06,767 --> 00:06:09,002 HEADING HIGH AND TO THE RIGHT, AND YES, IT IS... 99 00:06:09,069 --> 00:06:11,171 IT'S GONE OVER THE BAR FOR THE FIRST GOAL OF THE GAME. 100 00:06:11,238 --> 00:06:12,305 [crowd cheering on T.V.] 101 00:06:12,372 --> 00:06:13,474 PADDY GARDY. 102 00:06:14,908 --> 00:06:16,209 THE FIRST GOAL OF THE GAME. 103 00:06:16,276 --> 00:06:18,612 PADDY GARDY TOOK ONE FROM THIS SIDE. 104 00:06:18,679 --> 00:06:20,514 IT HAD A CURL ON IT, AND ONE HAD TO WAIT 105 00:06:20,581 --> 00:06:22,349 UNTIL THE UMPIRES GAVE THEIR DECISION 106 00:06:22,416 --> 00:06:24,251 AS TO WHETHER IT WAS IN OR NOT. IT WAS. 107 00:06:24,317 --> 00:06:25,653 AND I CALL MY MOTHER NAMES. 108 00:06:25,719 --> 00:06:26,854 (Liam) WELL, YOU KNOW, 109 00:06:26,920 --> 00:06:29,089 YOU--YOU--YOU SHOULDN'T DO THAT, MY SON. 110 00:06:29,156 --> 00:06:30,424 WHAT DO YOU CALL HER? 111 00:06:31,224 --> 00:06:32,392 HAIRY ARSE. 112 00:06:33,293 --> 00:06:35,863 HAIRY ARSE AND BOCKEDY HOLE. 113 00:06:36,597 --> 00:06:38,031 AND CUNTHOOKS. 114 00:06:38,098 --> 00:06:39,433 [clears throat] 115 00:06:41,068 --> 00:06:42,069 [sighing] 116 00:06:45,606 --> 00:06:47,107 [beeping] 117 00:06:48,408 --> 00:06:50,210 STAY WHERE YOU ARE! YOU MUST NOT PROCEED. 118 00:06:50,277 --> 00:06:51,445 JESUS! 119 00:06:51,512 --> 00:06:53,046 YOU MUST NOT CURSE. 120 00:06:53,113 --> 00:06:55,148 IF YOU CURSE, YOU'LL BE EXTERMINATED. 121 00:06:55,215 --> 00:06:56,216 HOLY FUCK! 122 00:06:56,283 --> 00:06:57,751 YOU'VE BEEN WARNED, EARTHLING. 123 00:06:57,818 --> 00:06:59,219 NOW YOU MUST DIE! 124 00:06:59,286 --> 00:07:00,621 NO, DALEK, PLEASE. 125 00:07:06,494 --> 00:07:08,328 SAUSAGES, SAUSAGES, STAY WHERE YOU ARE. 126 00:07:08,395 --> 00:07:10,030 YES, YES, OF COURSE! PLEASE DON'T SHOOT! 127 00:07:10,097 --> 00:07:11,499 [imitating gun firing] 128 00:07:11,565 --> 00:07:12,633 (Charlie) LAWRENCE, COME ON. 129 00:07:12,700 --> 00:07:14,334 NOT NOW, I'M BUSY. I'M BUSY. 130 00:07:14,401 --> 00:07:15,569 COME ON. 131 00:07:15,636 --> 00:07:16,804 I'M BUSY. 132 00:07:18,405 --> 00:07:20,307 OH, FIGGLY BOOGLES, I'M DEAD. 133 00:07:21,074 --> 00:07:22,275 (Patrick) DIE FOR IRELAND? 134 00:07:22,342 --> 00:07:23,677 I'M SORRY, BUT IT APPEARED TO ME 135 00:07:23,744 --> 00:07:25,779 THAT SOMEONE HERE HAD TAKEN LEAVE OF THEIR SENSES. 136 00:07:25,846 --> 00:07:27,681 (Irwin) ARE YOU PLAYING THE GAME OR NOT, BRADEN? 137 00:07:27,748 --> 00:07:29,382 ME PLAY! DYING FOR IRELAND. 138 00:07:29,449 --> 00:07:31,485 EARTHLING, STAY WHERE YOU ARE! 139 00:07:31,552 --> 00:07:34,354 WELL, COME ON, ENGLISHMAN, A BULLET, PLEASE. 140 00:07:34,421 --> 00:07:35,689 [Charlie chuckling] 141 00:07:37,925 --> 00:07:40,594 AND NEXT UP IS THE DASHING FEELY 142 00:07:40,661 --> 00:07:45,566 SPORTING A SMOKING JACKET, FEDORA HAT, AND SUNGLASSES BY GUCCI. 143 00:07:45,633 --> 00:07:46,734 MADAM. 144 00:07:47,768 --> 00:07:49,269 [giggling] 145 00:07:51,639 --> 00:07:53,073 THE MAN HIMSELF. 146 00:07:53,140 --> 00:07:54,608 [grunting] 147 00:07:54,675 --> 00:07:55,943 YOUR MOTHER WILL BE BACK IN A WHILE. 148 00:07:56,009 --> 00:07:57,044 OH. 149 00:07:59,613 --> 00:08:01,815 SO HOW'S PATRICK AND THE BRADEN HOUSEHOLD? 150 00:08:02,916 --> 00:08:05,485 THEY'RE WELL, MR. FEELY. 151 00:08:05,553 --> 00:08:08,321 ESPECIALLY MY MOTHER, WHEREVER SHE IS. 152 00:08:10,423 --> 00:08:12,560 SO SOMEONE'S TOLD YOU SOMETHING, PATRICK? 153 00:08:13,160 --> 00:08:15,428 THEY DON'T HAVE TO. 154 00:08:15,495 --> 00:08:18,265 HAIRY ARSE BRADEN TELLS ME EVERY DAY. 155 00:08:18,331 --> 00:08:19,667 AH, PATRICK, NOW... 156 00:08:20,634 --> 00:08:22,169 I'M SORRY, MR. FEELY. 157 00:08:30,043 --> 00:08:33,714 YOU KNOW, I SAW HER ONCE, YOUR REAL MOTHER, 158 00:08:33,781 --> 00:08:35,683 LONG AFTER THE DAY SHE LEFT. 159 00:08:36,584 --> 00:08:37,985 IT WAS IN LONDON. 160 00:08:39,820 --> 00:08:42,089 I WAS DOING WORK FOR GENIE MCQUILLAN. 161 00:08:43,256 --> 00:08:45,626 I WAS GOING HOME THROUGH PICCADILLY 162 00:08:45,693 --> 00:08:49,797 AND THERE, PASSING BY, WAS EILY BERGIN. 163 00:08:49,863 --> 00:08:52,499 (Benny) LOVELY AS THE DAY SHE LEFT, I SWEAR IT TO GOD. 164 00:08:57,771 --> 00:09:00,073 (Patrick) DID YOU TALK TO HER, MR. FEELY? 165 00:09:00,140 --> 00:09:02,042 WHAT DID SHE SAY? 166 00:09:02,109 --> 00:09:04,945 I SHOUTED AFTER HER, PATRICK, BUT SHE DIDN'T HEAR. 167 00:09:06,079 --> 00:09:08,015 LONDON SWALLOWED HER UP. 168 00:09:10,117 --> 00:09:12,620 THE MOST BEAUTIFUL GIRL IN THE TOWN. 169 00:09:12,686 --> 00:09:14,622 BIGGEST CITY IN THE WORLD... 170 00:09:15,623 --> 00:09:17,257 IT SWALLOWED MY MOTHER UP. 171 00:09:21,228 --> 00:09:22,896 WHAT ABOUT MY FATHER, MR. FEELY? 172 00:09:22,963 --> 00:09:24,397 I WOULDN'T KNOW ABOUT THAT, SON. 173 00:09:24,464 --> 00:09:26,199 THINGS BE COMPLICATED, YOU KNOW. 174 00:09:29,136 --> 00:09:30,570 WHAT DID SHE LOOK LIKE? 175 00:09:36,143 --> 00:09:37,878 MITZI GAYNOR, SON. 176 00:09:37,945 --> 00:09:40,614 THAT'S WHO SHE LOOKED LIKE, MITZI. 177 00:09:43,684 --> 00:09:44,885 MITZI GAYNOR. 178 00:10:25,659 --> 00:10:27,394 [gunshots on T.V.] 179 00:10:44,411 --> 00:10:48,448 WELL, FUCK ME PINK WITH A HAIRY ARSE! 180 00:10:59,860 --> 00:11:03,230 IN THE NAME OF THE FATHER AND THE SON AND THE HOLY SPIRIT, AMEN. 181 00:11:18,011 --> 00:11:20,814 [whispering] YOU SEE, ONCE UPON A TIME, 182 00:11:20,881 --> 00:11:23,416 THERE WAS A YOUNG GIRL NAMED EILY BERGIN 183 00:11:25,185 --> 00:11:28,956 WHO LOOKED NOT UNLIKE THE WELL-KNOWN FILM STAR MITZI GAYNOR 184 00:11:29,022 --> 00:11:32,125 WHO SANG I'M GONNA WASH THAT MAN RIGHT OUTTA MY HAIR. 185 00:11:34,161 --> 00:11:37,397 AND SHE WENT TO LONDON, THE BIGGEST CITY IN THE WORLD, 186 00:11:37,464 --> 00:11:38,966 WHICH SWALLOWED HER UP. 187 00:11:40,567 --> 00:11:43,703 BUT BEFORE SHE VANISHED, 188 00:11:43,771 --> 00:11:47,107 I THINK SHE WORKED AS A PRIEST'S HOUSEKEEPER, FATHER. 189 00:11:47,174 --> 00:11:50,110 BUT I COULD BE WRONG THERE, COULDN'T I? 190 00:11:50,177 --> 00:11:52,445 I MEAN, I COULD BE WRONG. AFTER ALL, I... 191 00:12:02,990 --> 00:12:06,026 ALL I WANTED WAS HER ADDRESS. 192 00:12:06,093 --> 00:12:09,029 (Mr. Egan) THERE BETWEEN THE PO AND THE APENNINES, BOYS 193 00:12:09,096 --> 00:12:11,832 THE CLIMATE IS ALWAYS THE SAME. 194 00:12:11,899 --> 00:12:13,934 THE LANDSCAPE NEVER CHANGES 195 00:12:14,001 --> 00:12:17,170 AND IN COUNTRY LIKE THIS YOU CAN STOP ALONG ANY ROAD FOR A MOMENT 196 00:12:17,237 --> 00:12:21,875 AND LOOK AT A FARMHOUSE SITTING IN THE MIDDLE OF MAIZE AND HEMP, 197 00:12:21,942 --> 00:12:25,779 AND IMMEDIATELY A STORY IS BORN. 198 00:12:25,846 --> 00:12:28,415 NOW, WHEN YOU'RE WRITING YOUR ESSAY FOR ME THIS MORNING, 199 00:12:28,481 --> 00:12:31,484 WHATEVER FORM IT TAKES IS UP TO YOU. 200 00:12:31,551 --> 00:12:35,455 IT CAN BE CALLED "I FOUGHT IN THE EASTER RISING," 201 00:12:37,757 --> 00:12:40,427 "I WAS DRACULA'S GIRLFRIEND," 202 00:12:40,493 --> 00:12:43,663 OR EVEN "A DAY IN THE LIFE OF AN OLD BOOT". 203 00:12:46,033 --> 00:12:49,136 YOU'VE GOT ONE HOUR, SO LEARN TO WRITE. 204 00:13:11,124 --> 00:13:12,625 "GOD BLESS US. 205 00:13:13,827 --> 00:13:16,163 "IT'S YOURSELF..." 206 00:13:16,229 --> 00:13:17,797 AH, GOD BLESS US. IT'S YOURSELF, MA'AM. 207 00:13:17,865 --> 00:13:19,166 IT IS INDEED, FATHER. 208 00:13:19,232 --> 00:13:20,533 (Patrick) ...REMARKED 209 00:13:20,600 --> 00:13:25,572 RANDY FATHER LIAM 210 00:13:26,373 --> 00:13:29,209 AS HE OPENED THE DOOR 211 00:13:29,276 --> 00:13:31,411 TO A YOUNG WOMAN 212 00:13:31,478 --> 00:13:34,314 WHO BORE A STARTLING RESEMBLANCE 213 00:13:34,381 --> 00:13:36,917 TO MITZI GAYNOR. 214 00:13:36,984 --> 00:13:39,019 SO YOU ARE THE REPLACEMENT FOR MRS. MCGLYNN? 215 00:13:39,086 --> 00:13:41,088 (Eily) I AM INDEED, FATHER. 216 00:13:41,154 --> 00:13:42,755 DESTROYED WITH THE LUMBAGO, SHE IS. 217 00:13:42,822 --> 00:13:44,357 DESTROYED, AND THAT'S A FACT. 218 00:13:44,424 --> 00:13:46,894 BUT SURE SHE'LL BE BACK ON HER FEET SOON, PLEASE GOD. 219 00:13:46,960 --> 00:13:48,728 PLEASE GOD SHE WILL, NOW. 220 00:13:49,863 --> 00:13:51,831 BUT TELL ME THIS, 221 00:13:51,899 --> 00:13:54,467 HAVE I BEGUN TO DOTE 222 00:13:54,534 --> 00:13:57,370 OR DO YOU REMIND ME OF SOMEONE SPECIAL? 223 00:13:57,437 --> 00:14:00,974 WHEN SHE SENSED A MOVEMENT 224 00:14:01,041 --> 00:14:04,811 UNDERNEATH HIS BLACK SERGE TROUSERS. 225 00:14:04,878 --> 00:14:06,947 OH, FATHER, PLEASE, HOW COULD I? 226 00:14:07,014 --> 00:14:08,916 WHEN I'VE GONE OUT OF MY WAY 227 00:14:08,982 --> 00:14:12,719 KNOWING THAT YOUR DICKY DOODLE, NAUGHTY POOPSTER THAT HE IS, 228 00:14:12,785 --> 00:14:14,454 GIVEN THE SLIGHTEST ENCOURAGEMENT, 229 00:14:14,521 --> 00:14:16,423 WOULD BE ONLY TOO EAGER TO GET UP TO MISCHIEF. 230 00:14:16,489 --> 00:14:19,259 DOWN, BOY! NAUGHTY DICKY. 231 00:14:19,326 --> 00:14:22,762 TO CAMOUFLAGE MYSELF AND LOOK LIKE ANY ORDINARY OLD CURATE'S DRUDGE. 232 00:14:22,829 --> 00:14:26,967 "AND MOST DEFINITELY NOT 233 00:14:27,034 --> 00:14:30,270 "A PERFUME-SPRAYED VISION 234 00:14:30,337 --> 00:14:33,806 "NAMED MITZI GAYNOR 235 00:14:33,873 --> 00:14:37,978 "WITH A HEAD OF BUBBLE-CUT CURLS 236 00:14:38,045 --> 00:14:42,615 "THAT WOULD MAKE ANY MAN'S PRIVATES GO SPRONG." 237 00:14:42,682 --> 00:14:44,517 I'VE GOT THE STANDARD UNIFORM, FATHER. 238 00:14:44,584 --> 00:14:47,754 THE BLUE HOUSECOAT WITH THE BOW AT THE BACK, 239 00:14:47,820 --> 00:14:50,523 THE TAN STOCKINGS, COLOR OF STALE TEA, 240 00:14:50,590 --> 00:14:52,492 THE OLD HAIRNET, WHICH SAYS TO ALL THEM MICKIES 241 00:14:52,559 --> 00:14:54,827 WHOSE DUTY IT IS TO STAY INSIDE AND WEAR BLACK SERGE, 242 00:14:54,894 --> 00:14:56,696 "NO MICKIES TODAY. 243 00:14:56,763 --> 00:14:58,298 "DOWN, BOYS. THAT'S IT, MY SWEETS, 244 00:14:58,365 --> 00:15:00,067 "OFF WITH YOU AND SAY YOUR PRAYERS." 245 00:15:00,133 --> 00:15:02,169 BREAKFAST, FATHER? 246 00:15:02,235 --> 00:15:03,870 BY GOD, AND NOW YOU'RE TALKING. 247 00:15:05,105 --> 00:15:09,442 MICKEY IS DEVIOUS 248 00:15:09,509 --> 00:15:12,679 AND NO MATTER HOW MUCH YOU TELL HIM, 249 00:15:14,181 --> 00:15:16,849 HE SIMPLY WON'T STAY DOWN. 250 00:15:16,916 --> 00:15:19,286 BUT DRAB OLD HOUSECOATS 251 00:15:19,352 --> 00:15:22,990 AND TEA-COLORED STOCKINGS MIGHT WELL HAVE KEPT HIM DOWN 252 00:15:23,056 --> 00:15:26,393 IF IT WASN'T FOR THAT PESKY SPOT OF GREASE. 253 00:15:27,727 --> 00:15:29,596 OH, THIS IS POWERFUL ALTOGETHER. 254 00:15:31,598 --> 00:15:33,000 I WOULD DO JAIL FOR ANOTHER RASHER. 255 00:15:33,066 --> 00:15:34,534 DO YOU KNOW THAT, EILY? 256 00:15:34,601 --> 00:15:37,237 I'LL FRY YOU SOME MORE THIS MINUTE, THEN, FATHER. 257 00:15:39,306 --> 00:15:41,241 COME HERE, LITTLE EILY. DID YOU HEAR THE ONE 258 00:15:41,308 --> 00:15:42,775 ABOUT PEANUTS AT CONFESSION? 259 00:15:42,842 --> 00:15:44,911 NO, FATHER. AT LEAST I DON'T THINK SO. 260 00:15:44,978 --> 00:15:46,279 SAYS THE PRIEST TO THE YOUNG FELLOW, 261 00:15:46,346 --> 00:15:48,481 "DID YOU THROW PEANUTS IN THE RIVER, TOO?" 262 00:15:48,548 --> 00:15:52,319 TO WHICH THE YOUNG LAD SAYS, "NO, FATHER, I AM PEANUTS." 263 00:15:52,986 --> 00:15:54,387 [chuckling] 264 00:15:58,491 --> 00:16:00,527 (Patrick) NOT A VERY FUNNY JOKE, 265 00:16:00,593 --> 00:16:04,131 BUT SHE LAUGHED AND SHE LAUGHED. 266 00:16:04,197 --> 00:16:08,735 IN FACT, YOU COULD SAY SHE LAUGHED UNTIL SHE CRIED. 267 00:16:08,801 --> 00:16:10,637 OOPS! 268 00:16:10,703 --> 00:16:12,772 MY SKIRT AND HOUSECOAT ARE RIDING UP. 269 00:16:12,839 --> 00:16:14,441 BETTER ABORT THIS TASK AT ONCE 270 00:16:14,507 --> 00:16:15,942 OR WE COULD HAVE AN EXPLODING CLERGYMAN 271 00:16:16,009 --> 00:16:18,045 FILLING THE AIR WITH PENT-UP SEXUAL ENERGY. 272 00:16:18,111 --> 00:16:20,047 OH, NO! PRIEST GROWS WINGS IN LATEST MIRACLE. 273 00:16:20,113 --> 00:16:21,981 EILY! 274 00:16:22,049 --> 00:16:25,652 "WHEN SHE FOUND HERSELF ENVELOPED BY HIS SKIRTS." 275 00:16:26,886 --> 00:16:29,156 NOW, FATHER, IS THIS ANOTHER JOKE? 276 00:16:29,222 --> 00:16:30,257 OW! 277 00:16:30,323 --> 00:16:31,858 [sobbing] THAT HURT, FATHER. 278 00:16:31,924 --> 00:16:34,661 FRANK SINATRA WOULDN'T DO THIS, FATHER. 279 00:16:34,727 --> 00:16:37,230 NEITHER WOULD VIC DAMONE. 280 00:16:37,297 --> 00:16:39,366 I'M ALL WET, FATHER. 281 00:16:39,432 --> 00:16:41,934 WHAT ARE YOU DOING DOWN THERE, FATHER? 282 00:16:42,001 --> 00:16:44,871 ARE YOU PLAYING SQUIDGY WITH MY FAIRY LIQUID? 283 00:16:44,937 --> 00:16:47,407 BUT SHE WAS SOON TO REALIZE 284 00:16:47,474 --> 00:16:51,111 IT WASN'T FAIRY LIQUID HE'D BEEN PLAYING WITH DOWN THERE. 285 00:16:53,113 --> 00:16:55,715 THE END. 286 00:16:56,649 --> 00:16:57,650 NO, 287 00:16:58,951 --> 00:17:01,354 IT WASN'T FAIRY LIQUID AT ALL. 288 00:17:06,593 --> 00:17:08,228 "...PRIVATES GO SPRONG." 289 00:17:08,895 --> 00:17:10,663 "PRIVATES GO... 290 00:17:10,730 --> 00:17:12,632 HOW DARE YOU? 291 00:17:12,699 --> 00:17:15,802 WHEN I SAID, "DEVELOP YOUR LITERARY SKILLS," 292 00:17:15,868 --> 00:17:18,338 I DID NOT, REPEAT, NOT, MEAN THIS. 293 00:17:19,506 --> 00:17:21,608 WHY DID YOU WRITE IT? 294 00:17:21,674 --> 00:17:23,210 I THOUGHT THERE WAS A MORAL, SIR. 295 00:17:23,276 --> 00:17:25,044 A LESSON, IF YOU WILL. 296 00:17:25,112 --> 00:17:26,679 YOUNG GIRLS IN MORTAL DANGER. 297 00:17:27,580 --> 00:17:29,149 GET OUT OF THIS CLASSROOM, BRADEN! 298 00:17:29,216 --> 00:17:31,318 TO THE DEAN'S OFFICE! 299 00:17:31,384 --> 00:17:33,353 HELLO, CLASS. MY NAME IS MISS KITTEN 300 00:17:33,420 --> 00:17:35,288 AND I'D LIKE TO TELL YOU ABOUT THE PERILS 301 00:17:35,355 --> 00:17:37,190 OF BEING A PRIEST'S HOUSEKEEPER, 302 00:17:37,257 --> 00:17:40,127 ESPECIALLY WHEN YOU LOOK LIKE MITZI GAYNOR. 303 00:17:40,193 --> 00:17:42,695 HANDS UP WHO CAN TELL ME WHO MITZI GAYNOR IS. 304 00:17:42,762 --> 00:17:45,632 SO, YOU SEE, PATRICK, WE'RE ON YOUR SIDE. 305 00:17:45,698 --> 00:17:47,066 WE'RE HERE TO HELP YOU. 306 00:17:47,134 --> 00:17:48,668 I DON'T THINK YOU UNDERSTAND THAT. 307 00:17:48,735 --> 00:17:50,603 WELL, NO, YOU'RE WRONG, FATHER. I DO. 308 00:17:50,670 --> 00:17:54,141 SO, IF YOU CAN THINK OF ANYTHING THAT WOULD HELP US TO HELP YOU, WELL... 309 00:17:56,343 --> 00:17:57,344 WELL, 310 00:17:58,778 --> 00:18:00,813 THERE IS ONE THING, FATHER. 311 00:18:03,416 --> 00:18:04,451 INSTEAD OF P.E.... 312 00:18:04,517 --> 00:18:06,119 YEAH. 313 00:18:06,186 --> 00:18:09,589 ...I COULD TAKE HOME ECONOMICS AND NEEDLEWORK CLASS. 314 00:18:10,890 --> 00:18:14,561 AND YOU THINK THAT WOULD HELP YOU, UH, 315 00:18:14,627 --> 00:18:16,763 KNUCKLE DOWN AND APPLY YOURSELF? 316 00:18:20,733 --> 00:18:22,435 WHAT'S THAT, PATRICK? 317 00:18:22,502 --> 00:18:24,871 OH, AND YOU CAN CALL ME KITTEN, FATHER. 318 00:18:25,938 --> 00:18:27,140 KITTEN? 319 00:18:27,207 --> 00:18:30,710 YES, PATRICK KITTEN BRADEN, AFTER SAINT KITTEN. 320 00:18:34,781 --> 00:18:38,685 WELL, NOW, THERE WAS NO SAINT KITTEN, PATRICK. 321 00:18:38,751 --> 00:18:41,087 OH, NO, BUT THERE WAS A SAINT CETTIN, FATHER, 322 00:18:41,154 --> 00:18:43,190 AND SOME HAVE BEEN KNOWN TO CALL HIM, 323 00:18:43,256 --> 00:18:45,358 OR WAS IT A HER, 324 00:18:45,425 --> 00:18:46,559 KITTEN. 325 00:18:48,995 --> 00:18:50,096 SAINT KITTEN? 326 00:18:50,163 --> 00:18:51,531 MM-HMM. 327 00:18:51,598 --> 00:18:54,066 HE OR SHE WAS AN ACOLYTE OF SAINT PATRICK. 328 00:18:54,133 --> 00:18:57,237 WORE A DRESS. AS DID SAINT PATRICK, ACTUALLY. 329 00:18:57,304 --> 00:18:59,239 A HAIRY DRESS. 330 00:18:59,306 --> 00:19:01,073 QUITE RUINED HER COMPLEXION. 331 00:19:01,140 --> 00:19:02,609 [Charlie laughs] 332 00:19:02,675 --> 00:19:04,311 AND THEY'RE FOR YOUR SISTER, PATRICK? 333 00:19:04,377 --> 00:19:05,978 MM-HMM. 334 00:19:06,045 --> 00:19:09,216 OH, SHE REALLY NEEDS A BIT OF GLAMOUR IN HER LIFE, MRS. COYLE. 335 00:19:10,517 --> 00:19:13,820 BUT THEN AGAIN, DON'T WE ALL? 336 00:19:13,886 --> 00:19:15,288 (reporter on T.V.) THE TROUBLE BROKE OUT 337 00:19:15,355 --> 00:19:17,824 AS THE MINISTER OF STATE FOR NORTHERN IRELAND, MR. CHANNON, 338 00:19:17,890 --> 00:19:20,427 WAS VISITING DERRY TO SEE BUSINESSMEN THERE 339 00:19:20,493 --> 00:19:22,529 FOR THE SECOND TIME INSIDE A MONTH. 340 00:19:24,163 --> 00:19:26,032 JESUS, MAMMY, I'M EXHAUSTED. 341 00:19:27,334 --> 00:19:28,768 AT LEAST YOU HAVE A JOB 342 00:19:28,835 --> 00:19:32,205 WHICH IS MORE THAN THAT WASTER YONDER IS EVER LIKELY TO HAVE. 343 00:19:32,272 --> 00:19:34,241 NOW, ONE MORE COMPLAINT FROM THAT SCHOOL 344 00:19:34,307 --> 00:19:37,176 AND IT'LL NOT BE GOOD FOR YOU, BY CHRIST, IT'LL NOT. 345 00:19:38,077 --> 00:19:40,179 OH, MAMMY? 346 00:19:40,247 --> 00:19:43,416 DO YOU HAVE THE PRICE OF THE DANCE AND A CUP OF COFFEE? 347 00:19:43,483 --> 00:19:45,918 PRICE OF THE DANCE AND A CUP OF COFFEE? 348 00:19:45,985 --> 00:19:48,521 PRICE OF THE DANCE AND A CUP OF COFFEE? 349 00:19:48,588 --> 00:19:50,290 WELL, DO YOU THINK I'M MADE OF MONEY? 350 00:19:50,357 --> 00:19:52,525 DO YOU THINK I'M MADE OF MONEY, EH? 351 00:19:52,592 --> 00:19:53,626 EH, EH. 352 00:19:53,693 --> 00:19:55,228 WILL YOU JUST HAND OVER THE CASH? 353 00:19:55,295 --> 00:19:57,096 WILL YOU JUST FORK OUT THE MONEY 354 00:19:57,163 --> 00:19:59,632 AND STOP BLATHERING, YOU FUCKING WHISKERY OLD WHORE. 355 00:19:59,699 --> 00:20:03,169 HERE. AND DON'T ASK ME AGAIN. 356 00:20:03,236 --> 00:20:05,071 WELL, THANK YOU SO MUCH, MAMMY. 357 00:20:05,137 --> 00:20:07,574 THANK YOU SO MUCH. 358 00:20:07,640 --> 00:20:10,577 *[You're Such A Good Looking Woman playing] 359 00:20:12,111 --> 00:20:15,448 * WHEN GOD CREATED A WOMAN FOR ME * 360 00:20:16,983 --> 00:20:20,687 * HE MUST HAVE BEEN IN A BEAUTIFUL MOOD * 361 00:20:22,088 --> 00:20:26,759 * TO SHOW THE WORLD WHAT A WOMAN COULD BE * 362 00:20:26,826 --> 00:20:29,962 * WHEN HE CREATED A WOMAN LIKE YOU * 363 00:20:30,029 --> 00:20:31,598 [girls screaming] 364 00:20:31,664 --> 00:20:35,935 * HE MADE THE SUNSHINE RIGHT OUT OF YOUR EYES * 365 00:20:36,002 --> 00:20:41,474 * AND HE MADE THE MOONGLOW ALL OVER YOUR HAIR * 366 00:20:41,541 --> 00:20:45,945 * HE PUT A SOFT SUMMER BREEZE IN YOUR SIGHS * 367 00:20:46,012 --> 00:20:50,317 * SO YOU COULD BREATHE SUMMER INTO THE AIR * 368 00:20:50,383 --> 00:20:52,084 NO. NO, NO, NO, NO, NO. 369 00:20:52,151 --> 00:20:54,020 WHY NOT? 370 00:20:54,086 --> 00:20:56,022 I'M NOT OBLIGED TO GIVE YOU ANY REASONS, BUT I'LL GIVE YOU 2 ANYWAY. 371 00:20:56,088 --> 00:20:57,757 HIM AND HER. 372 00:20:57,824 --> 00:20:59,559 DON'T HAVE TO STAND FOR THIS, DO WE, PADDY? 373 00:20:59,626 --> 00:21:01,628 OH, PADDY'S HER NAME. WELL, THAT'S REASON NUMBER 3. 374 00:21:01,694 --> 00:21:03,162 DID YOU EVER RIDE A MAN, LUKIE? 375 00:21:03,229 --> 00:21:04,631 NO, BUT I RODE A MAN THAT DID. 376 00:21:04,697 --> 00:21:05,832 [all laughing] 377 00:21:05,898 --> 00:21:07,434 (Irwin) FUCK YOU. 378 00:21:07,500 --> 00:21:08,568 EVENING. 379 00:21:08,635 --> 00:21:09,636 HOW YOU DOING? 380 00:21:11,170 --> 00:21:12,905 MIKEY, GO GET THE LADS. 381 00:21:16,142 --> 00:21:18,177 (bouncer) I'M WARNING YOU, GET OUT OF HERE! 382 00:21:18,244 --> 00:21:21,013 * WITH AN ANGEL AT HIS SIDE 383 00:21:22,582 --> 00:21:24,050 FUCK THEM AND THEIR ROB STRONG. 384 00:21:24,116 --> 00:21:25,685 WE'LL GO TO THE GLEN. 385 00:21:25,752 --> 00:21:27,787 [motorbike engines revving] 386 00:21:30,590 --> 00:21:33,225 EXCUSE ME. CAN WE HAVE A LIFT? 387 00:21:35,695 --> 00:21:36,796 [engine starting] 388 00:21:36,863 --> 00:21:37,964 GET ON. 389 00:21:38,665 --> 00:21:40,367 MOVING OUT. 390 00:21:40,433 --> 00:21:42,001 [Patrick squeals] 391 00:21:42,068 --> 00:21:46,305 * D'YOU KNOW WHAT THEY HAD FORGOTTEN TO DO * 392 00:21:46,373 --> 00:21:51,378 * UP THERE WHERE THEY MADE ALL THOSE HEAVENLY THINGS * 393 00:21:51,444 --> 00:21:56,182 * THEY MADE AN ANGEL AS LOVELY AS YOU * 394 00:21:56,248 --> 00:22:00,487 * BUT THEY'D FORGOTTEN TO FIT YOU WITH WINGS * 395 00:22:02,522 --> 00:22:06,158 (biker DRUIDS, MAN. WE'RE LIKE THE BORDER KNIGHTS. 396 00:22:06,225 --> 00:22:08,795 KNEW ALL ABOUT THE SPACE-TIME CONTINUUM. 397 00:22:11,097 --> 00:22:13,733 NO, LAWRENCE! NO. EXCUSE--EXCUSE ME, PLEASE. 398 00:22:13,800 --> 00:22:15,468 OPEN HIS EYES. 399 00:22:15,535 --> 00:22:17,437 WHAT DO YOU SEE, BRO? SAUSAGES. 400 00:22:18,371 --> 00:22:19,972 NO STARS? 401 00:22:20,039 --> 00:22:21,841 STARS AND SAUSAGES. 402 00:22:21,908 --> 00:22:23,576 [bikers laughing] 403 00:22:25,211 --> 00:22:26,979 (biker NOW YOU'RE TALKING. 404 00:22:27,046 --> 00:22:29,181 GOTTA GET BEHIND THE SURFACE. 405 00:22:29,248 --> 00:22:31,718 YES, SURFACE. 406 00:22:31,784 --> 00:22:35,988 I SEE 4 GREEN FIELDS, BRITS IN ONE OF THEM. 407 00:22:37,590 --> 00:22:38,758 NOT FOR FUCKING LONG. 408 00:22:38,825 --> 00:22:40,627 HEY, NO POLITICS, MAN. 409 00:22:40,693 --> 00:22:42,929 BORDER KNIGHTS DON'T ALLOW THEM. 410 00:22:42,995 --> 00:22:45,798 JAMS THE ASTRAL HIGHWAY. 411 00:22:45,865 --> 00:22:49,335 SO WHY DO YOU CALL YOURSELVES THE BORDER KNIGHTS? 412 00:22:49,402 --> 00:22:52,204 BECAUSE THE ONLY BORDER THAT MATTERS 413 00:22:52,271 --> 00:22:55,508 IS THE ONE BETWEEN WHAT'S IN FRONT 414 00:22:56,375 --> 00:22:58,911 AND WHAT YOU'VE LEFT BEHIND. 415 00:22:58,978 --> 00:23:01,681 WHEN I RIDE MY HOG, YOU THINK I'M RIDING THE ROAD? 416 00:23:01,748 --> 00:23:03,783 NO WAY, MAN. 417 00:23:03,850 --> 00:23:07,186 I'M TRAVELING FROM THE PAST INTO THE FUTURE WITH A DRUID AT MY BACK. 418 00:23:09,556 --> 00:23:10,990 DRUID MAN OR DRUID WOMAN? 419 00:23:11,057 --> 00:23:12,391 THAT DOESN'T MATTER. 420 00:23:15,462 --> 00:23:17,296 WHAT MATTERS IS THE JOURNEY. 421 00:23:20,232 --> 00:23:21,801 YOU KNOW WHERE IT GOES, BABY? 422 00:23:21,868 --> 00:23:23,035 WHERE? 423 00:23:24,336 --> 00:23:28,007 * WE'LL VISIT THE STARS AND JOURNEY TO MARS * 424 00:23:29,041 --> 00:23:30,810 * FINDING OUR BREAKFAST 425 00:23:32,078 --> 00:23:33,680 * ON PLUTO * 426 00:23:34,647 --> 00:23:36,015 PLUTO? 427 00:23:36,449 --> 00:23:37,584 PLUTO. 428 00:23:37,650 --> 00:23:39,285 [barking] 429 00:23:39,351 --> 00:23:43,490 NO, NOT PLUTO THE DOG. PLUTO THE PLANET. 430 00:23:43,556 --> 00:23:44,991 [cackling] 431 00:23:45,057 --> 00:23:49,128 NAMED BY PERCIVAL LOWELL AND WILLIAM H. PICKERING, 432 00:23:50,863 --> 00:23:53,365 AFTER THE INVISIBLE KING OF THE UNDERWORLD. 433 00:23:57,737 --> 00:23:59,205 *[Me And My Arrow playing] 434 00:23:59,271 --> 00:24:01,007 * STRAIGHTER THAN NARROW 435 00:24:01,073 --> 00:24:02,842 YOU THINK ABOUT THAT. 436 00:24:03,710 --> 00:24:05,044 [barking] 437 00:24:05,111 --> 00:24:07,213 [all laughing] 438 00:24:07,279 --> 00:24:09,749 * EVERYONE KNOWS 439 00:24:09,816 --> 00:24:11,851 * IT'S ME AND MY ARROW 440 00:24:11,918 --> 00:24:13,352 OH, KISS ME, JOSEPH. 441 00:24:13,419 --> 00:24:15,321 KISS ME, JOSEPH HANRATTY. 442 00:24:15,387 --> 00:24:17,356 I'LL BEAT YOUR FUCKING... 443 00:24:17,423 --> 00:24:19,726 * ME AND MY ARROW 444 00:24:19,792 --> 00:24:22,629 * TAKING THE HIGH ROAD 445 00:24:24,931 --> 00:24:26,666 (Dean) NOW, BOYS AND GIRLS, 446 00:24:26,733 --> 00:24:31,337 A RETREAT IS TIME FOR PRAYER AND REFLECTION. 447 00:24:31,403 --> 00:24:34,707 SOME OF YOU MAY HAVE ALREADY NOTICED THAT YOUR BODIES ARE 448 00:24:35,474 --> 00:24:37,577 GOING THROUGH SOME CHANGES 449 00:24:37,644 --> 00:24:41,147 AND I WOULD LIKE YOU TO FEEL FREE TO APPROACH US 450 00:24:41,213 --> 00:24:43,883 ABOUT ANY PROBLEM THAT CONCERNS YOU. 451 00:24:43,950 --> 00:24:48,320 SO, I WILL LEAVE THIS PROBLEM BOX 452 00:24:48,387 --> 00:24:51,190 HERE BY THE ALTAR RAILS. 453 00:24:51,257 --> 00:24:54,460 NO PROBLEM SHOULD BE PRECLUDED. 454 00:24:54,527 --> 00:24:57,830 AFTER ALL, THAT IS WHY WE ARE HERE. 455 00:24:57,897 --> 00:24:59,265 * ME AND MY ARROW 456 00:24:59,331 --> 00:25:02,068 NOW, DOES EVERYONE REMEMBER LAST WEEK WE WERE TALKING ABOUT... 457 00:25:02,134 --> 00:25:05,404 * STRAIGHTER THAN NARROW 458 00:25:07,173 --> 00:25:10,910 * WHEREVER WE GO * 459 00:25:10,977 --> 00:25:13,713 YOU'LL NOT BRING MY RETREAT INTO DISREPUTE, DO YOU HEAR ME? 460 00:25:13,780 --> 00:25:16,482 HOW DARE IT. HOW DARE YOU, YOU PUP YOU... 461 00:25:16,549 --> 00:25:17,650 SIR, YOU'RE HURTING ME. 462 00:25:22,188 --> 00:25:24,023 WHAT DID YOU WRITE ON THE PAPER, PATRICK? 463 00:25:24,090 --> 00:25:25,491 NOTHING. 464 00:25:25,558 --> 00:25:27,126 NOTHING. 465 00:25:27,193 --> 00:25:29,929 JUST, DID HE KNOW ANY PLACE THAT DOES A GOOD SEX CHANGE? 466 00:25:39,105 --> 00:25:40,640 [church bells tolling] 467 00:25:47,914 --> 00:25:49,115 [door slamming] 468 00:25:49,181 --> 00:25:50,883 DISGRACED! 469 00:25:50,950 --> 00:25:53,786 DISGRACED IN FRONT OF THE WHOLE TOWN, SO WE ARE! OH, JESUS! 470 00:25:53,853 --> 00:25:55,387 (Caroline) HOW COULD YOU DO IT, PADDY? 471 00:25:55,454 --> 00:25:57,056 MAMMY HAS A BAD HEART! 472 00:25:57,123 --> 00:25:58,457 AND NOW YOU'VE BROKEN IT. 473 00:25:58,524 --> 00:25:59,792 (Ma Braden) OH, GOD, OH, GOD! 474 00:25:59,859 --> 00:26:02,528 OH, JESUS CHRIST. MY ARM! 475 00:26:02,595 --> 00:26:04,196 SHE'S NOT MY MAMMY. 476 00:26:04,263 --> 00:26:05,865 WHAT DID YOU SAY? 477 00:26:05,932 --> 00:26:07,333 I'M SORRY, CAZ. 478 00:26:07,399 --> 00:26:09,468 SORRY, MAMMY, WHEREVER YOU ARE. 479 00:26:09,535 --> 00:26:11,771 OH, STOP IT, PATRICK, PLEASE! 480 00:26:11,838 --> 00:26:14,240 WHY WON'T YOU STOP IT AND LET US GET ON WITH OUR LIVES? 481 00:26:14,306 --> 00:26:17,243 I'M SORRY, CAZ. I NEVER MEANT TO HURT YOU. 482 00:26:17,309 --> 00:26:18,945 AFTER ALL, WE'VE BOTH BEEN THROUGH THIS-- 483 00:26:19,011 --> 00:26:20,346 GET AWAY! 484 00:26:20,412 --> 00:26:23,382 GET YOUR HANDS OFF ME, YOU CREATURE! 485 00:26:23,449 --> 00:26:27,286 OH, FIGGLY BOOGLES. WHAT'S THE POINT? 486 00:26:27,353 --> 00:26:30,422 THAT'S IT, I'VE TRIED MY BEST. I'M OFF. 487 00:26:30,489 --> 00:26:32,058 *[You're Breakin' My Heart playing] 488 00:26:32,124 --> 00:26:35,394 * YOU'RE BREAKIN' MY HEART, YOU'RE TEARIN' IT APART * 489 00:26:35,461 --> 00:26:37,529 * SO FUCK YOU 490 00:26:40,700 --> 00:26:44,771 * ALL I WANT TO DO IS HAVE A GOOD TIME * 491 00:26:44,837 --> 00:26:46,906 ARE YOU GOING TO SCOTSFIELD, BY ANY CHANCE? 492 00:26:46,973 --> 00:26:49,508 WE'D BETTER BE. WE'RE PLAYING THERE TONIGHT. GET IN THE BACK. 493 00:26:49,575 --> 00:26:54,213 * YOU WANNA BOOGALOO, RUN DOWN TO TRAMPS * 494 00:26:54,280 --> 00:26:55,882 * HAVE A DANCE OR TWO 495 00:26:55,948 --> 00:26:57,650 HELLO. 496 00:26:57,717 --> 00:27:01,387 * YOU'RE BREAKIN' MY HEART, YOU'RE TEARIN' IT APART * 497 00:27:01,453 --> 00:27:03,022 * BUT FUCK YOU 498 00:27:06,258 --> 00:27:10,196 * YOU'RE BREAKIN' MY HEART, YOU'RE TEARIN' IT APART * 499 00:27:10,262 --> 00:27:11,898 * OOH, OOH * 500 00:27:11,964 --> 00:27:14,667 (Billy) WHAT DO YOU THINK OF THIS TROUBLE UP NORTH? 501 00:27:14,734 --> 00:27:16,368 OH, I THINK IT'S AN ABSOLUTE TERROR. 502 00:27:16,435 --> 00:27:17,670 DO YOU THINK SO, YEAH? 503 00:27:17,737 --> 00:27:18,905 (Patrick) OH, I DO IT. 504 00:27:18,971 --> 00:27:20,807 A TERROR TO THE LIVING WORLD, SO IT IS. 505 00:27:20,873 --> 00:27:23,509 I DON'T THINK YOU CARE EITHER WAY, 506 00:27:23,575 --> 00:27:25,411 MY GOOD-LOOKING YOUNG FRIEND. 507 00:27:25,477 --> 00:27:27,279 NO, I KNOW HOW SERIOUS IT IS. 508 00:27:28,815 --> 00:27:31,417 THEY THINK THEY CAN BREAK US, DON'T THEY? 509 00:27:31,483 --> 00:27:33,185 HANG PADDY FROM THE CEILING. 510 00:27:33,252 --> 00:27:35,054 FUCK HIM FROM A HELICOPTER. 511 00:27:35,121 --> 00:27:37,790 GIVE HIM A DOSE OF WHITE NOISE. 512 00:27:37,857 --> 00:27:40,059 SHOVE ELECTRODES UP HIS ARSE. 513 00:27:40,126 --> 00:27:41,260 NOW, REALLY, MR.-- 514 00:27:41,327 --> 00:27:45,197 HATCHETT. THEY CALL ME BILLY HATCHETT. 515 00:27:45,264 --> 00:27:46,999 PLEASED TO MEET YOU, MR. HATCHETT. 516 00:27:48,701 --> 00:27:51,470 YOU REALLY DON'T KNOW WHO I AM, DO YOU? 517 00:27:51,537 --> 00:27:53,005 I HAVEN'T HAD THE PLEASURE. 518 00:27:53,906 --> 00:27:55,374 DO YOU HEAR THAT, LADS? 519 00:27:55,441 --> 00:27:58,344 HE'S NEVER HEARD OF BILLY HATCHETT AND THE MOHAWKS. 520 00:27:58,410 --> 00:28:00,780 * WOOMBA, WOOMBA, WOOMBA, WOOMBA * 521 00:28:00,847 --> 00:28:02,481 * WOOMBA, WOOMBA, WOOMBA 522 00:28:02,548 --> 00:28:06,919 * BY THE BANKS OF THE RIVER 523 00:28:06,986 --> 00:28:11,490 * LIVED A SWEET INDIAN MAID 524 00:28:11,557 --> 00:28:15,394 * RUNNING BEAR, LITTLE WHITE DOVE * 525 00:28:15,461 --> 00:28:17,196 [all ululating] 526 00:28:26,572 --> 00:28:30,076 * HIAWATHA DIDN'T BOTHER TOO MUCH * 527 00:28:30,142 --> 00:28:34,513 * ABOUT MINNIE HA-HA AND HER TENDER TOUCH * 528 00:28:34,580 --> 00:28:38,184 * TILL SHE TOOK HIM TO THE SILVER STREAM * 529 00:28:38,250 --> 00:28:41,988 * THEN SHE WHISPERED WORDS LIKE HE HAD NEVER HEARD * 530 00:28:42,054 --> 00:28:45,992 * THAT MADE HIM ALL SHIVER INSIDE WHEN SHE SAID * 531 00:28:46,058 --> 00:28:49,728 * WIG-WAM BAM, GONNA MAKE YOU MY MAN * 532 00:28:49,796 --> 00:28:53,732 * WAM BAM BAM, GONNA GET YOU IF I CAN * 533 00:28:53,800 --> 00:28:57,336 * WIG-WAM BAM, GONNA MAKE YOU UNDERSTAND * 534 00:28:57,403 --> 00:29:01,207 * TRY A LITTLE TOUCH, TRY A LITTLE TOO MUCH * 535 00:29:01,273 --> 00:29:04,143 * JUST TRY A LITTLE WIG-WAM BAM * 536 00:29:06,478 --> 00:29:10,116 * RUNNING BEAR NEVER CARED ENOUGH * 537 00:29:10,182 --> 00:29:14,120 * ABOUT LITTLE WHITE DOVE AND HER TENDER LOVE * 538 00:29:14,186 --> 00:29:17,323 * TILL SHE TOOK HIM TO THE SILVER STREAM * 539 00:29:18,324 --> 00:29:19,859 * SHE TOLD HIM ALL ABOUT 540 00:29:19,926 --> 00:29:22,094 * WHAT HE COULDN'T LIVE WITHOUT * 541 00:29:22,161 --> 00:29:26,065 * AND MADE HIM ALL WEAK INSIDE WHEN SHE SAID * 542 00:29:26,132 --> 00:29:29,735 * WIG-WAM BAM, GONNA MAKE YOU MY MAN * 543 00:29:29,802 --> 00:29:33,739 * WAM BAM BAM, GONNA GET YOU IF I CAN * 544 00:29:33,806 --> 00:29:37,376 * WIG-WAM BAM, GONNA MAKE YOU UNDERSTAND * 545 00:29:37,443 --> 00:29:40,880 * TRY A LITTLE TOUCH, TRY A LITTLE TOO MUCH * 546 00:29:40,947 --> 00:29:43,850 * JUST TRY A LITTLE WIG-WAM BAM * 547 00:29:46,986 --> 00:29:49,721 (Billy) SO, HAVE YOU SOMEWHERE TO STAY TONIGHT, PADDY? 548 00:29:50,756 --> 00:29:53,192 OR SHOULD I CALL YOU PATRICK? 549 00:29:55,227 --> 00:29:57,596 (Patrick) YOU CAN CALL ME KITTEN, DARLING. 550 00:29:57,663 --> 00:29:58,697 KITTEN? 551 00:29:58,764 --> 00:30:00,166 MMM-HMM. 552 00:30:00,232 --> 00:30:02,201 AFTER SAINT CETTIN. 553 00:30:02,268 --> 00:30:05,571 HE OR SHE WAS AN ACOLYTE OF PATRICK, SAINT PATRICK. 554 00:30:06,638 --> 00:30:08,807 SO YOU HAVE SOMEWHERE TO STAY, THEN? 555 00:30:10,342 --> 00:30:13,479 MAMMY THREW ME OUT, I'M AFRAID. 556 00:30:13,545 --> 00:30:16,782 WELL, I COULD ALWAYS, UH, PUT YOU UP IN THE VAN. 557 00:30:16,849 --> 00:30:18,350 IT'S NOT MUCH, BUT I COULD. 558 00:30:19,285 --> 00:30:20,752 MR. HATCHETT! 559 00:30:25,858 --> 00:30:27,326 THANK YOU. 560 00:30:30,997 --> 00:30:33,265 YOU'RE WELCOME, KITTEN. 561 00:30:33,332 --> 00:30:34,566 *[Honey by Bobby Goldsboro playing] 562 00:30:34,633 --> 00:30:37,436 * AND, HONEY, I MISS YOU 563 00:30:37,503 --> 00:30:39,638 I'LL BE OFF TO THE HOTEL, THEN, KITTEN. 564 00:30:39,705 --> 00:30:41,240 [Patrick mewing] 565 00:30:42,875 --> 00:30:44,076 I'D STAY THE NIGHT. 566 00:30:44,143 --> 00:30:46,212 I'D STAY THE NIGHT, BUT THE BOYS... 567 00:30:46,278 --> 00:30:48,547 THE BOYS MIGHT GET THE WRONG IDEA. 568 00:30:48,614 --> 00:30:51,217 NO, I'VE GOTTA GO. I'VE GOTTA GO. 569 00:30:51,283 --> 00:30:53,152 OH, PLEASE DON'T GO JUST YET. 570 00:30:53,219 --> 00:30:56,622 OH, KITTEN. I GOTTA GO. I REALLY HAVE. 571 00:30:56,688 --> 00:30:58,190 * SHE WAS SAD 572 00:30:58,257 --> 00:31:00,126 * AND SO AFRAID THAT I'D BE MAD * 573 00:31:00,192 --> 00:31:02,494 BILLY! BILLY, BILLY. 574 00:31:05,631 --> 00:31:08,300 * THOUGH I PRETENDED HARD TO BE * 575 00:31:08,367 --> 00:31:10,069 IT'S BOBBY GOLDSBORO. 576 00:31:10,136 --> 00:31:12,204 * GUESS YOU COULD SAY SHE SAW THROUGH ME * 577 00:31:12,271 --> 00:31:14,806 USED TO HELP ME GET TO SLEEP. 578 00:31:14,873 --> 00:31:19,845 HIS WIFE DIES. YOU SEE, SHE DIES WHEN HE'S AWAY FROM HOME. 579 00:31:21,347 --> 00:31:24,616 OH, KITTEN, I'VE GOTTA GO NOW. 580 00:31:24,683 --> 00:31:26,518 BILLY. I REALLY HAVE. 581 00:31:26,585 --> 00:31:29,121 AND IT WAS IN THE EARLY SPRING * 582 00:31:29,188 --> 00:31:31,090 IF YOU WERE AWAY WITH THE BAND 583 00:31:31,157 --> 00:31:33,225 * WHEN FLOWERS BLOOM AND ROBINS SING, SHE WENT AWAY * 584 00:31:33,292 --> 00:31:37,496 AND YOU CAME HOME AND YOU FOUND ME LYING THERE, 585 00:31:39,031 --> 00:31:40,899 LIKE BOBBY'S WIFE... 586 00:31:40,967 --> 00:31:43,702 * AND I'M BEING GOOD 587 00:31:44,570 --> 00:31:45,837 WHAT ABOUT IT? 588 00:31:45,904 --> 00:31:48,007 * AND I'D LOVE TO BE WITH YOU * 589 00:31:48,074 --> 00:31:49,875 WHAT? WOULD YOU TAKE ME TO THE HOSPITAL? 590 00:31:49,942 --> 00:31:52,144 OH, OF COURSE I WOULD. 591 00:31:52,211 --> 00:31:53,479 OF COURSE I WOULD, KITTEN. 592 00:31:53,545 --> 00:31:57,049 OH, I WISH THAT COULD HAPPEN. 593 00:31:57,116 --> 00:31:58,617 (Running Bear) I'VE SEEN IT ALL NOW. 594 00:31:58,684 --> 00:32:00,987 I TELL YOU, I'VE FUCKING WELL SEEN IT ALL NOW. 595 00:32:01,053 --> 00:32:02,821 WHERE THE FUCK DO YOU THINK HE DISAPPEARED TO 596 00:32:02,888 --> 00:32:04,590 WHEN WE WERE IN SAN FRANCISCO? 597 00:32:05,324 --> 00:32:07,493 I'D EVEN BRING YOU FLOWERS. 598 00:32:07,559 --> 00:32:10,396 * NOW ALL I HAVE IS MEMORIES 599 00:32:10,462 --> 00:32:12,198 ROSES? 600 00:32:12,264 --> 00:32:13,565 ROSES. 601 00:32:15,534 --> 00:32:17,369 OH, BILLY. 602 00:32:18,570 --> 00:32:19,972 OH, KITTEN. 603 00:32:20,039 --> 00:32:21,373 BILLY. 604 00:32:21,440 --> 00:32:23,475 * WHERE HONEY LIVED AND HONEY PLAYED * 605 00:32:23,542 --> 00:32:26,378 * AND LOVE GREW UP * 606 00:32:26,445 --> 00:32:29,381 FOR I ASK YOU, BILLY BOBBY, NICEST MAN, 607 00:32:29,448 --> 00:32:31,883 WHAT'S AN INDIAN BAND WITHOUT A SQUAW? 608 00:32:34,020 --> 00:32:35,787 "A SQUAW?" 609 00:32:35,854 --> 00:32:37,356 [people chattering] 610 00:32:39,591 --> 00:32:44,230 * YOUNG WOMAN SHARE YOUR FIRE WITH ME * 611 00:32:47,266 --> 00:32:51,970 * MY HEART IS COLD, MY SOUL IS FREE * 612 00:32:54,906 --> 00:32:58,944 * I AM A STRANGER IN YOUR LAND * 613 00:32:59,011 --> 00:33:03,415 * A WANDERING MAN, CALL ME SAND * 614 00:33:06,152 --> 00:33:10,889 * OH SIR MY FIRE IS VERY SMALL * 615 00:33:13,792 --> 00:33:17,796 * IT WILL NOT WARM THY HEART AT ALL * 616 00:33:17,863 --> 00:33:19,098 [man cheering] 617 00:33:21,433 --> 00:33:25,537 * BUT THEE MAY TAKE ME BY THE HAND * 618 00:33:25,604 --> 00:33:29,775 * HOLD ME AND I'LL CALL THEE SAND * 619 00:33:32,811 --> 00:33:37,316 * YOUNG WOMAN SHARE YOUR FIRE WITH ME * 620 00:33:40,486 --> 00:33:45,291 * MY HEART IS COLD, MY SOUL IS FREE * 621 00:33:46,258 --> 00:33:47,993 [brakes squealing] 622 00:33:48,060 --> 00:33:52,298 * I AM A STRANGER IN YOUR LAND * 623 00:33:52,364 --> 00:33:56,402 * A WANDERING MAN, CALL ME SAND * 624 00:33:57,369 --> 00:33:58,737 NAME, PLEASE? 625 00:33:58,804 --> 00:34:01,340 PADDY KITTEN. WHAT'S YOURS, DARLING? 626 00:34:01,407 --> 00:34:03,509 I COULD TELL YOU WERE A PADDY ALL RIGHT. 627 00:34:11,617 --> 00:34:13,352 WHAT ABOUT GERONIMO? 628 00:34:13,419 --> 00:34:15,887 WHAT WOULD I KNOW? I'M JUST A MICK. 629 00:34:15,954 --> 00:34:17,523 13 OF YOUR LOT SHOT IN DERRY. 630 00:34:17,589 --> 00:34:19,458 WHAT DO YOU KNOW ABOUT THAT? 631 00:34:19,525 --> 00:34:22,294 MAYBE YOU'D KNOW ABOUT 13 LESS TO DEAL WITH. 632 00:34:23,462 --> 00:34:25,131 FUCK OFF, MATE. 633 00:34:29,535 --> 00:34:30,902 (Billy) FUCK OFF. 634 00:34:36,808 --> 00:34:41,447 * OH, SIR, MY FIRE IS BURNING HIGH * 635 00:34:44,383 --> 00:34:48,720 * IF IT SHOULD STOP, SIR, I WOULD DIE * 636 00:34:51,957 --> 00:34:56,195 * A SHOOTING STAR HAS CROSSED MY LAND * 637 00:34:56,262 --> 00:34:58,497 * WANDERING MAN 638 00:34:58,564 --> 00:35:00,065 [men yelling] 639 00:35:00,999 --> 00:35:03,202 (Billy) * SAND 640 00:35:03,269 --> 00:35:06,405 GET OFF THE FUCKING STAGE, YOU STUPID BITCH. 641 00:35:06,472 --> 00:35:08,307 [crowd protesting] 642 00:35:11,143 --> 00:35:16,548 * NOW WARMS HERSELF WITH MEMORY * 643 00:35:16,615 --> 00:35:21,153 (Billy) PATRICK, I, I--I DON'T KNOW HOW TO SAY THIS TO YOU. 644 00:35:21,220 --> 00:35:24,223 IT'S--IT'S THE BOYS, THE BOYS IN THE BAND. 645 00:35:24,290 --> 00:35:26,925 THEY FEEL A SQUAW JUST ISN'T WORKING OUT. 646 00:35:26,992 --> 00:35:28,360 [Patrick whimpers] 647 00:35:28,427 --> 00:35:30,262 (Patrick) IT COULD BE THEY HAVE A POINT. 648 00:35:30,329 --> 00:35:32,898 THEY SAY IT DOESN'T FEEL RIGHT. 649 00:35:32,964 --> 00:35:35,534 I DON'T KNOW, THEY'VE BEEN WITH ME SO LONG AND... 650 00:35:36,402 --> 00:35:38,870 [sighing] I'M SORRY. 651 00:35:38,937 --> 00:35:40,172 BUT I HAVE A LITTLE PROPOSAL. 652 00:35:40,239 --> 00:35:41,273 [gasping] 653 00:35:41,340 --> 00:35:42,708 A RING, PERHAPS? 654 00:35:42,774 --> 00:35:44,075 OH, PATRICK, PATRICK... 655 00:35:44,142 --> 00:35:45,411 SHH. 656 00:35:45,477 --> 00:35:46,645 SHH. 657 00:35:46,712 --> 00:35:48,780 I TOLD YOU NOT TO CALL ME THAT. 658 00:35:49,815 --> 00:35:52,518 I'M SORRY, KITTEN. 659 00:35:52,584 --> 00:35:55,687 *[Me and Mrs. Jones playing] 660 00:35:55,754 --> 00:36:01,092 BOBBY BILLY, WOULD YOU BRING ME SWEETIES, TOO? 661 00:36:01,159 --> 00:36:03,262 YOU KNOW I WOULD. 662 00:36:03,329 --> 00:36:04,596 (Patrick) WHAT KIND WOULD THEY BE? 663 00:36:04,663 --> 00:36:06,097 OH, FOR THE LOVE OF JESUS. 664 00:36:06,164 --> 00:36:08,267 (Patrick) NO. NO, QUALITY STREET. 665 00:36:08,334 --> 00:36:09,835 (Billy) QUALITY STREET? 666 00:36:11,770 --> 00:36:16,041 * ME AND MRS. JONES 667 00:36:19,445 --> 00:36:23,215 * WE GOT A THING 668 00:36:23,282 --> 00:36:25,684 * GOIN' ON 669 00:36:28,287 --> 00:36:29,555 IT WAS MY MOTHER'S. 670 00:36:29,621 --> 00:36:31,657 SHE LEFT IT TO ME IN HER WILL. 671 00:36:31,723 --> 00:36:35,461 NOBODY STAYS HERE, AND I--I NEED SOMEBODY TO LOOK AFTER IT, KITTEN. 672 00:36:35,527 --> 00:36:36,895 WHAT DO YOU RECKON? 673 00:36:36,962 --> 00:36:39,498 HOUSE OF DREAMS AND LONGING. 674 00:36:39,565 --> 00:36:43,702 I WOULDN'T EXACTLY CALL IT A HOUSE, BUT TELL US WHAT YOU THINK. 675 00:36:46,204 --> 00:36:48,840 * WE MEET EVERY DAY 676 00:36:48,907 --> 00:36:51,042 * AT THE SAME CAFE 677 00:36:51,109 --> 00:36:52,711 OH, TO HAVE A LITTLE HOUSE. 678 00:36:52,778 --> 00:36:56,047 TO OWN THE HEARTH, STOOL AND ALL. 679 00:36:56,114 --> 00:37:00,151 SO, KITTEN, CAN I COME AND VISIT YOU EVERY NOW AND AGAIN? 680 00:37:00,218 --> 00:37:04,690 OF COURSE YOU CAN, YOU GREAT, BIG, SILLY BOBBY GOLDSBORO. 681 00:37:04,756 --> 00:37:06,858 YOU DON'T EVEN HAVE TO ASK. 682 00:37:06,925 --> 00:37:11,663 * WHILE THE JUKEBOX PLAYS OUR FAVORITE SONGS * 683 00:37:11,730 --> 00:37:16,001 * ME AND MRS. 684 00:37:16,067 --> 00:37:18,203 * MRS. JONES 685 00:37:18,270 --> 00:37:21,707 * MRS. JONES, MRS. JONES, MRS. JONES * 686 00:37:23,442 --> 00:37:27,078 * WE GOT A THING 687 00:37:27,145 --> 00:37:30,181 * GOIN' ON 688 00:37:35,354 --> 00:37:38,156 * WE BOTH KNOW THAT IT'S WRONG * 689 00:37:39,124 --> 00:37:41,893 * BUT IT'S MUCH TOO STRONG 690 00:37:41,960 --> 00:37:45,997 * TO LET IT GO NOW 691 00:37:46,064 --> 00:37:49,267 WELL, GOODNESS GRACIOUS, ICKY-OAKIE ME. 692 00:37:50,702 --> 00:37:55,574 * WE GOTTA BE EXTRA CAREFUL 693 00:37:57,309 --> 00:38:02,247 * THAT DO WE DON'T BUILD OUR HOPES UP TOO HIGH * 694 00:38:04,983 --> 00:38:07,319 * BECAUSE SHE'S GOT 695 00:38:07,386 --> 00:38:11,390 * HER OWN OBLIGATIONS 696 00:38:11,457 --> 00:38:15,126 * AND SO, AND SO, DO I 697 00:38:15,193 --> 00:38:16,462 WHAT? 698 00:38:16,528 --> 00:38:17,896 WHAT'S WITH DIANA ROSS? 699 00:38:17,963 --> 00:38:19,598 LEAVE HIM BE, HE KNOWS NOTHING. 700 00:38:19,665 --> 00:38:20,766 KEEP IT THAT WAY. 701 00:38:20,832 --> 00:38:22,868 NO PROBLEM. 702 00:38:22,934 --> 00:38:26,805 * MRS. JONES, MRS. JONES, MRS. JONES * 703 00:38:26,872 --> 00:38:27,906 [car door slamming] 704 00:38:27,973 --> 00:38:29,207 [car engine starting] 705 00:38:29,274 --> 00:38:32,277 * WE GOT A THING GOIN' ON * 706 00:38:32,344 --> 00:38:33,812 * CAPTAIN HEELEY WENT AWAY 707 00:38:33,879 --> 00:38:35,681 * AND HIS WIFE GOT IN THE FAMILY WAY * 708 00:38:35,747 --> 00:38:37,449 * AND THE ONLY WORDS THAT SHE WOULD SAY WAS * 709 00:38:37,516 --> 00:38:40,085 * "BLAME THE BRITISH ARMY" 710 00:38:40,151 --> 00:38:41,887 * TOO RA LOO RA LOO RA LOO * 711 00:38:41,953 --> 00:38:43,689 * I'VE MADE ME MIND UP WHAT TO DO * 712 00:38:43,755 --> 00:38:45,457 * I'LL WORK MY TICKET HOME TO YOU * 713 00:38:45,524 --> 00:38:48,627 * AND FUCK THE BRITISH ARMY * 714 00:38:48,694 --> 00:38:52,564 IF I VOLUNTEER, IRWIN, COULD I HAVE PINK GLASSES, PLEASE? 715 00:38:52,631 --> 00:38:55,266 CAN'T YOU TAKE ANYTHING SERIOUS? 716 00:38:55,333 --> 00:38:58,136 OH, SERIOUS, SERIOUS, SERIOUS. 717 00:38:58,203 --> 00:39:00,238 YOU MIGHT HAVE TO SOON ENOUGH. 718 00:39:01,707 --> 00:39:03,609 SO FUCKING WHAT, CHARLIE? 719 00:39:03,675 --> 00:39:06,177 I SELL REPUBLICAN NEWS. A FEW FUCKING PAPERS, BIG DEAL. 720 00:39:06,244 --> 00:39:07,679 WHAT ARE YOU, MY FUCKING WIFE? 721 00:39:07,746 --> 00:39:08,914 DON'T YOU LIE TO ME, IRWIN. 722 00:39:08,980 --> 00:39:10,516 I DON'T BELIEVE YOUR STORIES. 723 00:39:10,582 --> 00:39:12,951 I'M INVOLVED IN NOTHING! I SELL THEIR PAPER, 724 00:39:13,018 --> 00:39:14,720 FOR ALL THE DIFFERENCE IT MAKES IN THIS KIP. 725 00:39:14,786 --> 00:39:16,488 NOBODY GIVES A FUCK! 726 00:39:16,555 --> 00:39:17,789 SOON ENOUGH THEY FUCKING WILL. 727 00:39:17,856 --> 00:39:19,157 IF I FIND OUT YOU'RE LYING TO ME, 728 00:39:19,224 --> 00:39:20,492 I'LL FINISH WITH YOU, I SWEAR! 729 00:39:20,559 --> 00:39:22,761 YEAH, WELL, FINISH IT WITH ME, SEE IF I FUCKING CARE! 730 00:39:22,828 --> 00:39:24,396 [police siren wailing] 731 00:39:31,403 --> 00:39:32,904 (officer COME ON, MOVE OFF THE ROAD. 732 00:39:32,971 --> 00:39:34,440 THERE'S A VEHICLE COMING THROUGH. 733 00:39:34,506 --> 00:39:36,207 GET BACK. IT'S FOR YOUR OWN SAFETY. 734 00:39:36,274 --> 00:39:38,076 [horns honking] 735 00:39:38,143 --> 00:39:39,711 [sirens wailing] 736 00:39:41,547 --> 00:39:43,782 (officer GET THESE PEOPLE OFF THE STREET! 737 00:39:43,849 --> 00:39:47,252 I WANT EVERYONE TO MOVE AWAY FROM THE RED VAN! 738 00:39:47,318 --> 00:39:49,721 COME ON, FOLKS. STAND BACK, PLEASE. MOVE! 739 00:39:49,788 --> 00:39:52,691 (guard) BRING IT DOWN CAREFUL NOW. YEAH, GENTLY. 740 00:39:52,758 --> 00:39:54,493 PLEASE, MOVE BACK. 741 00:39:54,560 --> 00:39:56,628 MOVE BACK. 742 00:39:56,695 --> 00:39:57,996 (officer NOW LET THE ARMY GO TO WORK. 743 00:39:58,063 --> 00:39:59,631 GET BACK, NOW, GET BACK. 744 00:40:01,399 --> 00:40:02,668 (officer MOVE BACK AND CLEAR THE AREA. 745 00:40:02,734 --> 00:40:04,002 THERE MAY BE OTHER DEVICES. 746 00:40:04,069 --> 00:40:05,336 (officer YOU'RE TO GET AWAY NOW. GET BACK, NOW. 747 00:40:05,403 --> 00:40:06,438 GET AWAY FROM THE STREET. 748 00:40:06,505 --> 00:40:07,839 GET OFF THE STREET NOW. 749 00:40:07,906 --> 00:40:09,374 (officer CLEAR THIS AREA FOR YOUR OWN SAFETY. 750 00:40:09,441 --> 00:40:10,542 MOVE BACK. 751 00:40:10,609 --> 00:40:11,610 [Lawrence screams] 752 00:40:11,677 --> 00:40:13,078 IT'S A DALEK. EXTERMINATE. 753 00:40:13,144 --> 00:40:14,312 LAWRENCE! 754 00:40:14,379 --> 00:40:16,181 EXTERMINATE. EXTERMINATE. 755 00:40:16,247 --> 00:40:18,684 EXTERMINATE. EXTERMINATE. 756 00:40:18,750 --> 00:40:19,885 (Lawrence) EXTERMINATE. 757 00:40:36,201 --> 00:40:37,603 [church bells tolling] 758 00:40:43,241 --> 00:40:44,710 [birds chirping] 759 00:40:49,280 --> 00:40:52,050 (Liam) DUST THOU ART, AND UNTO DUST THOU SHALT RETURN... 760 00:40:52,117 --> 00:40:53,284 [Mrs. Feely crying] 761 00:40:53,351 --> 00:40:55,420 UNTIL THE LORD RAISES YOU UP ON THE LAST DAY. 762 00:40:55,487 --> 00:40:59,925 LET US PRAY FOR OUR BROTHER LAWRENCE TO OUR LORD JESUS CHRIST 763 00:40:59,991 --> 00:41:03,428 WHO SAID, "I AM THE RESURRECTION, AND THE LIFE. 764 00:41:03,495 --> 00:41:06,565 "THE MAN WHO BELIEVES IN ME WILL LIVE EVEN IF HE DIES." 765 00:41:08,266 --> 00:41:12,003 OUR FATHER, WHO ART IN HEAVEN, HALLOWED BE THY NAME. 766 00:41:12,070 --> 00:41:13,739 THY KINGDOM COME 767 00:41:13,805 --> 00:41:16,775 THY WILL BE DONE ON EARTH, AS IT IS IN HEAVEN. 768 00:41:16,842 --> 00:41:19,010 GIVE US THIS DAY OUR DAILY BREAD... 769 00:41:49,941 --> 00:41:51,977 SERIOUS, SERIOUS. 770 00:41:52,043 --> 00:41:54,946 TIME FOR SOME SERIOUS SPRING CLEANING. 771 00:41:58,349 --> 00:41:59,718 FUCK. 772 00:42:01,787 --> 00:42:03,088 DON'T YOU KNOW WHAT THIS MEANS? 773 00:42:03,154 --> 00:42:05,791 DO--DO--DO YOU KNOW WHAT THESE GUYS ARE LIKE, PADDY? 774 00:42:05,857 --> 00:42:07,793 DON'T LET THIS COME BETWEEN US, BILLY. 775 00:42:07,859 --> 00:42:09,628 SHUT UP! 776 00:42:09,695 --> 00:42:11,697 [breathing heavily] 777 00:42:11,763 --> 00:42:14,265 JESUS, WHAT THE FUCK AM I GONNA DO? 778 00:42:15,934 --> 00:42:17,302 FUCKING JESUS! 779 00:42:17,368 --> 00:42:19,470 TELL THEM I WAS SPRING CLEANING, DARLING. 780 00:42:19,537 --> 00:42:20,806 WHERE ARE THEY, PADDY? 781 00:42:20,872 --> 00:42:22,874 TELL ME, WHERE ARE THEY? 782 00:42:22,941 --> 00:42:25,210 NOW, WHAT IS THIS YOU MEAN, MY DARLING? 783 00:42:25,276 --> 00:42:27,913 THE GUNS, YOU LITTLE FUCKING WHORE, WHERE ARE THEY? 784 00:42:27,979 --> 00:42:31,082 THE GUNS! IT'S ALL TOO FUCKING SERIOUS! DON'T GO FUCKING ME AROUND. 785 00:42:31,149 --> 00:42:33,885 OH, ALL OF A SUDDEN EVERYBODY'S GETTING SERIOUS. 786 00:42:33,952 --> 00:42:35,787 SERIOUS, SERIOUS, SERIOUS. 787 00:42:35,854 --> 00:42:37,656 I'M NOT FUCKING JOKING, PATRICK! 788 00:42:37,723 --> 00:42:38,890 WHERE ARE THEY? 789 00:42:38,957 --> 00:42:40,626 I TOLD YOU TO CALL ME KITTEN. 790 00:42:49,868 --> 00:42:51,737 DON'T FUCKING KNOW ME. 791 00:42:51,803 --> 00:42:53,538 YOU DON'T KNOW WHERE I'VE GONE. 792 00:42:53,605 --> 00:42:57,475 AND IF THEY COME, IF THEY FUCKING COME, YOU TELL THEM NOTHING. 793 00:42:57,542 --> 00:42:58,610 I MEAN NOTHING. 794 00:42:58,677 --> 00:42:59,978 WHATEVER YOU SAY, DARLING. 795 00:43:00,045 --> 00:43:02,547 YOU'RE WAY OUT OF YOUR LEAGUE, PATRICK. 796 00:43:02,614 --> 00:43:04,349 YOU DON'T KNOW WHAT YOU'RE DEALING WITH. 797 00:43:04,415 --> 00:43:05,651 DON'T FUCKING KNOW. 798 00:43:05,717 --> 00:43:09,320 OH, I DO. I KNOW, ALL RIGHT. 799 00:43:09,387 --> 00:43:12,290 I KNOW YOU WERE ONLY JOKING ABOUT THE ROSES 800 00:43:12,357 --> 00:43:14,425 AND SWEETS, TOO, PROBABLY. 801 00:43:14,492 --> 00:43:16,327 *[Everyday playing] 802 00:43:19,497 --> 00:43:21,432 BUT IT WAS NICE WHILE IT LASTED. 803 00:43:23,568 --> 00:43:27,906 * AND IT WON'T EVEN SHOW 804 00:43:28,840 --> 00:43:32,410 * AND NO ONE WILL KNOW 805 00:43:33,244 --> 00:43:37,015 * ONE LITTLE WAVE 806 00:43:37,082 --> 00:43:41,152 * TO SAY YOU'LL BEHAVE * 807 00:43:41,219 --> 00:43:43,321 (Charlie) ARE YOU HAPPY NOW? 808 00:43:43,388 --> 00:43:45,657 ARE YOU HAPPY NOW THAT YOU GOT WHAT YOU WANTED? 809 00:43:45,724 --> 00:43:48,026 NOW THAT THEY'VE BOMBED DOWN HERE? 810 00:43:48,093 --> 00:43:50,128 ARE YOUR REPUBLICAN FRIENDS GOOD AND HAPPY 811 00:43:50,195 --> 00:43:52,698 NOW THEY CAN SEE WHAT THEY'VE DONE? 812 00:43:52,764 --> 00:43:55,500 WHAT THE FUCK ARE YOU TALKIN' ABOUT? 813 00:43:55,566 --> 00:43:58,670 IT HAD NOTHING TO DO WITH REPUBLICANS. 814 00:43:58,737 --> 00:44:01,539 WHAT THE FUCK WOULD THEY BOMB A SOUTHERN TOWN FOR, HUH? 815 00:44:03,809 --> 00:44:06,444 YOU HEAR ME, CHARLIE? 816 00:44:06,511 --> 00:44:08,613 AND IF YOU WANT OUT, JUST SAY SO. 817 00:44:18,356 --> 00:44:20,391 [gravel crunching] 818 00:44:33,371 --> 00:44:35,040 [banging at door] 819 00:44:35,106 --> 00:44:36,307 (Horse) OPEN THE DOOR. 820 00:44:36,374 --> 00:44:37,642 [banging continues] 821 00:44:37,709 --> 00:44:39,444 I CAN'T, GO AWAY. COME BACK IN THE MORNING. 822 00:44:39,510 --> 00:44:41,279 (Jackie) OPEN IT, BITCH! THIS IS SERIOUS! 823 00:44:41,346 --> 00:44:42,547 OPEN THE FUCKING DOOR! 824 00:44:42,613 --> 00:44:45,216 OK, OKAY, OKAY, OKAY, OKAY. I'M COMING. 825 00:45:05,070 --> 00:45:06,404 (Jackie) WHERE DID HE PUT THEM? 826 00:45:06,471 --> 00:45:07,773 (Patrick) I'M AFRAID I DON'T UNDERSTAND. 827 00:45:07,839 --> 00:45:10,541 THE GUNS, NANCY BOY. WHERE DID HE PUT THE GUNS? 828 00:45:10,608 --> 00:45:11,943 OH, YES, THE GUNS. 829 00:45:12,010 --> 00:45:15,446 OH, BILLY BURIED THEM OUTSIDE JUST--JUST TO BE SAFE. 830 00:45:15,513 --> 00:45:16,614 GO. 831 00:45:19,918 --> 00:45:22,053 THERE'S NO FUCKING GUNS DOWN HERE. 832 00:45:24,122 --> 00:45:25,523 OH! I THINK THEY MIGHT JUST BE... 833 00:45:25,590 --> 00:45:27,225 THE LITTLE CUNT! HE'S TAKING THE HAND OUT OF US. 834 00:45:27,292 --> 00:45:28,526 ...OVER HERE. 835 00:45:28,593 --> 00:45:31,229 I'LL NUT HIM! I SWEAR TO GOD I'LL NUT HIM! 836 00:45:33,832 --> 00:45:35,733 SAY GOODBYE TO MY FRIENDS, WILL YOU? 837 00:45:35,801 --> 00:45:38,136 CHARLIE LIVES IN SUNBEAM HEIGHTS AND IRWIN'S UP THE BACKS. 838 00:45:38,203 --> 00:45:39,304 IRWIN WHO? 839 00:45:39,370 --> 00:45:40,605 WHY, IRWIN KERR, OF COURSE. 840 00:45:40,671 --> 00:45:41,672 THE BIG-TIME VOLUNTEER. 841 00:45:41,739 --> 00:45:43,608 HOW DO YOU KNOW IRWIN KERR? 842 00:45:43,674 --> 00:45:45,143 OH, NOTHING. NEVER MIND. 843 00:45:45,210 --> 00:45:46,778 WELL, COME ON THEN. 844 00:45:46,845 --> 00:45:48,546 JUST DO IT. I'VE NOTHING LEFT TO LIVE FOR 845 00:45:48,613 --> 00:45:50,248 IN THIS STUPID, SERIOUS WORLD. 846 00:45:50,315 --> 00:45:51,883 OH, FUCK HIM. 847 00:45:51,950 --> 00:45:53,919 LEAVE HIM BE. HE'S NOT WORTH THE BULLET, THE MENTAL NANCY BOY. 848 00:45:53,985 --> 00:45:55,420 OH, WHAT IS IT WITH NANCY BOYS 849 00:45:55,486 --> 00:45:56,888 THAT YOU CAN'T BE BOTHERED KILLING THEM? 850 00:45:56,955 --> 00:45:57,989 YOU KILL EVERYONE ELSE. 851 00:45:58,056 --> 00:45:59,090 LOOK, I'M FUCKING WARNING YOU. 852 00:45:59,157 --> 00:46:00,291 DO YOU KNOW WHAT YOU'RE DOING HERE? 853 00:46:00,358 --> 00:46:01,793 ARE YOU ON DOPE OR WHAT? 854 00:46:01,860 --> 00:46:05,030 WISH THAT I WAS, MR. KILLING MAN. WHY, DO YOU HAVE ANY? 855 00:46:05,096 --> 00:46:07,432 YOU'RE WAY OUT OF YOUR LEAGUE, SUNSHINE. 856 00:46:07,498 --> 00:46:09,634 NOT THAT AGAIN. "OUT OF YOUR LEAGUE, OUT OF YOUR LEAGUE." 857 00:46:09,700 --> 00:46:11,837 "OH, YOU'RE IN OVER YOUR HEAD. YOU'RE IN OVER YOUR HEAD." 858 00:46:11,903 --> 00:46:13,371 OH, FOR HEAVEN'S SAKE! 859 00:46:13,438 --> 00:46:15,941 SURELY YOU'VE ONE BULLET TO SPARE BETWEEN YOUS. 860 00:46:16,007 --> 00:46:17,742 AH, BOLLOCKS! 861 00:46:25,583 --> 00:46:26,717 WHERE ARE WE GOING? 862 00:46:26,784 --> 00:46:29,020 YOU HIT US, WE HIT YOU. IT'S SIMPLE. 863 00:46:29,087 --> 00:46:30,688 (Jackie) RIGHT. 864 00:46:30,755 --> 00:46:33,091 (Horse) THE BOMB WAS MADE UP HERE AND DRIVEN ACROSS THE BORDER. 865 00:46:33,158 --> 00:46:35,827 (Jackie) WEE BOBBY ANDERSON. LIKES KILLING CATHOLICS. 866 00:46:35,894 --> 00:46:38,096 IT'LL BE THE LAST FUCKING BOMB HE'LL MAKE. 867 00:46:38,163 --> 00:46:40,431 TURN THE LIGHTS OFF. KEEP IT RUNNING. 868 00:47:05,756 --> 00:47:07,558 [glass shattering] 869 00:47:07,625 --> 00:47:09,294 [gunshots] 870 00:47:09,794 --> 00:47:11,162 OH, LORD. 871 00:47:17,602 --> 00:47:19,104 [woman screaming] 872 00:47:28,479 --> 00:47:30,781 GET US THE FUCK OUT OF HERE, WILL YOU? 873 00:47:31,416 --> 00:47:32,650 WHAT'S THE SMELL? 874 00:47:32,717 --> 00:47:35,653 HE SHAT HIMSELF. YOU NOT TOILET TRAINED? 875 00:47:37,155 --> 00:47:38,489 WHAT DO YOU THINK YOU ARE, KERR? 876 00:47:38,556 --> 00:47:40,258 WHAT THE FUCK DO YOU THINK THIS IS? 877 00:47:45,763 --> 00:47:47,565 (Charlie) TELL ME YOU'RE NOT SERIOUS. 878 00:47:47,632 --> 00:47:48,934 YOU SEE, THERE'S THAT WORD AGAIN. 879 00:47:49,000 --> 00:47:50,268 IT'S EVERYWHERE. 880 00:47:50,335 --> 00:47:52,770 BUT YOU DON'T KNOW A SOUL IN LONDON, PADDY. 881 00:47:52,837 --> 00:47:55,173 THERE'S ONLY ONE SOUL I NEED, CHARLIE. 882 00:47:59,477 --> 00:48:01,412 (Charlie) YOU REALLY THINK YOU'LL FIND HER? 883 00:48:01,479 --> 00:48:03,581 HOW MANY EILY BERGINS CAN THERE BE? 884 00:48:03,648 --> 00:48:05,951 (Irwin) MAYBE SHE'S CHANGED HER NAME. 885 00:48:06,017 --> 00:48:08,386 (Patrick) SHE WON'T HAVE CHANGED HER EYES, IRWIN. 886 00:48:11,589 --> 00:48:13,091 HOW WILL YOU GET BY? 887 00:48:16,861 --> 00:48:18,596 SAINT ANTHONY WILL GUIDE ME. 888 00:48:19,998 --> 00:48:21,299 *[The Moonbeam Song playing] 889 00:48:21,366 --> 00:48:27,038 * HAVE YOU EVER WATCHED A MOONBEAM * 890 00:48:27,105 --> 00:48:31,776 * AS IT SLID ACROSS YOUR WINDOWPANE * 891 00:48:34,445 --> 00:48:37,848 * OR STRUGGLED WITH A BIT OF RAIN * 892 00:48:37,915 --> 00:48:41,319 * OR DANCED ABOUT THE WEATHERVANE * 893 00:48:41,386 --> 00:48:44,855 * OR SAT ALONG A MOVING TRAIN * 894 00:48:44,922 --> 00:48:48,293 * AND WONDERED WHERE THE TRAIN HAS BEEN * 895 00:48:48,359 --> 00:48:52,697 * OR ON A FENCE WITH BITS OF CRAP * 896 00:48:52,763 --> 00:48:55,533 * AROUND ITS BOTTOM 897 00:48:55,600 --> 00:49:00,138 * BLOWN THERE BY A WINDBEAM 898 00:49:02,173 --> 00:49:06,911 * WHO SEARCHES FOR THE MOONBEAM * 899 00:49:06,978 --> 00:49:12,117 * WHO WAS LAST SEEN LOOKING AT THE TRACKS * 900 00:49:12,183 --> 00:49:15,820 * OF THE CARELESS WINDBEAM 901 00:49:15,886 --> 00:49:18,656 * OR MOVING TO THE TRACKS 902 00:49:18,723 --> 00:49:22,893 * OF THE TIRELESS FREIGHT TRAIN * 903 00:49:22,960 --> 00:49:25,630 THE THING IS, YOU COME TO THE CITY THAT NEVER SLEEPS 904 00:49:25,696 --> 00:49:28,033 AND YOU THINK IT'S OPEN ALL THE TIME, BUT IT DOES SLEEP. 905 00:49:28,099 --> 00:49:29,600 EXCUSE ME? 906 00:49:30,368 --> 00:49:31,636 OF COURSE IT DOES. 907 00:49:31,702 --> 00:49:33,304 UH, I'M LOOKING FOR MY MOTHER, PLEASE. 908 00:49:33,371 --> 00:49:35,373 EILY BERGIN. UH, PHANTOM LADY. 909 00:49:37,542 --> 00:49:40,978 I'VE JUST GOT 2 BERGINS FOR 1956. 910 00:49:41,046 --> 00:49:44,649 BERGIN, ELLEN, AND BERGIN WITH A SIMPLE INITIAL E. 911 00:49:44,715 --> 00:49:47,785 WELL, THAT'S HER. I MEAN, IT HAS TO BE ONE OF THEM. 912 00:49:47,852 --> 00:49:51,622 ONE'S FROM ALDGATE AND THE OTHER'S FROM EAST LONDON. 913 00:49:54,459 --> 00:49:56,561 WILL YOU BE GOING BACK HOME AFTER YOU'VE FOUND HER? 914 00:49:56,627 --> 00:49:57,895 OH, YES, OF COURSE. 915 00:49:57,962 --> 00:49:59,430 MAYBE SHE'LL COME WITH ME. 916 00:50:01,899 --> 00:50:04,035 AND, SON, WILL YOU PROMISE ME SOMETHING? 917 00:50:04,102 --> 00:50:05,170 YES. 918 00:50:06,404 --> 00:50:08,173 TAKE CARE OF YOURSELF. 919 00:50:08,239 --> 00:50:09,907 OH, I WILL, MRS. HENDERSON. 920 00:50:09,974 --> 00:50:11,076 THANK YOU. 921 00:50:13,811 --> 00:50:16,147 *[Chirpy Chirpy Cheep Cheep playing] 922 00:50:16,214 --> 00:50:18,249 * WHERE'S YOUR MOMMA GONE? * 923 00:50:18,316 --> 00:50:20,151 * WHERE'S YOUR MOMMA GONE? * 924 00:50:20,218 --> 00:50:22,220 * LITTLE BABY GONE 925 00:50:22,287 --> 00:50:23,888 * LITTLE BABY GONE 926 00:50:23,954 --> 00:50:26,057 * WHERE'S YOUR MOMMA GONE? * 927 00:50:26,124 --> 00:50:27,758 * WHERE'S YOUR MOMMA GONE? * 928 00:50:27,825 --> 00:50:31,396 * FAR FAR AWAY 929 00:50:31,462 --> 00:50:33,798 * WHERE'S YOUR POPPA GONE * 930 00:50:33,864 --> 00:50:35,266 * WHERE'S YOUR POPPA GONE * 931 00:50:35,333 --> 00:50:37,568 * LITTLE BABY GONE 932 00:50:37,635 --> 00:50:38,836 * LITTLE BABY GONE 933 00:50:38,903 --> 00:50:40,405 * WHERE'S YOUR POPPA GONE * 934 00:50:40,471 --> 00:50:42,973 NO, MATE, THEY KNOCKED THOSE HOUSES DOWN YEARS AGO. 935 00:50:43,040 --> 00:50:45,910 * FAR FAR AWAY 936 00:50:46,644 --> 00:50:50,715 * FAR FAR AWAY 937 00:50:52,317 --> 00:50:56,053 * LAST NIGHT I HEARD MY MOMMA SINGING THIS SONG * 938 00:50:56,121 --> 00:50:59,390 * OOH WEE CHIRPY CHIRPY CHEEP CHEEP * 939 00:50:59,457 --> 00:51:03,294 * WOKE UP THIS MORNING AND MY MOMMA WAS GONE * 940 00:51:03,361 --> 00:51:06,697 * OOH WEE CHIRPY CHIRPY CHEEP CHEEP* 941 00:51:06,764 --> 00:51:10,435 * CHIRPY CHIRPY CHEEP CHEEP CHIRP * 942 00:51:10,501 --> 00:51:12,770 * WHERE'S YOUR MOMMA GONE * 943 00:51:12,837 --> 00:51:14,439 * WHERE'S YOUR MOMMA GONE * 944 00:51:14,505 --> 00:51:16,574 * LITTLE BABY GONE 945 00:51:16,641 --> 00:51:18,109 * LITTLE BABY GONE 946 00:51:18,176 --> 00:51:20,211 * WHERE'S YOUR MOMMA GONE * 947 00:51:20,278 --> 00:51:21,779 * WHERE'S YOUR MOMMA GONE * 948 00:51:21,846 --> 00:51:25,516 * FAR FAR AWAY 949 00:51:25,583 --> 00:51:27,818 * WHERE'S YOUR POPPA GONE * 950 00:51:27,885 --> 00:51:29,320 * WHERE'S YOUR POPPA GONE * 951 00:51:29,387 --> 00:51:31,456 * LITTLE BABY GONE 952 00:51:31,522 --> 00:51:33,358 * LITTLE BABY GONE * 953 00:51:34,625 --> 00:51:35,626 I'M... 954 00:52:37,888 --> 00:52:39,390 [humming] 955 00:52:43,127 --> 00:52:44,495 (John Joe) THE MAN HIMSELF. 956 00:52:46,063 --> 00:52:47,465 ABOUT TIME, TOO. 957 00:52:50,235 --> 00:52:51,769 [grunting] 958 00:52:51,836 --> 00:52:53,771 ARE YOU HERE FOR THE JOB, KID? 959 00:52:57,242 --> 00:52:58,576 WHAT JOB? 960 00:52:58,643 --> 00:53:00,177 THIS IS SHOWBIZ, KID. YOU GOTTA BE ON THE BALL. 961 00:53:00,245 --> 00:53:02,647 YOU TRY THAT WITH STEPHENSON, NOW, YOU'VE NO FUCKING CHANCE. 962 00:53:02,713 --> 00:53:03,914 WHO'S STEPHENSON? 963 00:53:03,981 --> 00:53:05,316 HE THINKS HE'S IN CHARGE. 964 00:53:05,383 --> 00:53:07,385 R.A.F., MY BOLLOCKS! I'LL GIVE HIM R.A.F. 965 00:53:07,452 --> 00:53:08,886 YOU'RE IRISH, YOU ARE. 966 00:53:08,953 --> 00:53:11,222 TYREELIN, COUNTY CAVAN. 967 00:53:11,289 --> 00:53:13,458 WELL THEN, COUNTY CAVAN, 968 00:53:13,524 --> 00:53:15,726 GIVE US A SONG AND YOU'RE HOME AND DRY. 969 00:53:17,962 --> 00:53:20,598 * UNDERGROUND, OVERGROUND, WOMBLING FREE * 970 00:53:20,665 --> 00:53:22,933 (both) * THE WOMBLES OF WIMBLEDON COMMON ARE WE * 971 00:53:23,000 --> 00:53:24,134 GOOD MAN, YOU HAVE IT. 972 00:53:24,201 --> 00:53:26,904 NOW THE DANCE, OK? OK? 973 00:53:26,971 --> 00:53:28,973 I'M GOING IN. 974 00:53:29,039 --> 00:53:30,841 (John Joe) RIGHT. HOP, 1. HOP, 2. 975 00:53:30,908 --> 00:53:33,043 HOP, 1, 2, 3. 976 00:53:33,110 --> 00:53:34,412 TOOSH, TOOSH, TOOSH. 977 00:53:34,479 --> 00:53:36,947 FLAP, FLAP, FLAP. OK? GO, GO ON. 978 00:53:37,014 --> 00:53:40,718 HOP, HOP 1, HOP 2, HOP 1, 2, 3. 979 00:53:40,785 --> 00:53:41,986 TOOSH, TOOSH, TOOSH. 980 00:53:42,052 --> 00:53:43,588 FLAP, FLAP, FLAP. RIGHT, READY? 981 00:53:43,654 --> 00:53:45,923 RIGHT, HOP 1, HOP 2. 982 00:53:45,990 --> 00:53:47,024 FOR FUCK'S SAKE, WILL YOU HOP RIGHT? 983 00:53:47,091 --> 00:53:48,626 1, 2, 3. 984 00:53:48,693 --> 00:53:52,062 (both) HOP 1, HOP 2. HOP, 1, 2, 3. 985 00:53:52,129 --> 00:53:53,431 (both) TOOSH, TOOSH, TOOSH. 986 00:53:53,498 --> 00:53:55,466 FLAP, FLAP. FLAP IT OUT, FLAP IT OUT. 987 00:53:56,634 --> 00:53:57,868 SELL IT TO ME. 988 00:53:57,935 --> 00:53:59,437 *[The Wombling Song playing] 989 00:53:59,504 --> 00:54:02,740 * OVERGROUND, UNDERGROUND, WOMBLING FREE * 990 00:54:02,807 --> 00:54:05,476 * THE WOMBLES OF WIMBLEDON COMMON ARE WE * 991 00:54:05,543 --> 00:54:07,878 GIVE HIM THE DRILL, BULGARIA. 992 00:54:07,945 --> 00:54:09,213 ENOUGH ALREADY. 993 00:54:09,280 --> 00:54:10,948 YOU TAKE THE CROQUET. CAPISCE? 994 00:54:11,015 --> 00:54:12,383 CAPISCE. I GOTTA WHEEL. 995 00:54:12,450 --> 00:54:14,319 EVERY MORNING, 9:00, BE THERE. 996 00:54:14,385 --> 00:54:17,488 * THINGS THAT THE EVERYDAY FOLKS LEAVE BEHIND * 997 00:54:17,555 --> 00:54:20,358 * UNCLE BULGARIA 998 00:54:20,425 --> 00:54:22,427 * HE CAN REMEMBER THE DAYS 999 00:54:22,493 --> 00:54:26,431 * WHEN HE WASN'T BEHIND THE TIMES * 1000 00:54:26,497 --> 00:54:28,666 * WITH HIS MAP OF THE WORLD * 1001 00:54:28,733 --> 00:54:30,401 (Stephenson) BULGARIA? 1002 00:54:30,468 --> 00:54:32,403 I TOLD YOU BEFORE, THESE ARE YOUR RESPONSIBILITY. 1003 00:54:32,470 --> 00:54:33,871 YOU'RE HEAD WOMBLE HERE. 1004 00:54:33,938 --> 00:54:36,273 WELL, THAT'S THIS.... FUCK! FUCK! 1005 00:54:36,341 --> 00:54:38,008 I'LL GIVE YOU R.A.F. 1006 00:54:38,075 --> 00:54:40,210 I BROKE NO FUCKING MALLET! I BROKE NO FUCKING MALLET! 1007 00:54:40,277 --> 00:54:41,512 (Stephenson) KEEP AWAY FROM ME. 1008 00:54:41,579 --> 00:54:42,613 [both arguing] 1009 00:54:42,680 --> 00:54:44,114 (Stephenson) PUT THAT DOWN! 1010 00:54:44,181 --> 00:54:46,617 (John Joe) I'LL BREAK IT ACROSS YOUR BACK, YOU BOLLOCKS! 1011 00:54:46,684 --> 00:54:48,586 I'LL BUST IT... 1012 00:54:48,653 --> 00:54:50,254 [boys laughing] 1013 00:54:53,190 --> 00:54:54,825 "YOU BROKE THE MALLET," HE SAYS. 1014 00:54:54,892 --> 00:54:58,329 "I'LL HAVE TO DOCK IT FROM YOUR PAY." I BROKE NO FUCKING MALLET. 1015 00:54:58,396 --> 00:54:59,864 YOU FUCKED ME ONE LAST TIME. 1016 00:54:59,930 --> 00:55:01,899 R.A.F., MY BOLLOCKS! THAT'S THE END OF THE LINE! 1017 00:55:01,966 --> 00:55:03,701 ENOUGH OF THAT, JOHN JOE. 1018 00:55:04,902 --> 00:55:06,236 BACK OFF, MOTHERFUCKER. 1019 00:55:06,303 --> 00:55:07,905 YOU DON'T KNOW WHAT YOU'RE DEALING WITH HERE! 1020 00:55:07,972 --> 00:55:10,074 BACK IN THE CAN, YOU WANNA KNOW WHAT THEY USED TO SAY? 1021 00:55:10,140 --> 00:55:12,777 "STAY AWAY, MAN. HE'S OUT WHERE THE BUSES DON'T RUN!" 1022 00:55:12,843 --> 00:55:14,612 YOU'RE OUT OF YOUR LEAGUE HERE, FRIEND. 1023 00:55:14,679 --> 00:55:17,214 OH, NOT THAT AGAIN. 1024 00:55:17,281 --> 00:55:18,649 YOU HAVE TO SHOW THEM WHERE YOU STAND. 1025 00:55:18,716 --> 00:55:20,985 THEY FUCK WITH YOU, YOU FUCK WITH THEM. 1026 00:55:21,051 --> 00:55:23,654 YOU FUCK THEM SO BAD YOU MAKE THEM WISH THEY'D NEVER BEEN BORN. 1027 00:55:23,721 --> 00:55:24,889 YOU WANT ANOTHER SHOT? 1028 00:55:24,955 --> 00:55:26,424 I'D LOVE A BABYCHAM. 1029 00:55:27,324 --> 00:55:29,727 YOU GOT IT, KEMO SABE. 1030 00:55:29,794 --> 00:55:32,630 TOMMY, ONE BABYCHAM, ONE POWERS. 1031 00:55:33,263 --> 00:55:34,365 PLEASE. 1032 00:55:34,432 --> 00:55:36,401 2 WEEKS' SEVERANCE, IN THE PAW. 1033 00:55:36,467 --> 00:55:39,203 YOU FUCK WITH JOHN JOE KENNY, THAT'S ONE TIME YOU FUCK TOO MANY. 1034 00:55:39,269 --> 00:55:40,671 CAPISCE, COMPADRE? 1035 00:55:40,738 --> 00:55:42,373 HE'S FROM CAVAN. 1036 00:55:42,440 --> 00:55:44,909 SO, WHERE'S CAVAN? 1037 00:55:44,975 --> 00:55:46,577 NEXT TO MONAGHAN. 1038 00:55:48,145 --> 00:55:49,279 I'M GOING FOR A WOMBLE. 1039 00:55:49,346 --> 00:55:51,215 IF YOU WANT TO COME, GIVE US A SHOUT, RIGHT? 1040 00:55:51,281 --> 00:55:53,117 REALLY, UNCLE BULGARIA. 1041 00:55:53,183 --> 00:55:55,686 (John Joe and Patrick) * UNDERGROUND, OVERGROUND, WOMBLING FREE * 1042 00:55:55,753 --> 00:55:59,023 * THE WOMBLES OF WIMBLEDON COMMON ARE WE * 1043 00:55:59,089 --> 00:56:01,992 * UNDERGROUND, OVERGROUND, WOMBLING FREE * 1044 00:56:02,059 --> 00:56:04,529 I WAS A WOMBLE ONE TIME. DID YOU KNOW THAT? 1045 00:56:07,598 --> 00:56:10,635 HEY, YOU CAN'T SLEEP HERE, LOVE. 1046 00:56:10,701 --> 00:56:12,670 HAVE YOU GOT A HOME TO GO TO? 1047 00:56:14,204 --> 00:56:17,141 YOU CAN GET A CAB OUTSIDE. 1048 00:56:17,207 --> 00:56:22,046 OH, I DO BELIEVE I HAVE A SMALL, ELFIN DWELLING ON WIMBLEDON COMMON. 1049 00:56:30,421 --> 00:56:31,889 [men chattering] 1050 00:56:33,157 --> 00:56:34,925 OI! 1051 00:56:34,992 --> 00:56:37,127 YOU DOING BUSINESS, DO IT SOMEWHERE ELSE, LOVE. 1052 00:56:37,194 --> 00:56:38,963 THIS PAVEMENT'S GOT MY NAME ON IT. 1053 00:56:39,029 --> 00:56:42,032 WHAT, PRAY, IS YOUR NAME? "CONCRETE"? 1054 00:56:42,099 --> 00:56:45,102 MY NAME IS "SCRATCH YOUR EYES OUT," "BITE YOUR BLEEDING NOSE OFF," 1055 00:56:45,169 --> 00:56:48,072 WHICH IS WHAT I'LL DO IF YOU DON'T GET OFF MY PATCH. 1056 00:56:49,139 --> 00:56:51,275 ALL RIGHT, LOVER? 1057 00:56:51,341 --> 00:56:52,943 SHE GIVING YOU TROUBLE, SON? 1058 00:56:53,010 --> 00:56:55,646 OH, NO TROUBLE AT ALL. WE WERE JUST EXCHANGING NAMES. 1059 00:56:57,748 --> 00:57:00,417 (hooker) GO ON, YOU FUCKING NANCY BOY! 1060 00:57:00,485 --> 00:57:02,853 DON'T FUCKING COME BACK! 1061 00:57:02,920 --> 00:57:04,922 (Patrick) AND HER NAME IS "SCRATCH YOUR EYES OUT 1062 00:57:04,989 --> 00:57:06,957 AND BITE YOUR BLEEDING NOSE OFF." 1063 00:57:07,024 --> 00:57:09,727 AND MY NAME IS PATRICIA KITTEN BRADEN. 1064 00:57:09,794 --> 00:57:12,663 PLEASED TO MEET YOU, PATRICIA KITTEN BRADEN. 1065 00:57:14,064 --> 00:57:16,033 JUST WHAT WERE YOU DOING BACK THERE? 1066 00:57:16,100 --> 00:57:18,102 I WAS LOOKING FOR THE PHANTOM LADY. 1067 00:57:18,168 --> 00:57:20,170 YOU FOUND THE RIGHT STREET, THEN. 1068 00:57:20,237 --> 00:57:23,273 WHY, WHAT'S IT CALLED? PHANTOM LADY STREET? 1069 00:57:23,340 --> 00:57:24,775 YOU COULD CALL IT THAT. 1070 00:57:24,842 --> 00:57:27,077 AND JUST WHO IS THIS PHANTOM LADY? 1071 00:57:27,144 --> 00:57:30,180 WELL, IT'S MY MOTHER, REALLY. I CALL HER THAT. 1072 00:57:30,247 --> 00:57:34,284 TO PRETEND IT'S A STORY THAT'S HAPPENING TO SOMEONE ELSE, YOU SEE. 1073 00:57:34,351 --> 00:57:36,186 AND WHY DO YOU PRETEND THAT? 1074 00:57:36,253 --> 00:57:39,323 BECAUSE OTHERWISE I MIGHT CRY AND NEVER STOP. 1075 00:57:39,389 --> 00:57:42,059 IF YOU CRIED, I'D MAKE YOU STOP. 1076 00:57:42,126 --> 00:57:43,761 OH, YOU WOULD? 1077 00:57:43,828 --> 00:57:46,597 OH, HOW KIND, KIND SIR. 1078 00:57:46,664 --> 00:57:48,966 YES, I'D DEFINITELY MAKE YOU STOP. 1079 00:57:54,004 --> 00:57:56,406 (Mr. Silky String) AND JUST WHAT IS IT YOU DO, THEN? 1080 00:57:56,473 --> 00:58:00,845 (Patrick) OH, THIS AND THAT. SHOWBIZ, KIND OF. SINGING. 1081 00:58:00,911 --> 00:58:02,913 WHAT DO YOU LIKE TO SING ABOUT? 1082 00:58:02,980 --> 00:58:04,549 I SING ABOUT TRUE LOVE. 1083 00:58:05,249 --> 00:58:07,184 THAT'S NICE. 1084 00:58:07,251 --> 00:58:08,886 HAVE YOU EVER FOUND IT? 1085 00:58:10,821 --> 00:58:12,957 I THOUGHT I HAD, ONCE. 1086 00:58:16,060 --> 00:58:17,962 HERE'S ONE ABOUT TRUE LOVE. 1087 00:58:18,028 --> 00:58:19,463 *[Feelings by Morris Albert playing on radio] 1088 00:58:19,530 --> 00:58:21,131 * FEELINGS 1089 00:58:22,299 --> 00:58:24,268 EVER HEARD THIS ONE? 1090 00:58:24,334 --> 00:58:26,036 * NOTHING MORE THAN FEELINGS 1091 00:58:26,103 --> 00:58:27,872 NICE, ISN'T IT? 1092 00:58:27,938 --> 00:58:30,207 I JUST LOVE LOVE SONGS. 1093 00:58:30,274 --> 00:58:33,410 * TRYING TO FORGET MY 1094 00:58:34,579 --> 00:58:36,213 TAKE IT OFF. 1095 00:58:36,280 --> 00:58:37,948 * FEELINGS OF LOVE 1096 00:58:38,015 --> 00:58:39,183 DON'T YOU LIKE IT? 1097 00:58:39,249 --> 00:58:41,018 TAKE IT OFF, THERE'S A GOOD LAD. 1098 00:58:43,688 --> 00:58:45,389 AS YOU WISH, SIR. 1099 00:58:48,458 --> 00:58:52,462 * ROLLING DOWN ON MY FACE 1100 00:58:52,529 --> 00:58:53,964 NOW, ISN'T THAT MORE COMFORTABLE? 1101 00:58:54,031 --> 00:58:55,032 YES, SIR. 1102 00:58:55,099 --> 00:58:57,434 * TRYING TO FORGET MY 1103 00:58:57,501 --> 00:59:00,537 OF COURSE IT IS, MY LOVE-LOVING FRIEND. 1104 00:59:00,605 --> 00:59:02,006 * FEELINGS OF LOVE 1105 00:59:02,072 --> 00:59:04,909 HERE, FEEL THAT. 1106 00:59:05,843 --> 00:59:06,977 HMM. 1107 00:59:07,044 --> 00:59:09,647 * FEELINGS 1108 00:59:09,714 --> 00:59:12,082 GOOD OLD-FASHIONED SILK. HMM. 1109 00:59:12,149 --> 00:59:13,350 HERE YOU ARE. 1110 00:59:13,984 --> 00:59:15,419 THANK YOU. 1111 00:59:17,487 --> 00:59:21,659 * I WISH I'VE NEVER MET YOU, GIRL * 1112 00:59:23,493 --> 00:59:26,296 * YOU'LL NEVER COME AGAIN IT'S BEAUTIFUL. 1113 00:59:28,365 --> 00:59:29,466 YOU LIKE IT? 1114 00:59:29,533 --> 00:59:30,635 IT'S BEAUTIFUL. 1115 00:59:30,701 --> 00:59:32,036 * FEELINGS 1116 00:59:32,102 --> 00:59:33,337 LIKE IT? 1117 00:59:33,403 --> 00:59:34,471 [horn blaring] 1118 00:59:34,538 --> 00:59:35,906 [grunts] 1119 00:59:37,074 --> 00:59:38,575 * FEELINGS 1120 00:59:38,643 --> 00:59:40,077 [gasping] 1121 00:59:43,180 --> 00:59:44,949 * FEELINGS 1122 00:59:45,015 --> 00:59:48,653 (Patrick) BUT DID TRUE LOVE SAVE KITTEN FROM THE HANDS OF THE BEAST 1123 00:59:48,719 --> 00:59:51,088 IN THAT WORST OF ALL FAIRY TALES? 1124 00:59:51,155 --> 00:59:53,958 [screaming] NO, WHAT SAVED KITTEN 1125 00:59:54,024 --> 00:59:56,794 WAS HER PRECIOUS PERFUME SPRAY 1126 00:59:56,861 --> 01:00:00,731 BOUGHT FOR 2.99 IN ROCHES STORES ON HENRY STREET 1127 01:00:00,798 --> 01:00:05,335 BEFORE SHE LEFT HER BELOVED EMERALD ISLE. 1128 01:00:05,402 --> 01:00:08,806 * AND FEELINGS LIKE I'VE NEVER HAVE YOU * 1129 01:00:11,008 --> 01:00:14,078 * AGAIN IN MY HEART * 1130 01:00:14,144 --> 01:00:15,345 (Bertie) HELLO. 1131 01:00:17,815 --> 01:00:18,983 I'M SORRY TO INTERRUPT, 1132 01:00:19,049 --> 01:00:22,086 BUT ARE YOU ALL RIGHT, MISS? 1133 01:00:24,822 --> 01:00:27,257 YES, FINE, THANK YOU. 1134 01:00:27,324 --> 01:00:31,561 JUST TIRED AFTER MY HARD DAY'S WORK. 1135 01:00:31,628 --> 01:00:34,298 YOU HAVE BEEN SITTING THERE FOR 4 HOURS NOW. 1136 01:00:36,734 --> 01:00:39,236 YES, BUSY AT MY DESK. 1137 01:00:40,671 --> 01:00:42,406 BUSY AT YOUR DESK? 1138 01:00:43,473 --> 01:00:44,474 MMM-HMM. 1139 01:00:45,375 --> 01:00:47,077 WRITING MY LITTLE BOOK. 1140 01:00:49,013 --> 01:00:50,447 YOUR LITTLE BOOK? 1141 01:00:53,017 --> 01:00:54,451 WHAT TYPE OF BOOK? 1142 01:00:58,188 --> 01:00:59,489 WELL, IT'S A... 1143 01:00:59,556 --> 01:01:02,659 IT'S A MYSTERY THRILLER, SIR. 1144 01:01:02,727 --> 01:01:04,862 ABOUT A WOMAN WHO DISAPPEARS. 1145 01:01:06,663 --> 01:01:09,399 MAY I ASK WHAT IT'S CALLED? 1146 01:01:11,468 --> 01:01:12,737 YES. 1147 01:01:13,403 --> 01:01:14,671 IT'S CALLED 1148 01:01:16,506 --> 01:01:17,975 FOOTPRINTS IN THE CUSTARD. 1149 01:01:19,744 --> 01:01:20,745 HMM. 1150 01:01:22,212 --> 01:01:25,182 NO, I'M ONLY JOKING. IT DOESN'T HAVE A NAME YET 1151 01:01:25,249 --> 01:01:27,084 BECAUSE I DON'T KNOW WHAT'S GONNA HAPPEN, 1152 01:01:27,151 --> 01:01:28,853 IF THE MYSTERY IS EVER SOLVED. 1153 01:01:29,887 --> 01:01:31,688 BUT THE LADY HAS A NAME? 1154 01:01:31,756 --> 01:01:32,757 UH-HUH. 1155 01:01:33,523 --> 01:01:34,959 PHANTOM LADY. 1156 01:01:36,293 --> 01:01:37,728 "PHANTOM LADY." 1157 01:01:40,497 --> 01:01:42,933 NO, HER REAL NAME'S EILY BERGIN. 1158 01:01:43,000 --> 01:01:44,401 AND SHE WAS MY MOTHER. 1159 01:01:44,468 --> 01:01:46,103 YOUR MOTHER? YEAH. 1160 01:01:46,170 --> 01:01:48,305 AND THEN SHE WENT AWAY TO THE CITY OF ALL CITIES 1161 01:01:48,372 --> 01:01:50,941 THAT NEVER SLEEPS FROM DUSK TILL DAWN. 1162 01:01:51,008 --> 01:01:53,210 SO, YOU THINK SHE'S HERE IN LONDON? 1163 01:01:53,277 --> 01:01:55,079 NO, I KNOW SHE'S HERE IN LONDON. 1164 01:01:55,145 --> 01:01:56,847 FANTASTIC! 1165 01:01:56,914 --> 01:01:58,148 [chuckles] 1166 01:01:58,215 --> 01:02:01,418 THE FANTASTIC TALE OF EILY BERGIN. 1167 01:02:01,485 --> 01:02:03,888 I CAN'T WAIT TO HEAR THE ENDING. 1168 01:02:03,954 --> 01:02:05,689 BUT YOU HAVEN'T EVEN HEARD THE START. 1169 01:02:05,756 --> 01:02:07,424 I CAN'T WAIT TO HEAR THAT, EITHER. 1170 01:02:10,027 --> 01:02:11,896 SO, ARE YOU A WRITER, TOO, THEN, SIR? 1171 01:02:11,962 --> 01:02:13,630 OH, GOOD LORD, NO. 1172 01:02:15,800 --> 01:02:18,668 BUT SOMETHING SIMILAR, MAYBE. 1173 01:02:18,735 --> 01:02:22,539 SOMETHING SIMILAR? I WONDER WHAT THAT COULD BE. 1174 01:02:26,476 --> 01:02:27,945 [Patrick exclaims] 1175 01:02:29,013 --> 01:02:31,615 YOU'RE A MAGICIAN! 1176 01:02:31,681 --> 01:02:34,251 BERTIE VAUGHAN AT YOUR SERVICE. 1177 01:02:36,086 --> 01:02:39,790 NOW, THE FIRST THING THAT HAS TO BE SAID, BERTIE DEAREST, 1178 01:02:39,857 --> 01:02:44,228 IS THAT YOU BEAR ABSOLUTELY NO RESEMBLANCE TO MARLON "MARGARINE" BRANDO. 1179 01:02:45,062 --> 01:02:46,964 WE ALL HAVE OUR OFF DAYS. 1180 01:02:48,332 --> 01:02:51,368 SO, TELL ME MORE ABOUT THE PHANTOM LADY. 1181 01:02:51,435 --> 01:02:54,071 WHY? WHAT'S IN IT FOR ME? 1182 01:02:54,138 --> 01:02:56,140 I'LL TAKE YOU TO SEE MY SHOW. 1183 01:02:56,206 --> 01:02:58,976 OH, IT'S A DEAL, MAGIC. 1184 01:02:59,043 --> 01:03:03,881 SO, WHERE WERE WE? YES, THE PHANTOM LADY. 1185 01:03:03,948 --> 01:03:06,450 EILY BERGIN HAD JUST ARRIVED IN DUBLIN 1186 01:03:06,516 --> 01:03:08,886 AND JUST REALIZED THAT HER BOAT DIDN'T SAIL 1187 01:03:08,953 --> 01:03:10,554 FOR ANOTHER 4 HOURS. 1188 01:03:21,598 --> 01:03:23,767 LO AND BEHOLD, NOT A SCRATCH. 1189 01:03:23,834 --> 01:03:25,269 (Bertie) THANK YOU, MY DEAR. 1190 01:03:27,337 --> 01:03:28,572 PICK A CARD. 1191 01:03:29,339 --> 01:03:30,941 ANYONE? 1192 01:03:31,008 --> 01:03:33,077 COME ALONG, MADAM, PICK A CARD. 1193 01:03:33,143 --> 01:03:34,544 ANY CARD. 1194 01:03:39,483 --> 01:03:40,684 OH, MY GOD! 1195 01:03:40,750 --> 01:03:42,887 OH, YES, BLIMEY. 1196 01:03:42,953 --> 01:03:44,521 "OH, MY GOD" IS RIGHT. 1197 01:03:44,588 --> 01:03:48,525 I DO BELIEVE YOU'VE CHOSEN THE 101 OF HEARTS. 1198 01:03:48,592 --> 01:03:50,627 THANK YOU, MY DEAR, I'LL TAKE CARE OF THAT. 1199 01:03:50,694 --> 01:03:52,429 [people applauding] 1200 01:03:52,496 --> 01:03:54,098 *[The Windmills of Your Mind playing] 1201 01:03:54,164 --> 01:03:56,066 TIME, OF COURSE. 1202 01:03:56,133 --> 01:03:57,935 THE TIME. OH. 1203 01:03:58,002 --> 01:04:00,971 LOOKS LIKE IT'S UP, YOU LOVELY PEOPLE. 1204 01:04:02,272 --> 01:04:06,443 COME ON, HELP ME, PLEASE, MY LOVES. 1205 01:04:06,510 --> 01:04:11,115 ANYONE OUT THERE WILLING TO ENCOUNTER THE GREAT WATCH? 1206 01:04:11,181 --> 01:04:12,883 * LIKE A CAROUSEL THAT'S TURNING * 1207 01:04:12,950 --> 01:04:15,619 * RUNNING RINGS AROUND THE MOON * 1208 01:04:17,087 --> 01:04:19,723 HELLO, YOUNG LADY. HELLO. 1209 01:04:19,789 --> 01:04:23,093 AND WHAT'S THE STORY BEHIND THOSE BEAUTIFUL BLUE EYES? 1210 01:04:23,160 --> 01:04:26,696 * AND THE WORLD IS LIKE AN APPLE WHIRLING SILENTLY IN SPACE * 1211 01:04:26,763 --> 01:04:29,199 WHAT'S YOUR NAME, YOUNG LADY? 1212 01:04:29,266 --> 01:04:31,835 PATRICIA KITTEN BRADEN. 1213 01:04:31,902 --> 01:04:33,971 AND WHERE ARE YOU FROM, MY DEAR? 1214 01:04:34,038 --> 01:04:35,305 IRELAND. 1215 01:04:35,372 --> 01:04:38,608 KEEP YOUR EYE ON THE WATCH, YOUNG PATRICIA. 1216 01:04:40,277 --> 01:04:42,112 THE WHOLE WORLD IS IN THERE. 1217 01:04:44,048 --> 01:04:45,815 TICK-TOCK. 1218 01:04:45,882 --> 01:04:47,817 * LIKE A TUNNEL THAT YOU FOLLOW * 1219 01:04:47,884 --> 01:04:50,120 SWING-SWONG. 1220 01:04:50,187 --> 01:04:51,755 * TO A TUNNEL OF ITS OWN 1221 01:04:51,821 --> 01:04:53,590 AND, DARE I SAY IT 1222 01:04:54,224 --> 01:04:55,659 DING-DONG. 1223 01:04:55,725 --> 01:04:57,394 * DOWN A HOLLOW TO A CAVERN 1224 01:04:57,461 --> 01:05:00,864 AND LET THE GREAT WATCH GUIDE YOU. 1225 01:05:02,399 --> 01:05:05,936 * LIKE A DOOR THAT KEEPS REVOLVING * 1226 01:05:06,003 --> 01:05:09,839 * IN A HALF-FORGOTTEN DREAM 1227 01:05:10,907 --> 01:05:13,743 * OR THE RIPPLES FROM A PEBBLE * 1228 01:05:13,810 --> 01:05:17,114 AND WHAT BRINGS YOU TO OUR GREAT METROPOLIS? 1229 01:05:17,181 --> 01:05:19,549 I'M LOOKING FOR MY MAMMY. 1230 01:05:19,616 --> 01:05:22,586 OH. AND WHERE DID MUMMY GO? 1231 01:05:23,553 --> 01:05:25,089 THE CITY SWALLOWED HER UP. 1232 01:05:25,155 --> 01:05:27,857 OH, FANCY THAT. 1233 01:05:27,924 --> 01:05:29,859 WELL, IT WILL DO THAT TO PEOPLE. 1234 01:05:31,828 --> 01:05:35,265 BUT DO YOU KNOW WHAT, PATRICIA? 1235 01:05:35,332 --> 01:05:38,202 I THINK I SEE YOUR MOTHER. WHERE? 1236 01:05:38,268 --> 01:05:41,471 WHY, DOWN THERE BY THAT TABLE BY THE JUKEBOX. 1237 01:05:42,072 --> 01:05:43,607 MAMMY! 1238 01:05:43,673 --> 01:05:45,242 [people laughing] 1239 01:05:47,077 --> 01:05:49,779 ON SECOND THOUGHTS, PATRICIA, 1240 01:05:49,846 --> 01:05:52,882 SHE'S NOT YOUR MOTHER, SHE'S YOUR GREAT-AUNT IDA. 1241 01:05:52,949 --> 01:05:55,252 THAT'S YOUR MOTHER OVER THERE. 1242 01:05:55,685 --> 01:05:57,021 MAMMY? 1243 01:05:58,555 --> 01:06:00,024 MAMMY! 1244 01:06:00,690 --> 01:06:02,159 OH, MAMMY. 1245 01:06:02,226 --> 01:06:03,893 [people laughing] 1246 01:06:05,129 --> 01:06:07,331 ACTUALLY, 1247 01:06:07,397 --> 01:06:10,934 PATRICIA, THAT-THAT'S YOUR 2ND COUSIN RONNIE, JUST OUT OF THE SCRUBS. 1248 01:06:12,469 --> 01:06:13,870 IN FACT, 1249 01:06:15,105 --> 01:06:17,307 YOUR MUMMY IS RIGHT UP HERE. 1250 01:06:19,043 --> 01:06:20,844 UP HERE ON STAGE. 1251 01:06:21,745 --> 01:06:23,480 COME TO MUMMY. 1252 01:06:24,548 --> 01:06:26,483 COME TO MUMMY. 1253 01:06:27,284 --> 01:06:29,353 COME TO MUMMY. 1254 01:06:29,419 --> 01:06:31,721 (Bertie) COME TO MUMMY. 1255 01:06:31,788 --> 01:06:35,692 [people laughing] YOU LOVE YOUR MUMMY AND YOUR POPPY. 1256 01:06:35,759 --> 01:06:36,960 [crying] 1257 01:06:37,027 --> 01:06:39,863 GOOD TO HAVE YOU BACK, DARLING. 1258 01:06:39,929 --> 01:06:41,931 AND MUMMY'S NEVER LEAVING AGAIN. 1259 01:06:41,998 --> 01:06:43,233 NEVER. 1260 01:06:44,401 --> 01:06:45,435 NEVER. 1261 01:06:46,270 --> 01:06:48,638 NEVER, I PROMISE. NEVER. 1262 01:06:50,540 --> 01:06:51,908 [exclaims] 1263 01:06:54,944 --> 01:06:56,480 [people laughing] 1264 01:06:57,614 --> 01:06:59,516 [people applauding] 1265 01:07:07,457 --> 01:07:09,259 *[drums beating] 1266 01:07:09,326 --> 01:07:11,961 JUST CALL ME OLD SAWBONES. 1267 01:07:15,031 --> 01:07:16,300 [exclaims] 1268 01:07:17,534 --> 01:07:19,169 [people laughing] 1269 01:07:21,405 --> 01:07:22,739 YOU ALL RIGHT, DEAR? 1270 01:07:23,307 --> 01:07:24,641 YES. 1271 01:07:27,611 --> 01:07:28,978 [sighs] 1272 01:07:29,045 --> 01:07:30,547 [box creaking] 1273 01:07:32,982 --> 01:07:34,684 [people applauding] 1274 01:07:36,486 --> 01:07:39,923 THOSE OF A NERVOUS DISPOSITION 1275 01:07:39,989 --> 01:07:43,160 SHOULD NOW CLOSE THEIR EYES. 1276 01:07:48,064 --> 01:07:49,666 OH, DEAR. 1277 01:07:49,733 --> 01:07:50,734 [groaning] 1278 01:07:57,441 --> 01:07:59,243 ARE YOU ALL RIGHT, KITTEN? 1279 01:07:59,309 --> 01:08:00,710 OH... 1280 01:08:00,777 --> 01:08:03,147 NO, I'M ACTUALLY QUITE HEARTBROKEN. 1281 01:08:03,213 --> 01:08:04,781 [people laughing] 1282 01:08:07,551 --> 01:08:09,519 [sighs] 1283 01:08:09,586 --> 01:08:12,222 [people laughing] I THINK I SEE THE PROBLEM. 1284 01:08:12,289 --> 01:08:13,290 OOH. 1285 01:08:27,271 --> 01:08:28,438 [people exclaiming] 1286 01:08:28,505 --> 01:08:29,806 [exclaiming] 1287 01:08:34,578 --> 01:08:35,579 [sighs] 1288 01:08:37,181 --> 01:08:38,915 GEE, THANKS, CUPID. 1289 01:08:50,994 --> 01:08:53,797 AND THE OTHER THING ABOUT THE PHANTOM LADY WAS, BERTIE, 1290 01:08:53,863 --> 01:08:57,567 SHE REALIZED, IN THE CITY THAT NEVER SLEEPS... 1291 01:08:57,634 --> 01:08:59,769 WHAT DID SHE REALIZE, KITTEN? 1292 01:08:59,836 --> 01:09:04,474 THAT ALL THE SONGS THAT SHE'D LISTENED TO, ALL THE LOVE SONGS, 1293 01:09:04,541 --> 01:09:06,876 WELL, THEY WERE ONLY SONGS. 1294 01:09:06,943 --> 01:09:08,712 WHAT'S WRONG WITH THAT? 1295 01:09:08,778 --> 01:09:10,514 NOTHING, IF YOU DON'T BELIEVE IN THEM. 1296 01:09:11,515 --> 01:09:13,250 BUT SHE DID, YOU SEE. 1297 01:09:13,317 --> 01:09:15,985 SHE BELIEVED IN ENCHANTED EVENINGS 1298 01:09:16,052 --> 01:09:20,156 AND SHE-- AND SHE BELIEVED THAT A SMALL CLOUD PASSED OVERHEAD 1299 01:09:20,224 --> 01:09:23,092 AND CRIED DOWN ON HER FLOWERBED. 1300 01:09:23,159 --> 01:09:26,763 AND SHE EVEN BELIEVED THERE WAS BREAKFAST TO BE HAD. 1301 01:09:26,830 --> 01:09:27,831 WHERE? 1302 01:09:28,965 --> 01:09:31,034 ON PLUTO. 1303 01:09:31,100 --> 01:09:35,004 THE MYSTERIOUS, ICY WASTES OF PLUTO. 1304 01:09:37,574 --> 01:09:42,612 (Bertie) YOU KNOW, KITTEN, I MADE A DECISION A LONG TIME AGO. 1305 01:09:42,679 --> 01:09:45,382 (Patrick) WHAT DECISION WAS THAT? 1306 01:09:45,449 --> 01:09:49,386 THAT I WASN'T DESTINED FOR THE SENTIMENTAL SIDE OF THINGS. 1307 01:09:51,187 --> 01:09:52,822 BUT... 1308 01:09:52,889 --> 01:09:57,160 BUT IF I DID LET MYSELF EVER FALL FOR SOMEONE, 1309 01:09:58,762 --> 01:10:00,697 I THINK IT WOULD BE A GIRL LIKE YOU. 1310 01:10:00,764 --> 01:10:02,299 BERTIE, PLEASE, I HAVE TO STOP YOU. 1311 01:10:02,366 --> 01:10:03,800 THERE'S SOMETHING YOU SHOULD KNOW. 1312 01:10:03,867 --> 01:10:06,536 OR MAYBE WHAT I SHOULD SAY IS, 1313 01:10:08,204 --> 01:10:09,873 IT WOULD BE A GIRL... 1314 01:10:11,541 --> 01:10:13,277 NOT A MILLION MILES AWAY FROM... 1315 01:10:13,343 --> 01:10:14,711 NO, PLEASE DON'T. 1316 01:10:14,778 --> 01:10:16,380 ...WHERE I'M STANDING. 1317 01:10:18,014 --> 01:10:19,015 NO. 1318 01:10:22,686 --> 01:10:24,654 WHAT'S THE MATTER, PRINCESS? 1319 01:10:27,190 --> 01:10:29,626 WELL, YOU SEE, THE THING IS, BERTIE, I'M, 1320 01:10:30,927 --> 01:10:33,563 I'M NOT... YES? 1321 01:10:34,230 --> 01:10:35,231 UM... 1322 01:10:36,533 --> 01:10:38,034 I'M NOT A GIRL. 1323 01:10:38,935 --> 01:10:40,904 OH, I KNEW THAT, PRINCESS. 1324 01:10:42,539 --> 01:10:43,607 YOU DID? 1325 01:10:43,673 --> 01:10:44,874 OF COURSE. 1326 01:10:46,142 --> 01:10:47,611 WHAT I SAID WAS 1327 01:10:48,978 --> 01:10:51,180 IT WOULD BE A GIRL LIKE YOU. 1328 01:10:57,487 --> 01:11:00,156 [people laughing] 1329 01:11:00,223 --> 01:11:03,259 (Bertie) I DO BELIEVE I SEE MUMMY OVER THERE. 1330 01:11:06,229 --> 01:11:07,597 (Bertie) MAMMY! 1331 01:11:11,668 --> 01:11:15,872 ACTUALLY, SHE'S JUST WALKED IN. THERE. 1332 01:11:17,040 --> 01:11:18,808 [people continue laughing] 1333 01:11:19,609 --> 01:11:20,910 MAMMY! MAMMY. 1334 01:11:21,545 --> 01:11:22,912 BASTARDS! 1335 01:11:24,080 --> 01:11:26,015 THINK YOU CAN MAKE FUN OF HER? 1336 01:11:27,283 --> 01:11:28,852 YOU'RE COMIN' WITH ME. 1337 01:11:32,789 --> 01:11:34,190 WAIT! 1338 01:11:34,257 --> 01:11:36,726 (Bertie) PLEASE DON'T LEAVE ME. 1339 01:11:36,793 --> 01:11:39,162 WHAT ABOUT THE PRINCE OF MAGIC? 1340 01:11:39,228 --> 01:11:40,497 PLEASE DON'T GO. 1341 01:11:40,564 --> 01:11:42,332 SOME FUCKING PRINCE OF MAGIC. 1342 01:11:42,399 --> 01:11:45,301 NO, MAYBE I SHOULD... HE DOESN'T MEAN BAD, CHARLIE. 1343 01:11:45,369 --> 01:11:48,237 FOR CHRIST'S SAKE, PADDY, WHAT IS HAPPENING TO YOU? 1344 01:11:49,105 --> 01:11:50,340 KITTEN! 1345 01:12:00,584 --> 01:12:03,152 *[Children Of The Revolution by T-Rex playing on stereo] 1346 01:12:03,219 --> 01:12:04,954 * LET IT ALL HANG OUT 1347 01:12:05,021 --> 01:12:09,526 * BUT YOU WON'T FOOL THE CHILDREN OF THE REVOLUTION * 1348 01:12:09,593 --> 01:12:14,631 * NO, YOU WON'T FOOL THE CHILDREN OF THE REVOLUTION * 1349 01:12:14,698 --> 01:12:17,300 * NO, NO, NO * 1350 01:12:17,367 --> 01:12:18,468 (Patrick) EXCUSE ME. 1351 01:12:25,575 --> 01:12:28,512 JOHN JOE. JOHN JOE! 1352 01:12:28,578 --> 01:12:29,579 JOHN JOE! 1353 01:12:30,046 --> 01:12:31,080 [chuckles] 1354 01:12:31,147 --> 01:12:33,383 NOT A WOMBLE ANYMORE. 1355 01:12:33,450 --> 01:12:35,485 DON'T TALK TO ME ABOUT FUCKING WOMBLES! 1356 01:12:35,552 --> 01:12:37,487 I'M IN THE TOWER OF LONDON NOW. 1357 01:12:38,755 --> 01:12:43,092 HA. 30 SMACKERS IN THE PAW, BOY, NO QUESTIONS ASKED. 1358 01:12:43,159 --> 01:12:45,228 HEY, THEY'RE LOOKING FOR A MARY QUEEN OF SCOTS. 1359 01:12:45,294 --> 01:12:46,362 WOULD YOU BE UP FOR IT? 1360 01:12:46,430 --> 01:12:48,932 THEY'D CHOP MY HEAD OFF, SURELY. 1361 01:12:48,998 --> 01:12:51,768 AND HERE'S THE MAN TO DO IT FOR YOU. HUH? 1362 01:12:51,835 --> 01:12:52,902 [laughs] 1363 01:12:52,969 --> 01:12:54,404 SMILEY, HUH? 1364 01:12:54,471 --> 01:12:55,472 [laughs] 1365 01:13:19,963 --> 01:13:21,665 [people chattering] 1366 01:13:34,310 --> 01:13:35,512 WHERE'S IRWIN GONE? 1367 01:13:35,579 --> 01:13:36,613 OH. 1368 01:13:36,680 --> 01:13:39,315 HIM AND HIS FUCKING REVOLUTION. 1369 01:13:52,395 --> 01:13:53,730 HOW'D YOU CARRY IT? 1370 01:13:53,797 --> 01:13:55,098 BOTTOM OF MY SLEEPING BAG. 1371 01:13:57,366 --> 01:13:59,903 THERE WON'T BE MUCH SLEEPING WITH THIS BABY. 1372 01:14:01,037 --> 01:14:02,972 SO YOU HAVEN'T SEEN HER, THEN? 1373 01:14:04,641 --> 01:14:07,010 SHE'S--SHE'S HERE, THOUGH, SOMEWHERE. 1374 01:14:07,076 --> 01:14:09,846 I KNOW IT. I JUST KNOW IT, CHARLIE. 1375 01:14:09,913 --> 01:14:11,447 BIG FUCKIN' CITY. 1376 01:14:13,249 --> 01:14:15,051 I'M LOSIN' IRWIN, YOU KNOW. 1377 01:14:16,252 --> 01:14:17,320 HOW? 1378 01:14:18,488 --> 01:14:21,457 HE'S UP TO SOMETHING. I KNOW IT. 1379 01:14:23,159 --> 01:14:24,794 HE'S GOT THESE SECRETS. 1380 01:14:27,096 --> 01:14:28,998 (Patrick) SO WHY DID YOU COME OVER, CHARLIE? 1381 01:14:29,065 --> 01:14:30,734 WASN'T JUST TO SEE ME. 1382 01:14:32,201 --> 01:14:34,337 WAS IT SOMETHING TO DO WITH IRWIN? 1383 01:14:36,773 --> 01:14:38,241 YOU MIGHT SAY THAT. 1384 01:14:42,245 --> 01:14:43,479 I'M PREGNANT. 1385 01:14:48,051 --> 01:14:49,719 OH, JESUS, CHARLIE. 1386 01:14:51,555 --> 01:14:52,789 DOES HE KNOW? 1387 01:14:54,691 --> 01:14:56,526 YOU KNOW ALL HE KNOWS ABOUT. 1388 01:14:57,727 --> 01:14:59,162 OR CARES. 1389 01:15:08,204 --> 01:15:10,707 BUT YOU DIDN'T COME HERE TO HAVE THE BABY? 1390 01:15:13,777 --> 01:15:15,679 I CAME HERE TO GET RID OF IT. 1391 01:15:23,352 --> 01:15:25,288 YOU HAVE TO TELL HIM, CHARLIE. 1392 01:15:26,623 --> 01:15:28,925 I CAN'T. 1393 01:15:28,992 --> 01:15:30,927 [door opening] HE'S ALL FUCKED UP. HE'S... 1394 01:15:33,129 --> 01:15:36,232 SO, HOW ARE THE HOMELESS? 1395 01:15:38,067 --> 01:15:40,169 HOMELESS ARE FINE. 1396 01:15:40,236 --> 01:15:43,306 THAT'S WHAT KEEPS HIM OUT LATE, KITTEN, 1397 01:15:43,372 --> 01:15:45,108 WORKING WITH THE HOMELESS. 1398 01:15:45,842 --> 01:15:47,110 RIGHT, IRWIN? 1399 01:16:04,894 --> 01:16:06,696 I CAN'T HAVE IT, CAN I, PADDY? 1400 01:16:06,763 --> 01:16:08,164 (Patrick) NO. 1401 01:16:09,365 --> 01:16:11,100 NO, YOU CAN'T. 1402 01:16:14,203 --> 01:16:16,505 IRWIN'S INVOLVED IN SHIT I DON'T WANNA THINK ABOUT. 1403 01:16:16,572 --> 01:16:18,041 I KNOW. 1404 01:16:18,107 --> 01:16:19,943 WHAT WOULD IT TURN OUT LIKE, PADDY? 1405 01:16:20,009 --> 01:16:21,811 YOU KNOW WHAT I MEAN, DON'T YOU? 1406 01:16:22,979 --> 01:16:26,950 IT'D BE AN ABSOLUTE DISASTER, LIKE ME. 1407 01:16:29,518 --> 01:16:33,389 NOW, I WANT YOU TO READ THIS LEAFLET. 1408 01:16:33,456 --> 01:16:36,626 IT OUTLINES ALL ASPECTS OF THE TERMINATION PROCEDURE. 1409 01:16:37,694 --> 01:16:39,562 TERMINATION? 1410 01:16:39,629 --> 01:16:41,665 YOU MEAN THIS IS AN ABORTION CLINIC? 1411 01:16:41,731 --> 01:16:44,100 YES, OF COURSE IT IS. 1412 01:16:44,167 --> 01:16:46,569 OH. I THOUGHT IT WAS A FERTILITY CLINIC. 1413 01:16:48,071 --> 01:16:49,639 [door closing] 1414 01:16:53,609 --> 01:16:56,345 I THINK SHE CHANGED HER MIND. THANK YOU. 1415 01:16:56,412 --> 01:16:57,781 *[For The Good Times by Kris Kristofferson playing] 1416 01:16:57,847 --> 01:17:00,884 * DON'T LOOK SO SAD 1417 01:17:04,220 --> 01:17:05,755 * I KNOW IT'S OVER 1418 01:17:05,822 --> 01:17:09,025 YOU SAID IT'D BE A DISASTER, LIKE YOU. 1419 01:17:09,092 --> 01:17:11,795 [chuckles] WORSE, PROBABLY. 1420 01:17:11,861 --> 01:17:14,063 BUT I LOVE YOU, YOU FUCKING DISASTER. 1421 01:17:14,731 --> 01:17:16,099 OH, CHARLIE. 1422 01:17:16,165 --> 01:17:18,434 * KEEP ON TURNING 1423 01:17:21,004 --> 01:17:23,439 * LET'S JUST BE GLAD 1424 01:17:23,506 --> 01:17:25,441 (Charlie) PROMISE YOU WON'T GET LOST AGAIN? 1425 01:17:25,508 --> 01:17:27,276 I PROMISE. 1426 01:17:27,343 --> 01:17:28,477 * TO SPEND TOGETHER 1427 01:17:28,544 --> 01:17:29,545 TELL HIM. 1428 01:17:31,247 --> 01:17:32,348 TELL ME WHAT? 1429 01:17:32,415 --> 01:17:33,649 * THERE'S NO NEED TO WATCH THE BRIDGES * 1430 01:17:33,717 --> 01:17:35,518 CHARLIE'S JOINING THE SANDINISTAS. 1431 01:17:35,584 --> 01:17:36,920 AREN'T YOU, CHARLIE? 1432 01:17:36,986 --> 01:17:38,521 SANDINISTAS? MMM-HMM. 1433 01:17:38,587 --> 01:17:40,056 THEY'RE A ROCK BAND. 1434 01:17:40,123 --> 01:17:41,490 AREN'T THEY, CHARLIE? 1435 01:17:41,557 --> 01:17:42,859 WHERE CAN I REACH YOU? 1436 01:17:42,926 --> 01:17:45,094 * LAY YOUR HEAD 1437 01:17:45,161 --> 01:17:47,030 TRY CAMBRIDGE CIRCUS. 1438 01:17:48,732 --> 01:17:51,300 * UPON MY PILLOW 1439 01:17:52,902 --> 01:17:54,503 (woman) THANK YOU. 1440 01:17:54,570 --> 01:17:57,173 * HOLD YOUR WARM 1441 01:17:57,240 --> 01:18:01,878 * AND TENDER BODY CLOSE TO MINE * 1442 01:18:01,945 --> 01:18:03,579 SEE YOU, PADDY. 1443 01:18:05,581 --> 01:18:10,820 * HEAR THE WHISPER OF THE RAINDROPS * 1444 01:18:10,887 --> 01:18:15,391 * BLOWIN' SOFT AGAINST THE WINDOW * 1445 01:18:18,094 --> 01:18:21,731 * AND MAKE BELIEVE YOU LOVE ME * 1446 01:18:21,798 --> 01:18:24,033 * ONE MORE TIME 1447 01:18:27,103 --> 01:18:29,372 * FOR THE GOOD TIMES 1448 01:18:32,742 --> 01:18:34,710 * I'LL GET ALONG 1449 01:18:37,781 --> 01:18:41,450 * YOU'LL FIND ANOTHER 1450 01:18:41,517 --> 01:18:43,552 [people chattering] 1451 01:18:43,619 --> 01:18:45,321 * AND I'LL BE HERE * 1452 01:18:45,388 --> 01:18:46,389 *[Dream World playing] 1453 01:18:46,455 --> 01:18:49,025 * DREAM WORLD 1454 01:18:49,092 --> 01:18:51,594 * I'M WRAPPED UP IN A DREAM WORLD * 1455 01:18:51,660 --> 01:18:53,797 * I MUST BE DREAMING IT, DARLING * 1456 01:18:53,863 --> 01:18:55,765 YOU AND ME, DARLING. WHAT DO YOU SAY? 1457 01:18:55,832 --> 01:18:57,633 I DON'T QUITE KNOW WHAT TO SAY. 1458 01:18:57,700 --> 01:19:00,069 * DREAM WORLD 1459 01:19:00,136 --> 01:19:01,771 CHRIST, YOU'RE A BLOKE! 1460 01:19:01,838 --> 01:19:03,572 10 OUT OF 10, SHERLOCK. 1461 01:19:08,711 --> 01:19:12,448 * SOMEBODY TAKE ME WHY DON'T YOU WAKE ME * 1462 01:19:12,515 --> 01:19:14,450 * I MUST BE DREAMING 1463 01:19:16,119 --> 01:19:19,022 * NO, NO, DON'T GO 1464 01:19:19,088 --> 01:19:23,092 * I NEED ONE MORE CHANCE TO MAKE IT UP TO YOU * 1465 01:19:23,159 --> 01:19:25,461 * NO, NO, DON'T GO 1466 01:19:25,528 --> 01:19:27,496 YOU FANCY A DRINK OR SOMETHING? 1467 01:19:27,563 --> 01:19:29,465 * DREAM WORLD 1468 01:19:29,532 --> 01:19:32,635 CAMPARI AND SODA, IF YOU DON'T MIND. 1469 01:19:32,701 --> 01:19:34,337 OF COURSE I DON'T. 1470 01:19:34,403 --> 01:19:36,572 WOULDN'T HAVE ASKED YOU OTHERWISE, WOULD I? 1471 01:19:36,639 --> 01:19:38,541 CAMPARI AND SODA, PLEASE, MATE. 1472 01:19:38,607 --> 01:19:40,709 * DREAM WORLD 1473 01:19:40,776 --> 01:19:44,480 * I'M WRAPPED UP IN A DREAM WORLD * 1474 01:19:44,547 --> 01:19:46,015 (barman) THERE YOU GO, MATE. 1475 01:19:47,116 --> 01:19:48,117 CHEERS. 1476 01:19:49,152 --> 01:19:50,854 [people chattering] 1477 01:19:54,123 --> 01:19:55,224 THANK YOU. 1478 01:19:57,526 --> 01:19:59,462 CROWDED TONIGHT. 1479 01:19:59,528 --> 01:20:00,864 OH, YES. 1480 01:20:00,930 --> 01:20:02,298 FOOTBALL SUPPORTERS? 1481 01:20:02,365 --> 01:20:04,600 NO, ROYAL ENGINEERS. 1482 01:20:04,667 --> 01:20:06,735 OH, SOLDIERS. 1483 01:20:06,802 --> 01:20:09,138 JUST COME BACK FROM A TOUR OF DUTY. 1484 01:20:09,205 --> 01:20:11,908 ADEN? CYPRUS? NO, LET ME GUESS. 1485 01:20:11,975 --> 01:20:15,278 FUCKING ULSTER. 1486 01:20:15,344 --> 01:20:17,380 I HAVEN'T GOT ANYTHING AGAINST THE IRISH, THOUGH, MIND. 1487 01:20:17,446 --> 01:20:19,215 I HEAR THEY'RE VERY FRIENDLY. 1488 01:20:19,282 --> 01:20:21,017 DON'T KNOW. MAYBE. 1489 01:20:23,586 --> 01:20:26,755 IT'S THE POLITICIANS WHAT FUCK IT UP, THOUGH, ISN'T IT? 1490 01:20:26,822 --> 01:20:28,925 * DREAM WORLD 1491 01:20:30,927 --> 01:20:32,661 DO YOU WANNA DANCE? 1492 01:20:32,728 --> 01:20:34,297 * I'M WRAPPED UP IN A DREAM WORLD * 1493 01:20:34,363 --> 01:20:35,764 YES, I'D LOVE TO. 1494 01:20:37,934 --> 01:20:40,336 * DREAM WORLD 1495 01:20:40,403 --> 01:20:43,406 * I'M WRAPPED UP IN A DREAM WORLD * 1496 01:20:46,542 --> 01:20:48,978 *[Honey by Bobby Goldsboro playing] 1497 01:20:50,413 --> 01:20:51,447 YOU OK? 1498 01:20:51,514 --> 01:20:54,217 OH, YES. SUPER. 1499 01:20:55,851 --> 01:20:57,820 YOU SEEM A LITTLE BIT TENSE. 1500 01:20:57,887 --> 01:20:59,322 * IT WASN'T BIG 1501 01:20:59,388 --> 01:21:01,324 HMM. 1502 01:21:01,390 --> 01:21:02,825 WOULD YOU DO SOMETHING FOR ME? 1503 01:21:02,892 --> 01:21:04,393 * I LAUGHED AT HER AND SHE GOT MAD * 1504 01:21:04,460 --> 01:21:05,628 YEAH, OF COURSE. 1505 01:21:05,694 --> 01:21:08,464 * THE FIRST DAY THAT SHE PLANTED IT * 1506 01:21:08,531 --> 01:21:10,566 WOULD YOU PRETEND YOUR NAME'S BOBBY? 1507 01:21:12,368 --> 01:21:13,436 BOBBY WHO? 1508 01:21:13,502 --> 01:21:15,304 * SHE WAS ALWAYS YOUNG AT HEART * 1509 01:21:15,371 --> 01:21:16,705 BOBBY GOLDSBORO. 1510 01:21:16,772 --> 01:21:18,841 * KINDA DUMB AND KINDA SMART * 1511 01:21:18,908 --> 01:21:20,809 IT'S HIS SONG, YOU SEE. 1512 01:21:22,678 --> 01:21:23,846 BOBBY IT IS, THEN. 1513 01:21:23,913 --> 01:21:25,581 * AND I SURPRISED HER WITH A PUPPY * 1514 01:21:25,648 --> 01:21:30,086 ALL YOU HAVE TO DO IS PLANT A LITTLE TREE, 1515 01:21:30,153 --> 01:21:32,055 AND SURPRISE ME WITH A PUPPY, 1516 01:21:33,522 --> 01:21:34,790 I'LL HUG YOUR NECK. 1517 01:21:34,857 --> 01:21:36,259 * AND IT WOULD SURE EMBARRASS HER * 1518 01:21:36,325 --> 01:21:38,561 * WHEN I CAME IN FROM WORKIN' LATE * 1519 01:22:00,416 --> 01:22:02,051 [people coughing] 1520 01:22:09,458 --> 01:22:11,460 [ambulance siren wailing] 1521 01:22:24,940 --> 01:22:26,442 [people continue coughing] 1522 01:22:26,509 --> 01:22:29,278 (cop BACK. GO TO THE BACK END. 1523 01:22:29,345 --> 01:22:31,280 GET AS MANY MEN DOWN AS YOU CAN. 1524 01:22:31,347 --> 01:22:33,649 (paramedic) ALL RIGHT, MY LOVE, WE'RE GONNA GET YOU OUT OF HERE. 1525 01:22:33,716 --> 01:22:36,252 (cop COME ON, MY LOVE. CAN YOU STAND? 1526 01:22:39,222 --> 01:22:41,124 THAT'S IT. 1527 01:22:41,190 --> 01:22:42,591 (cop AS MANY PEOPLE AS WE CAN GET OUT THROUGH THE DOOR. 1528 01:22:42,658 --> 01:22:44,227 (paramedic) TAKE MY SHOULDER, LOVE. 1529 01:22:44,293 --> 01:22:46,195 YOU'RE ALL RIGHT, MATE, I'VE GOT YOU. 1530 01:22:46,262 --> 01:22:47,363 MY TIGHTS. 1531 01:22:47,430 --> 01:22:49,065 EASY, EASY. STEADY DOWN THERE. STEADY. 1532 01:22:49,132 --> 01:22:50,833 MY TIGHTS! THEY'RE IN RIBBONS. 1533 01:22:50,899 --> 01:22:52,268 YOU'RE ALIVE, LOVE, THAT'S THE MAIN THING. 1534 01:22:52,335 --> 01:22:53,669 COME ON. 1535 01:22:53,736 --> 01:22:56,072 I KNOW WHAT I'LL HAVE TO DO, I'LL HAVE TO GET A NEW PAIR. 1536 01:22:56,139 --> 01:22:58,574 THERE'S NO OTHER WAY, I'M AFRAID. 1537 01:23:01,777 --> 01:23:03,679 (paramedic) KEEP STILL, DARLING. DON'T TRY AND MOVE, OK? 1538 01:23:03,746 --> 01:23:05,914 (paramedic) PLEASE, LET US THROUGH NOW! 1539 01:23:05,981 --> 01:23:08,451 (cop WATCH OUT. WATCH OUT. 1540 01:23:08,517 --> 01:23:10,586 I TOLD YOU, FROM MY BEST SIDE, DARLINGS. 1541 01:23:10,653 --> 01:23:12,788 (cop BRING THE OTHER AMBULANCE. SLOW DOWN. 1542 01:23:13,522 --> 01:23:15,924 THAT'S IT. SLOWLY NOW. 1543 01:23:15,991 --> 01:23:18,027 (paramedic) COME ON, GET OUT OF THE WAY, PLEASE! 1544 01:23:18,094 --> 01:23:19,728 COME ON. 1545 01:23:19,795 --> 01:23:21,064 OUT OF THE WAY. 1546 01:23:21,130 --> 01:23:23,199 (woman) PLEASE, NURSE, HE'S IN SO MUCH PAIN. 1547 01:23:23,266 --> 01:23:24,800 [people chattering] 1548 01:23:24,867 --> 01:23:28,304 NO, THEY'RE CHRISTIAN DIOR. DO YOU REALLY HAVE TO? 1549 01:23:29,405 --> 01:23:30,639 [chuckling] 1550 01:23:30,706 --> 01:23:32,041 [camera clicking] 1551 01:23:34,943 --> 01:23:36,845 [man whacking] 1552 01:23:36,912 --> 01:23:38,347 [laughs] 1553 01:23:38,414 --> 01:23:42,485 HOW SILLY CAN YOU GET, PUTTING AN "X" ACROSS MY WEENIE. 1554 01:23:42,551 --> 01:23:47,456 NOT SO SILLY AS 11 FUCKING PEOPLE BLOWN TO PIECES, 1555 01:23:47,523 --> 01:23:49,825 YOU TWISTED LITTLE CUNT! 1556 01:23:49,892 --> 01:23:53,896 (Wallis) FUCKING BABY-FACED, FUCKING IRISH MURDERER! 1557 01:23:53,962 --> 01:23:55,398 [grunts] 1558 01:23:56,899 --> 01:24:00,236 I'M SORRY, DID YOU CALL? 1559 01:24:00,303 --> 01:24:02,405 I CAN'T QUITE SEE WHERE YOU ARE. 1560 01:24:02,471 --> 01:24:04,673 I'M OVER HERE, YOU SEE. 1561 01:24:04,740 --> 01:24:08,544 MILLIONS OF MILES UP HERE WITH SIRIUS GUARDING MY HEAD. 1562 01:24:08,611 --> 01:24:10,246 TELL HIM WHAT HE WANTS TO KNOW! 1563 01:24:10,313 --> 01:24:11,480 [pants] 1564 01:24:11,547 --> 01:24:15,084 OH, IT'S FREE. EVERYONE THINKS IT'S COLD UP HERE 1565 01:24:15,151 --> 01:24:16,619 BUT IT'S ACTUALLY QUITE WARM. 1566 01:24:16,685 --> 01:24:20,456 YES, IT'S WARM AS TOAST UP ON PLUTO. 1567 01:24:20,523 --> 01:24:21,724 EH, PLUTO. 1568 01:24:21,790 --> 01:24:23,459 [both panting] 1569 01:24:23,526 --> 01:24:27,530 DON'T TRY THE FUCKING BLARNEY ON US, PADDY! 1570 01:24:27,596 --> 01:24:31,033 WE KNOW YOU PLANTED THE FUCKING BOMB! 1571 01:24:31,100 --> 01:24:33,502 BUT OF COURSE I DID, MY DARLING. 1572 01:24:33,569 --> 01:24:35,971 WHY, I'VE PLANTED HUNDREDS OF THEM. 1573 01:24:36,038 --> 01:24:39,074 (Wallis) HAVE YOU NOW? WELL, PLANT THIS! 1574 01:24:43,779 --> 01:24:45,714 HELLO, OFFICER. 1575 01:24:46,249 --> 01:24:47,916 I'M OVER HERE. 1576 01:24:47,983 --> 01:24:51,053 JUST TAKE A LEFT AT THE MILKY WAY. 1577 01:24:51,120 --> 01:24:54,523 * WE'LL TRAVEL TO MARS AND VISIT * 1578 01:24:54,590 --> 01:24:56,759 CHRIST, I CAN'T FUCKING STAND THIS! 1579 01:24:56,825 --> 01:25:01,530 LISTEN, SON, WHY DON'T YOU JUST MAKE A STATEMENT? 1580 01:25:03,132 --> 01:25:05,168 A STATEMENT, OFFICER? 1581 01:25:05,234 --> 01:25:06,702 WHY DIDN'T YOU JUST SAY SO? 1582 01:25:06,769 --> 01:25:10,439 ATTABOY. THERE'S NO POINT MAKING IT HARD FOR ALL OF US. 1583 01:25:10,506 --> 01:25:12,007 OF COURSE NOT. 1584 01:25:12,074 --> 01:25:14,143 AFTER ALL, WE'RE ALL FRIENDS HERE. 1585 01:25:20,816 --> 01:25:25,721 LET'S START WITH WHERE YOU WERE ON THURSDAY, OCTOBER 17TH. 1586 01:25:27,590 --> 01:25:29,658 [whispering] I WAS IN MY LITTLE CELL 1587 01:25:29,725 --> 01:25:32,695 WORKING WITH MY ACTIVE SERVICE UNIT. 1588 01:25:32,761 --> 01:25:34,963 BUT I WAS WORKING UNDERCOVER. 1589 01:25:35,564 --> 01:25:37,099 UNDERCOVER? HMM. 1590 01:25:37,166 --> 01:25:39,134 *[For What It's Worth by Buffalo Springfield playing] 1591 01:25:39,202 --> 01:25:42,605 * THERE'S A MAN WITH A GUN OVER THERE * 1592 01:25:42,671 --> 01:25:45,508 OH, IT'S ALL COMING BACK TO ME NOW. PEN AND PAPER, PLEASE. 1593 01:25:45,574 --> 01:25:48,377 * TELLING ME I GOT TO BEWARE * 1594 01:25:48,444 --> 01:25:51,914 * I THINK IT'S TIME WE STOP, CHILDREN, WHAT'S THAT SOUND * 1595 01:25:51,980 --> 01:25:55,251 * EVERYBODY LOOK WHAT'S GOING DOWN * 1596 01:25:55,318 --> 01:25:59,755 (Patrick) PATRICIA KITTEN, A.K.A. DEEP THROAT, 1597 01:25:59,822 --> 01:26:04,627 HAD PENETRATED THE DEEPEST RECESSES OF THE REPUBLICAN SPHINCTER... 1598 01:26:04,693 --> 01:26:07,162 * THERE'S BATTLE LINES BEING DRAWN * 1599 01:26:07,230 --> 01:26:10,666 WITH HER SECRET ANTI-TERRORIST SPRAY 1600 01:26:10,733 --> 01:26:14,803 NAMED AFTER GABRIELLE COCO CHANEL'S LUCKY NUMBER. 1601 01:26:14,870 --> 01:26:17,240 * SPEAKING THEIR MINDS 1602 01:26:17,306 --> 01:26:19,608 (leader) THE STABILITY OF SEMTEX WILL BE COMPROMISED. 1603 01:26:19,675 --> 01:26:22,811 (Patrick) OH, BUT, LORD, WAS SHE SICK OF THAT BLACK. 1604 01:26:22,878 --> 01:26:24,613 [all exclaiming] 1605 01:26:24,680 --> 01:26:27,983 WHAT IS IT WITH FREEDOM FIGHTERS AND COUTURE ANYWAY? 1606 01:26:28,951 --> 01:26:30,719 * HEY, WHAT'S THAT SOUND 1607 01:26:30,786 --> 01:26:33,088 * EVERYBODY LOOK WHAT'S GOING DOWN * 1608 01:26:33,155 --> 01:26:35,491 * STOP, HEY, WHAT'S THAT SOUND * 1609 01:26:35,558 --> 01:26:37,826 * EVERYBODY LOOK WHAT'S GOING DOWN * 1610 01:26:37,893 --> 01:26:40,229 * STOP, HEY, WHAT'S THAT SOUND * 1611 01:26:40,296 --> 01:26:42,865 * EVERYBODY LOOK WHAT'S GOING DOWN * 1612 01:26:42,931 --> 01:26:45,234 YOU'VE GOT FUSE SUPPORT AND BOOSTER CHARGE. 1613 01:26:45,301 --> 01:26:47,970 WHAT CAN I SAY? WE'VE GOT HERE THE PRESSURE PLATE-- 1614 01:26:52,040 --> 01:26:54,710 * STOP, HEY, WHAT'S THAT SOUND * 1615 01:26:54,777 --> 01:26:56,745 * EVERYBODY LOOK WHAT'S GOING DOWN * 1616 01:26:56,812 --> 01:26:58,046 * STOP * 1617 01:26:58,113 --> 01:26:59,482 * STOP, HEY, WHAT'S THAT SOUND * 1618 01:26:59,548 --> 01:27:01,750 * EVERYBODY LOOK WHAT'S GOING DOWN * 1619 01:27:01,817 --> 01:27:03,852 * STOP, HEY, WHAT'S THAT SOUND * 1620 01:27:03,919 --> 01:27:06,755 * EVERYBODY LOOK WHAT'S GOING DOWN * 1621 01:27:08,324 --> 01:27:09,958 *[Honey by Bobby Goldsboro playing] 1622 01:27:10,025 --> 01:27:12,695 * ONE DAY WHILE I WAS NOT AT HOME * 1623 01:27:12,761 --> 01:27:15,631 * WHILE SHE WAS THERE AND ALL ALONE * 1624 01:27:15,698 --> 01:27:17,833 * THE ANGELS CAME 1625 01:27:20,269 --> 01:27:23,839 * NOW ALL I HAVE IS MEMORIES OF HONEY * 1626 01:27:23,906 --> 01:27:28,411 * AND I WAKE UP NIGHTS AND CALL HER NAME * 1627 01:27:30,979 --> 01:27:33,282 * NOW MY LIFE'S AN EMPTY STAGE * 1628 01:27:33,349 --> 01:27:36,285 [sobbing] * WHERE HONEY LIVED AND HONEY PLAYED * 1629 01:27:36,352 --> 01:27:38,153 * AND LOVE GREW UP 1630 01:27:40,556 --> 01:27:42,825 * AND A SMALL CLOUD PASSES OVERHEAD * 1631 01:27:42,891 --> 01:27:44,727 IS THERE ANYONE HERE? 1632 01:27:44,793 --> 01:27:46,762 WHY WON'T HE JUST TALK TO US? 1633 01:27:46,829 --> 01:27:49,898 DID HE OR DIDN'T HE, DRESSED AS A WOMAN, GET CAUGHT BY HIS OWN BOMB? 1634 01:27:49,965 --> 01:27:52,468 WE'VE HELD HIM 6 DAYS NOW. 7'S THE MAX. 1635 01:27:52,535 --> 01:27:54,002 * HOW BIG IT'S GROWN 1636 01:27:54,069 --> 01:27:56,572 * BUT FRIEND IT HASN'T BEEN TOO LONG * 1637 01:27:56,639 --> 01:27:58,307 * IT WASN'T BIG * 1638 01:28:01,477 --> 01:28:02,811 [both exclaim] 1639 01:28:04,112 --> 01:28:05,914 (Wallis) PADDY? 1640 01:28:05,981 --> 01:28:07,249 [Patrick moaning] 1641 01:28:07,316 --> 01:28:09,184 YOU ALL RIGHT? 1642 01:28:09,251 --> 01:28:11,086 FINE. ABSOLUTELY WONDERFUL. 1643 01:28:12,688 --> 01:28:14,690 MEET US HALFWAY, WILL YOU, PADDY? 1644 01:28:14,757 --> 01:28:16,392 TELL US WHY YOU CAME OVER HERE. 1645 01:28:17,726 --> 01:28:19,995 WELL, WELL, I WAS JUST LOOKING FOR SOMEONE. 1646 01:28:20,062 --> 01:28:21,564 I WAS JUST LOOKING FOR EILY BERGIN. 1647 01:28:21,630 --> 01:28:23,065 WHO'S EILY BERGIN, PADDY? 1648 01:28:25,601 --> 01:28:27,570 SHE'S GONE UNDERCOVER NOW. 1649 01:28:27,636 --> 01:28:30,272 THE BIGGEST CITY IN THE WORLD SWALLOWED HER UP. 1650 01:28:30,339 --> 01:28:33,409 COULD SHE HELP US WITH OUR INQUIRIES, PADDY? 1651 01:28:33,476 --> 01:28:34,743 SHE COULD HELP ME WITH MINE. 1652 01:28:34,810 --> 01:28:37,780 DO YOU WANT US TO FIND HER? HAVE YOU GOT AN ADDRESS? 1653 01:28:39,247 --> 01:28:40,949 YOU COULD TRY THE HOUSE THAT VANISHED. 1654 01:28:41,016 --> 01:28:42,451 THE HOUSE THAT VANISHED. 1655 01:28:44,387 --> 01:28:47,022 [laughing] OH, CHRIST. 1656 01:28:47,089 --> 01:28:49,024 I THINK WE'RE ALL LOSING IT. 1657 01:28:56,699 --> 01:28:58,467 WE'RE GONNA GET SOME SLEEP NOW, PADDY. 1658 01:28:58,534 --> 01:29:00,769 WE'RE GONNA GET SOME SLEEP. 1659 01:29:00,836 --> 01:29:04,907 LOOK, I THINK WE MAY HAVE MADE A MISTAKE. 1660 01:29:06,375 --> 01:29:07,476 OFFICER? 1661 01:29:07,543 --> 01:29:09,412 WHAT IS IT NOW? 1662 01:29:09,478 --> 01:29:11,647 (Patrick) IF YOU CAME HOME FROM THE OFFICE 1663 01:29:11,714 --> 01:29:14,417 AND YOU FOUND ME LYING ON THE FLOOR, 1664 01:29:14,483 --> 01:29:16,752 WOULD YOU TAKE ME TO THE HOSPITAL? 1665 01:29:16,819 --> 01:29:18,787 WELL, OF COURSE I WOULD. 1666 01:29:18,854 --> 01:29:21,223 AND WOULD YOU CARRY ME LIKE YOU'RE DOING NOW? 1667 01:29:22,057 --> 01:29:23,959 WELL, YEAH. 1668 01:29:24,026 --> 01:29:29,465 SO IF I WASN'T A TRANSVESTITE TERRORIST, WOULD YOU MARRY ME? 1669 01:29:29,532 --> 01:29:31,434 NO, FOR FUCK'S SAKE. 1670 01:29:33,502 --> 01:29:35,237 [knocking on door] 1671 01:29:39,842 --> 01:29:43,078 WELL, IS OFFICER WALLIS GONNA BE A HAPPY MAN OR WHAT? 1672 01:29:43,145 --> 01:29:46,181 WE'VE HELD YOU TOO LONG BY ALL ACCOUNTS. LOOK. 1673 01:29:46,749 --> 01:29:48,083 OH. 1674 01:29:48,150 --> 01:29:50,318 OH, NO, YOU CAN'T. 1675 01:29:50,385 --> 01:29:53,221 YOU CAN'T. NOT WHEN I'M SETTLING IN SO WELL. 1676 01:29:58,093 --> 01:30:00,663 TAKE YOUR HEAD OFF MY SHOULDER, SON. 1677 01:30:02,264 --> 01:30:03,999 [whistles] 1678 01:30:04,066 --> 01:30:06,435 YOU DON'T UNDERSTAND, PADDY. WE CAN'T KEEP YOU HERE. 1679 01:30:06,502 --> 01:30:08,504 IT'S IMPOSSIBLE. WE COULDN'T EVEN IF WE WANTED TO. 1680 01:30:08,571 --> 01:30:10,172 FUCK THIS, I'M GOING ON A LONG HOLIDAY. 1681 01:30:10,238 --> 01:30:11,640 WIFE SAYS I NEED IT. 1682 01:30:11,707 --> 01:30:12,975 COME ON! 1683 01:30:13,041 --> 01:30:16,311 COME ON, JUST FOR ONE DAY. IT WOULDN'T KILL YOU. 1684 01:30:16,378 --> 01:30:18,847 SORRY, PADDY. IT'S IMPOSSIBLE. 1685 01:30:18,914 --> 01:30:20,549 OK, A HALF-A-DAY, PLEASE? 1686 01:30:20,616 --> 01:30:22,084 NO. 1687 01:30:25,053 --> 01:30:27,255 LOOK, DO YOU MIND ME ASKING? 1688 01:30:27,322 --> 01:30:29,057 I MEAN, WHY DO YOU WANNA... 1689 01:30:29,124 --> 01:30:31,560 I MEAN, IT DON'T MAKE ANY SENSE. 1690 01:30:31,627 --> 01:30:33,529 IT JUST MAKES ME FEEL SECURE. 1691 01:30:33,596 --> 01:30:34,730 SECURE? 1692 01:30:34,797 --> 01:30:35,998 YES, YOU SEE, IN THE CELL, 1693 01:30:36,064 --> 01:30:40,002 SOMETIMES I THINK MY LEGS ARE TURNING INTO AIR 1694 01:30:40,068 --> 01:30:43,271 AND I'M FLOATING IN SPACE, AND I'M ALL ALONE. 1695 01:30:43,338 --> 01:30:45,541 "GALACTIC ALONENESS," I'VE HEARD THAT CALLED. 1696 01:30:45,608 --> 01:30:47,309 PLEASE, ROUTLEDGE. 1697 01:30:48,811 --> 01:30:51,947 I JUST WANNA BELONG. 1698 01:30:52,014 --> 01:30:56,752 I'D BE YOUR BEST PRISONER. I'D COOK AND I'D CLEAN AND I'D--I'D SWEEP 1699 01:30:56,819 --> 01:31:00,088 AND I'D--I'D IRON ALL THE UNIFORMS. I... 1700 01:31:00,155 --> 01:31:01,957 HEY, PADDY! I JUST WANNA... 1701 01:31:04,593 --> 01:31:05,961 [groans] 1702 01:31:06,028 --> 01:31:08,396 NO, I'M AFRAID IT'S GOODBYE NOW. 1703 01:31:16,104 --> 01:31:19,441 ALL RIGHT, GO GET THAT BUS THERE. 1704 01:31:20,208 --> 01:31:21,944 GO ON! 1705 01:31:22,010 --> 01:31:23,512 *[Love Is A Many Splendored Thing playing] 1706 01:31:23,579 --> 01:31:28,150 * LOVE IS A MANY SPLENDORED THING * 1707 01:31:32,688 --> 01:31:36,058 JENNIFER JONES AND WILLIAM HOLDEN. 1708 01:31:36,124 --> 01:31:39,928 * THAT ONLY GROWS IN THE EARLY SPRING * 1709 01:31:39,995 --> 01:31:42,330 LOVE IS A MANY-SPLENDORED THING? 1710 01:31:44,499 --> 01:31:45,868 * LOVE IS NATURE'S WAY 1711 01:31:45,934 --> 01:31:48,070 HAVE YOU EVER BEEN IN LOVE? 1712 01:31:48,136 --> 01:31:50,873 * OF GIVING 1713 01:31:52,941 --> 01:31:54,743 ONCE I THOUGHT I WAS. 1714 01:31:55,510 --> 01:31:57,312 HE WAS A LUCKY MAN. 1715 01:31:57,379 --> 01:32:01,817 * THE GOLDEN CROWN THAT MAKES A MAN * 1716 01:32:01,884 --> 01:32:02,918 I'D PAY YOU. 1717 01:32:02,985 --> 01:32:05,921 * A KING 1718 01:32:05,988 --> 01:32:08,390 I'D GIVE YOU WHATEVER YOU WANTED. 1719 01:32:10,058 --> 01:32:12,194 WHATEVER YOU WANTED, I'D GIVE YOU. 1720 01:32:12,260 --> 01:32:17,165 * ONCE ON A HIGH AND WINDY HILL * 1721 01:32:18,734 --> 01:32:22,037 * IN THE MORNING MIST 1722 01:32:22,104 --> 01:32:24,740 * TWO LOVERS KISSED 1723 01:32:24,807 --> 01:32:29,544 * AND THE WORLD STOOD STILL 1724 01:32:29,612 --> 01:32:32,581 * THEN YOUR FINGERS TOUCHED 1725 01:32:32,648 --> 01:32:35,450 * MY SILENT HEART 1726 01:32:35,517 --> 01:32:40,856 * AND TAUGHT IT HOW TO SING 1727 01:32:40,923 --> 01:32:44,226 * YES, TRUE LOVE'S 1728 01:32:44,292 --> 01:32:49,231 * A MANY SPLENDORED THING 1729 01:33:12,087 --> 01:33:14,489 THAT'S MY MAMMY! THAT'S MY MAMMY! 1730 01:33:16,759 --> 01:33:18,560 EXCUSE ME! EXCUSE ME. 1731 01:33:19,862 --> 01:33:22,297 EXCUSE ME. EXCUSE ME. EXCUSE ME. 1732 01:33:22,364 --> 01:33:26,068 * HOW TO SING 1733 01:33:26,134 --> 01:33:28,336 EXCUSE ME. EXCUSE ME, EXCUSE ME. 1734 01:33:28,403 --> 01:33:30,706 * YES, TRUE LOVE'S 1735 01:33:30,773 --> 01:33:35,744 * A MANY SPLENDORED THING * 1736 01:33:39,081 --> 01:33:40,282 HELLO! 1737 01:33:56,364 --> 01:33:57,933 [sighing] 1738 01:34:11,346 --> 01:34:13,015 [women chattering] 1739 01:34:14,950 --> 01:34:17,820 HELLO, SIR. CAN I BE OF ASSISTANCE? 1740 01:34:17,886 --> 01:34:22,357 I DON'T DO ANYTHING HEAVY, BUT ASIDE FROM THAT I'D BE MORE... 1741 01:34:22,424 --> 01:34:24,659 I COULD HAVE YOU ARRESTED, YOU KNOW. 1742 01:34:24,727 --> 01:34:26,995 WELL, ICKY-OAKIE ME. 1743 01:34:27,595 --> 01:34:28,797 GET IN. 1744 01:34:32,935 --> 01:34:35,403 THIS IS NO LIFE FOR A YOUNG MAN LIKE YOU, PATRICK. 1745 01:34:35,470 --> 01:34:36,872 WELL, CUFF ME THEN. 1746 01:34:36,939 --> 01:34:38,774 CARRY ME TO MY SWEET CELL. 1747 01:34:38,841 --> 01:34:40,709 NO. 1748 01:34:40,776 --> 01:34:43,578 OH, WAIT, YOU'RE NOT AN ACTUAL PUNTER, ARE YOU? HOW EXCITING. 1749 01:34:43,645 --> 01:34:45,981 NO, IT'S NOT... IT'S NOT THAT EITHER. 1750 01:34:46,048 --> 01:34:47,916 IT'S A LOT MORE SERIOUS THAN THAT, PATRICK. 1751 01:34:47,983 --> 01:34:50,085 WELL, OF COURSE IT IS, OF COURSE IT'S SERIOUS. 1752 01:34:50,152 --> 01:34:51,553 EVERYTHING'S SERIOUS. 1753 01:34:51,619 --> 01:34:54,056 OH, YOU'RE GONNA DIE OUT THERE, PADDY! 1754 01:34:58,226 --> 01:34:59,461 I KNOW. 1755 01:35:05,167 --> 01:35:08,103 WHY DON'T YOU TRY AND GET A REGULAR JOB? 1756 01:35:08,170 --> 01:35:11,774 WELL, TO TELL YOU THE TRUTH, INSPECTOR, I'M NOT THAT EMPLOYABLE. 1757 01:35:11,840 --> 01:35:13,341 SO I GATHERED. 1758 01:35:16,912 --> 01:35:18,413 FUCKING HELL. 1759 01:35:24,086 --> 01:35:25,520 [pulling brake] 1760 01:35:26,421 --> 01:35:27,923 COME WITH ME. 1761 01:35:33,929 --> 01:35:35,730 *[music playing] 1762 01:35:35,798 --> 01:35:39,567 A GROUP OF GIRLS GOT THEMSELVES OFF THE STREET, PATRICK. 1763 01:35:39,634 --> 01:35:41,904 SET UP A CO-OP. 1764 01:35:41,970 --> 01:35:43,338 WHAT DO YOU MEAN, "CO-OP"? 1765 01:35:43,405 --> 01:35:45,473 YOU KNOW, LIKE... SORT OF LIKE... 1766 01:35:45,540 --> 01:35:47,309 A UNION, YOU COULD CALL IT. 1767 01:35:49,344 --> 01:35:50,545 GIRLS? 1768 01:35:51,880 --> 01:35:53,982 HELLO. COME ON. 1769 01:35:55,851 --> 01:36:00,055 IT'S NOT IDEAL, BUT IT'S SAFE 1770 01:36:00,122 --> 01:36:01,556 AND LEGAL. 1771 01:36:01,623 --> 01:36:02,991 CASANDRA. 1772 01:36:03,058 --> 01:36:04,559 *[music playing] 1773 01:36:04,626 --> 01:36:06,528 GODDESS OF DESTRUCTION. 1774 01:36:08,663 --> 01:36:11,266 GIRLS? HELLO. (all) HELLO. 1775 01:36:11,333 --> 01:36:12,467 THIS IS PATRICK. 1776 01:36:12,534 --> 01:36:14,036 HELLO, PATRICK. HELLO. 1777 01:36:14,102 --> 01:36:16,238 HE'S A FRIEND OF MINE, SO BE GENTLE. HELLO, SAM. 1778 01:36:16,304 --> 01:36:19,141 WE'RE ALWAYS NICE. PATRICK, DO YOU WANNA PLAY POKER? 1779 01:36:19,207 --> 01:36:20,575 LOVE POKER. 1780 01:36:20,642 --> 01:36:21,776 YEAH, WE'LL PUT HIM IN. 1781 01:36:21,844 --> 01:36:22,878 (Wallis) ARE YOU ALL RIGHT? 1782 01:36:22,945 --> 01:36:24,146 YOU'LL BE WORKING WITH US? 1783 01:36:24,212 --> 01:36:25,848 I HOPE SO. IF YOU'LL HAVE ME. 1784 01:36:25,914 --> 01:36:27,315 WE'RE A NICE BUNCH HERE. 1785 01:36:27,382 --> 01:36:29,384 NO BITCHINESS OR NOTHING HERE. LOOK AT HIS HAIR. 1786 01:36:29,451 --> 01:36:31,119 HMM. SO WHERE ARE YOU FROM? 1787 01:36:31,186 --> 01:36:32,354 (Patrick) UH, CAVAN. 1788 01:36:32,420 --> 01:36:33,688 OH, VERY NICE. I'M FROM DUBLIN. 1789 01:36:33,755 --> 01:36:34,789 YOU'LL DO WELL HERE. 1790 01:36:34,857 --> 01:36:36,324 YOU'LL LIKE US GIRLS. 1791 01:36:36,391 --> 01:36:37,860 SO YOU'LL DEFINITELY LIKE IT HERE. 1792 01:36:43,498 --> 01:36:46,434 (Patrick) DEAR CHARLIE, SORRY I HAVEN'T BEEN IN TOUCH 1793 01:36:46,501 --> 01:36:49,237 AND I HOPE THAT EVERYTHING IS GOING FINE WITH YOU. 1794 01:36:49,304 --> 01:36:51,073 HOW'S THE BUMP? 1795 01:36:51,139 --> 01:36:53,842 JUST WRITING TO SAY THAT I'VE GOT A NEW ADDRESS. 1796 01:36:53,909 --> 01:36:56,945 IT'S XANADU ON OLD COMPTON STREET 1797 01:36:57,012 --> 01:36:59,647 AND YOU CAN REACH ME THERE AT ANY TIME. 1798 01:36:59,714 --> 01:37:03,551 I'M SAVING LIKE MAD TO GET OVER TO SEE YOU WHEN IT HAPPENS IN... 1799 01:37:03,618 --> 01:37:07,555 WHAT IS IT? 4 MONTHS, 2 WEEKS, AND 3 DAYS. 1800 01:37:08,423 --> 01:37:10,025 HELLO. 1801 01:37:10,092 --> 01:37:11,726 (man) SHOW ME YOUR BAZOOZUMS. 1802 01:37:11,793 --> 01:37:13,028 I BEG YOUR PARDON? 1803 01:37:13,095 --> 01:37:14,262 YOU KNOW. 1804 01:37:14,329 --> 01:37:16,198 [man breathing heavily] 1805 01:37:18,800 --> 01:37:20,402 WHAT'S THAT? 1806 01:37:20,468 --> 01:37:24,206 NOW, LISTEN, SIR, WE CAN'T ALL HAVE BIG BAZOOZUMS. 1807 01:37:24,272 --> 01:37:27,175 SOME OF US ARE WHAT YOU MIGHT CALL SVELTE. 1808 01:37:27,242 --> 01:37:28,343 SVELTE? 1809 01:37:28,410 --> 01:37:30,845 YES. THAT'S A SWEDISH WORD, I BELIEVE. 1810 01:37:31,914 --> 01:37:33,715 THERE'S ALSO A FRENCH ONE. 1811 01:37:33,781 --> 01:37:35,350 AYE, GIVE ME THE FRENCH. 1812 01:37:35,417 --> 01:37:36,618 GAMINE. 1813 01:37:36,684 --> 01:37:37,752 GAMINE? 1814 01:37:37,819 --> 01:37:40,055 YES, AND THAT'S WHAT I AM, SIR. 1815 01:37:40,122 --> 01:37:43,425 A SVELTE GAMINE. 1816 01:37:43,491 --> 01:37:48,730 * HOW MUCH IS THAT DOGGY IN THE WINDOW? * 1817 01:37:48,796 --> 01:37:52,634 * THE ONE WITH THE WAGGLY TAIL * 1818 01:37:52,700 --> 01:37:56,571 NOT "WAGGLY," "WAGGEDY." "WAGGEDY TAIL." 1819 01:37:57,739 --> 01:37:59,707 DEAR SIR UNSEEN, I KNOW MY MUSIC 1820 01:37:59,774 --> 01:38:01,809 AND I'M WILLING TO BET YOU 10 TIMES 1821 01:38:01,876 --> 01:38:03,878 WHATEVER PATHETIC PRICE YOU PAID IN HERE 1822 01:38:03,946 --> 01:38:06,548 THAT THE DOG'S TAIL IS WAGGLY. 1823 01:38:08,150 --> 01:38:10,185 NOW I WANNA HEAR YOU BARK. 1824 01:38:15,257 --> 01:38:17,692 *[The Windmills of Your Mind by Dusty Springfield playing] 1825 01:38:17,759 --> 01:38:19,461 * WHIRLING SILENTLY IN SPACE * 1826 01:38:19,527 --> 01:38:20,762 * LIKE THE CIRCLES THAT YOU FIND * 1827 01:38:20,828 --> 01:38:22,430 HELLO. 1828 01:38:22,497 --> 01:38:24,099 PLEASE DON'T DO THAT. 1829 01:38:24,166 --> 01:38:27,602 * IN THE WINDMILLS OF YOUR MIND * 1830 01:38:27,669 --> 01:38:29,337 AS YOU WISH, SIR. 1831 01:38:31,139 --> 01:38:33,708 * KEYS THAT JINGLE IN YOUR POCKET * 1832 01:38:33,775 --> 01:38:36,844 I DON'T DO THIS SORT OF THING OFTEN. 1833 01:38:36,911 --> 01:38:40,382 THAT'S ALL RIGHT, SIR, WE'VE GOT LOTS OF TIME. 1834 01:38:40,448 --> 01:38:42,951 * WHY DID SUMMER GO SO QUICKLY? * 1835 01:38:43,018 --> 01:38:46,421 * WAS IT SOMETHING THAT YOU SAID? * 1836 01:38:46,488 --> 01:38:47,956 I KNEW A BOY LIKE YOU ONCE. 1837 01:38:48,023 --> 01:38:50,692 OH, I'M NOT A BOY, SIR, I'M A GIRL. 1838 01:38:51,994 --> 01:38:53,928 OH, YOU'RE A GIRL. 1839 01:38:54,429 --> 01:38:56,664 YES. 1840 01:38:56,731 --> 01:38:58,933 YOU CAN CALL ME PATRICIA. 1841 01:38:59,001 --> 01:39:01,669 THAT'S MY NAME, SIR. 1842 01:39:01,736 --> 01:39:06,274 CAN I TELL YOU A STORY, PATRICIA? 1843 01:39:06,341 --> 01:39:08,876 OH, PLEASE DO. STORIES ARE WHAT I LOVE. 1844 01:39:09,544 --> 01:39:10,612 YOU LOVE STORIES? 1845 01:39:10,678 --> 01:39:13,848 LOVE STORIES. 1846 01:39:13,915 --> 01:39:16,184 EVEN MORE THAN MYSTERIES. 1847 01:39:16,251 --> 01:39:18,920 DON'T DO THAT, PLEASE, PLEASE. 1848 01:39:21,456 --> 01:39:24,192 VERY WELL, SIR, I'M ALL EARS. 1849 01:39:24,259 --> 01:39:27,629 * YOU WERE SUDDENLY AWARE 1850 01:39:27,695 --> 01:39:30,632 ONCE UPON A TIME, THERE WAS A BOY 1851 01:39:30,698 --> 01:39:33,001 WHO NEVER KNEW HIS FATHER AND MOTHER. 1852 01:39:33,068 --> 01:39:35,570 OH, HOW SAD. HOW UNBEARABLY SAD. 1853 01:39:35,637 --> 01:39:38,006 WAS HE AN UNBEARABLY SAD LITTLE BOY? 1854 01:39:38,073 --> 01:39:39,274 * LIKE A CIRCLE IN A SPIRAL 1855 01:39:39,341 --> 01:39:40,742 HE DIDN'T SEEM SO. 1856 01:39:40,808 --> 01:39:43,611 NO, HE LAUGHED. HE LAUGHED A LOT. 1857 01:39:43,678 --> 01:39:47,949 PERHAPS THE KIND OF LAUGHTER THAT DISGUISES TEARS? 1858 01:39:49,484 --> 01:39:53,555 MAYBE LAUGHTER WAS THE ONLY WAY TO... 1859 01:39:53,621 --> 01:39:55,957 * LIKE THE CIRCLES THAT YOU FIND * 1860 01:39:56,024 --> 01:39:58,060 UH, DEAL WITH... 1861 01:39:58,126 --> 01:39:59,861 [man sighing] 1862 01:39:59,927 --> 01:40:02,964 PLEASE GO ON. TO DEAL WITH... 1863 01:40:03,031 --> 01:40:05,700 TO DEAL WITH HIS CIRCUMSTANCES. 1864 01:40:08,870 --> 01:40:12,040 YOU SEEM TO UNDERSTAND THIS BOY QUITE WELL, SIR. 1865 01:40:13,075 --> 01:40:14,776 I--I KNEW HIS FATHER. 1866 01:40:17,345 --> 01:40:18,446 AND? 1867 01:40:19,381 --> 01:40:21,149 AND 1868 01:40:21,216 --> 01:40:24,886 THOUGH HIS FATHER LOVED HIM VERY MUCH, 1869 01:40:24,952 --> 01:40:29,657 HE COULD NEVER TELL THE BOY HOW MUCH... 1870 01:40:30,325 --> 01:40:31,793 HOW MUCH? 1871 01:40:31,859 --> 01:40:33,428 *[In the Rain by the Dramatics playing] 1872 01:40:33,495 --> 01:40:34,862 UM... 1873 01:40:34,929 --> 01:40:38,133 HE COULD NEVER TELL THE BOY HOW MUCH HE LOVED HIM. 1874 01:40:39,467 --> 01:40:41,836 WELL, THIS CAN'T BE A TRUE STORY. IT CAN'T BE. 1875 01:40:41,903 --> 01:40:43,305 WHY NOT? 1876 01:40:43,371 --> 01:40:45,607 WHY COULD HE NOT TELL THE BOY HOW MUCH HE LOVED HIM? 1877 01:40:45,673 --> 01:40:47,275 BECAUSE HE DIDN'T KNOW HOW. 1878 01:40:48,576 --> 01:40:50,545 HE HAD THE WORDS FOR MANY THINGS, YOU SEE, 1879 01:40:50,612 --> 01:40:53,548 BUT HE DIDN'T HAVE THE WORDS FOR THAT. 1880 01:40:53,615 --> 01:40:55,783 THERE ARE ONLY 3 WORDS FOR THAT. 1881 01:40:55,850 --> 01:40:57,319 THEY'RE EASY TO SAY. 1882 01:40:57,385 --> 01:40:58,720 SOMETIMES THEY ARE. 1883 01:40:58,786 --> 01:41:00,088 * IN THE RAIN 1884 01:41:00,155 --> 01:41:03,158 OTHER TIMES, THEY'RE NOT. OTHER TIMES, THEY'RE... 1885 01:41:03,225 --> 01:41:05,193 THEY'RE--THEY'RE IMPOSSIBLE. 1886 01:41:05,260 --> 01:41:06,528 * I WANNA GO OUTSIDE 1887 01:41:06,594 --> 01:41:09,397 AND HE--HE LOVED THE BOY'S MOTHER, TOO, 1888 01:41:09,464 --> 01:41:11,833 BUT THAT WAS-- THAT WAS EQUALLY IMPOSSIBLE. 1889 01:41:13,635 --> 01:41:14,902 AND... 1890 01:41:18,106 --> 01:41:20,208 SO HE NEVER TOLD THE BOY? 1891 01:41:20,275 --> 01:41:23,010 * I, I THINK I'M GONNA CRY 1892 01:41:23,077 --> 01:41:26,548 HE NEVER TOLD HIM AND THEN THE BOY LEFT 1893 01:41:26,614 --> 01:41:30,985 AND CAME TO ENGLAND, AND THE FATHER HAD... 1894 01:41:33,421 --> 01:41:39,494 * I, I DON'T WANT YOU TO SEE ME CRY * 1895 01:41:39,561 --> 01:41:45,267 LOTS OF TIME TO THINK ABOUT ALL THE THINGS, 1896 01:41:45,333 --> 01:41:49,837 ALL THE THINGS THAT MIGHT HAVE BEEN, SHOULD HAVE BEEN. 1897 01:41:49,904 --> 01:41:52,740 HE HAD ALL THE TIME IN THE WORLD TO THINK. 1898 01:41:53,975 --> 01:41:56,644 AND WHAT DID HE THINK ABOUT? 1899 01:41:56,711 --> 01:41:59,046 HE THOUGHT, HE IMAGINED PERHAPS, 1900 01:41:59,113 --> 01:42:01,416 THAT THE BOY HAD COME TO ENGLAND 1901 01:42:01,483 --> 01:42:03,385 LOOKING FOR HIS MOTHER. 1902 01:42:05,787 --> 01:42:08,623 AND WHAT WAS HIS MOTHER'S NAME? 1903 01:42:08,690 --> 01:42:11,359 HER NAME WAS EILY. EILY BERGIN. 1904 01:42:11,426 --> 01:42:12,760 OH, GOD. 1905 01:42:12,827 --> 01:42:16,097 AND SO THE FATHER THOUGHT THE ONE THING HE COULD DO 1906 01:42:16,164 --> 01:42:19,267 WAS TELL HIM WHERE HE COULD FIND HIS MOTHER. 1907 01:42:19,334 --> 01:42:22,204 * YOU WON'T SEE A SINGLE TRACE * 1908 01:42:22,270 --> 01:42:24,038 WHERE TO FIND THE PHANTOM LADY? 1909 01:42:24,105 --> 01:42:25,373 HUH? WHAT? 1910 01:42:25,440 --> 01:42:27,375 PLEASE, GO ON. 1911 01:42:28,610 --> 01:42:31,045 SHE MARRIED, HAD 2 CHILDREN. 1912 01:42:31,112 --> 01:42:32,814 PROBABLY WON'T WANT TO SEE HIM. 1913 01:42:32,880 --> 01:42:34,349 BUT WHERE DOES SHE LIVE? 1914 01:42:34,416 --> 01:42:35,817 * LET ME GO, LET ME GO, LET ME GO * 1915 01:42:35,883 --> 01:42:39,287 19 SPENCER RISE, IN KILBURN. 1916 01:42:42,390 --> 01:42:44,526 * IN THE RAIN * 1917 01:43:00,442 --> 01:43:02,877 'CAUSE YOU KNOW WHAT I WANT, I WANT ENGLISH, 1918 01:43:02,944 --> 01:43:04,746 I WANT CONSERVATIVE, 1919 01:43:04,812 --> 01:43:07,915 I WANT EAST FINCHLEY... YEAH. 1920 01:43:07,982 --> 01:43:11,419 ...I WANT POWERFUL. HMM. 1921 01:43:12,320 --> 01:43:13,721 YOU THINK IT WORKS? 1922 01:43:13,788 --> 01:43:15,790 I THINK YOU LOOK BETTER THAN HER. 1923 01:43:15,857 --> 01:43:18,192 I DO LOOK BETTER THAN HER, DON'T I? YOU DO. 1924 01:43:19,794 --> 01:43:22,430 *[Madame George by Van Morrison playing] 1925 01:43:32,440 --> 01:43:35,176 * DOWN ON CYPRUS AVENUE 1926 01:43:37,512 --> 01:43:41,483 * WITH THE CHILDLIKE VISIONS LEAPING INTO VIEW * 1927 01:43:45,152 --> 01:43:48,523 * CLICKING, CLACKING OF THE HIGH-HEELED SHOE * 1928 01:43:51,926 --> 01:43:56,030 * FORD AND FITZROY AND MADAME GEORGE * 1929 01:44:00,568 --> 01:44:03,137 * MARCHING WITH THE SOLDIER BOY BEHIND * 1930 01:44:03,204 --> 01:44:05,373 DO YOU NEED HELP, MISS? 1931 01:44:05,440 --> 01:44:06,841 UH... 1932 01:44:06,908 --> 01:44:11,779 YES, I-I-I'M DOING A SURVEY FOR BRITISH TELECOM. 1933 01:44:11,846 --> 01:44:13,615 UM... 1934 01:44:13,681 --> 01:44:16,384 DO YOU KNOW WHERE 19 SPENCER RISE IS? 1935 01:44:16,451 --> 01:44:18,353 THAT'S MY HOUSE. THERE. 1936 01:44:18,420 --> 01:44:20,121 IT'S YOUR... 1937 01:44:20,187 --> 01:44:22,156 CAN'T YOU READ NUMBERS? 1938 01:44:22,223 --> 01:44:24,125 OH, YES, I CAN READ NUMBERS. 1939 01:44:25,192 --> 01:44:27,895 SO, WHAT'S THE SURVEY? 1940 01:44:27,962 --> 01:44:31,165 WELL, IT'S, IT'S ABOUT TELEPHONES. 1941 01:44:32,233 --> 01:44:33,801 D-DO YOU HAVE A TELEPHONE? 1942 01:44:33,868 --> 01:44:35,303 EVERYONE HAS A TELEPHONE. 1943 01:44:35,370 --> 01:44:37,405 NO, NOT EVERYONE, YOUNG MAN. 1944 01:44:37,472 --> 01:44:39,641 SOME PEOPLE CAN'T AFFORD ONE. 1945 01:44:39,707 --> 01:44:41,208 WELL, WE CAN. 1946 01:44:42,477 --> 01:44:44,111 I SEE. 1947 01:44:44,178 --> 01:44:47,248 * GONE FOR CIGARETTES AND MATCHES IN THE SHOPS * 1948 01:44:47,315 --> 01:44:48,916 AND SO WHAT IS YOUR NAME? 1949 01:44:48,983 --> 01:44:50,585 MY NAME'S PATRICK. 1950 01:44:50,652 --> 01:44:52,587 * HAPPY TAKEN MADAME GEORGE 1951 01:44:52,654 --> 01:44:53,921 PATRICK. 1952 01:44:54,522 --> 01:44:56,924 PATRICK. 1953 01:44:56,991 --> 01:44:58,960 AND HOW MANY PHONES DO YOU HAVE, PATRICK? 1954 01:44:59,026 --> 01:45:01,463 SHOULDN'T YOU BE ASKING MY MOTHER? 1955 01:45:02,664 --> 01:45:05,333 YES. YES, OF COURSE I SHOULD. 1956 01:45:05,400 --> 01:45:06,901 UM... 1957 01:45:06,968 --> 01:45:08,269 AND WHERE WOULD I FIND HER? 1958 01:45:10,271 --> 01:45:13,240 MUM, THERE'S A NICE LADY HERE DOING A SURVEY... 1959 01:45:13,307 --> 01:45:16,344 * YEAH, THAT'S WHEN YOU FALL 1960 01:45:17,379 --> 01:45:19,280 ARE YOU... OH, MY GOD! 1961 01:45:21,516 --> 01:45:23,551 * THAT'S WHEN YOU FALL * 1962 01:45:23,618 --> 01:45:25,019 (Eily) YOU FEELING BETTER, LOVE? 1963 01:45:25,086 --> 01:45:26,153 OH, YES, THANK YOU. 1964 01:45:26,220 --> 01:45:27,489 SOME MORE TEA? 1965 01:45:27,555 --> 01:45:28,756 NO, THANK YOU. 1966 01:45:30,992 --> 01:45:35,697 SO, WHAT'S THIS SURVEY ABOUT, THEN? 1967 01:45:35,763 --> 01:45:38,466 (English Patrick) OH, IT'S ABOUT PHONES, MUM. 1968 01:45:38,533 --> 01:45:40,835 PHONES? WITH TELECOM? 1969 01:45:41,736 --> 01:45:43,571 YES, BRITISH TELECOM. 1970 01:45:49,511 --> 01:45:50,512 UM... 1971 01:45:52,246 --> 01:45:53,948 ARE YOU A MULTI-PHONE HOUSEHOLD? 1972 01:45:54,015 --> 01:45:56,283 YES. YES, WE'VE GOT 3. 1973 01:45:56,350 --> 01:45:59,821 UH, ONE IN THE BEDROOM, ONE IN THE KITCHEN, AND ONE IN GEOFFREY'S OFFICE. 1974 01:46:02,424 --> 01:46:03,925 GEOFFREY... 1975 01:46:04,759 --> 01:46:06,293 IS MY HUSBAND. 1976 01:46:06,360 --> 01:46:07,361 OH. 1977 01:46:10,364 --> 01:46:11,399 UM... 1978 01:46:13,635 --> 01:46:14,836 SORRY. UM... 1979 01:46:18,205 --> 01:46:20,274 HOW FREQUENTLY IS YOUR TELEPHONE USED? 1980 01:46:21,876 --> 01:46:26,013 VERY. LAURA'S NEVER OFF IT. 1981 01:46:26,080 --> 01:46:27,314 LAURA? 1982 01:46:28,816 --> 01:46:31,385 MY DAUGHTER. SHE'S 13. OH. 1983 01:46:32,153 --> 01:46:34,789 I SEE, I SEE. 1984 01:46:34,856 --> 01:46:37,291 YOU DON'T HAVE MUCH USE FOR THE PHONE, THOUGH, DO YOU, PATRICK? 1985 01:46:37,358 --> 01:46:39,226 NO, I SUPPOSE NOT. MMM-HMM. 1986 01:46:42,630 --> 01:46:43,631 UM... 1987 01:46:45,633 --> 01:46:47,702 WELL, MISS... 1988 01:46:47,769 --> 01:46:50,037 J-JOHNSON. DELIA JOHNSTON. 1989 01:46:50,104 --> 01:46:51,405 JOHNSTON. 1990 01:46:53,007 --> 01:46:55,376 IF YOU'VE ANY OTHER QUESTIONS, DON'T HESITATE TO CALL. 1991 01:46:56,978 --> 01:47:00,047 NO, I THINK I HAVE MORE THAN ENOUGH, THANK YOU. 1992 01:47:05,286 --> 01:47:07,722 UH, THANK YOU FOR THE TEA. OH, YOU'RE WELCOME. 1993 01:47:08,890 --> 01:47:10,057 BYE. 1994 01:47:29,911 --> 01:47:32,146 (English Patrick) SHOULDN'T YOU HAVE A UNIFORM? 1995 01:47:33,280 --> 01:47:35,917 NO, I SHOULDN'T HAVE A UNIFORM. 1996 01:47:35,983 --> 01:47:38,653 THE MEN WHO PUT THE PHONES IN HAVE A UNIFORM. 1997 01:47:38,720 --> 01:47:40,187 DO THEY, NOW? 1998 01:47:40,254 --> 01:47:42,023 AREN'T THEY FROM TELECOM? 1999 01:47:42,089 --> 01:47:43,891 YES, THEY ARE. 2000 01:47:43,958 --> 01:47:46,327 THEN HOW COME TELECOM DON'T KNOW HOW MANY PHONES WE HAVE? 2001 01:47:46,393 --> 01:47:48,830 WELL, BECAUSE IT'S FROM A DIFFERENT DEPARTMENT. 2002 01:47:48,896 --> 01:47:51,733 WHY DON'T YOU JUST PHONE UP, THEN, AND ASK THE QUESTIONS? 2003 01:47:51,799 --> 01:47:54,235 BECAUSE THERE'S NOTHING LIKE THE PERSONAL TOUCH, NOW, IS THERE? 2004 01:47:54,301 --> 01:47:55,603 WHY DON'T-- 2005 01:47:55,670 --> 01:47:59,841 YOUNG MAN, I GET THE FEELING YOU DON'T LIKE ME. 2006 01:47:59,907 --> 01:48:02,343 YOU'RE WRONG. I THINK YOU'RE NICE. 2007 01:48:04,345 --> 01:48:06,881 [quavering] WELL, I THINK YOU'RE NICE, TOO. 2008 01:48:06,948 --> 01:48:09,216 W-WHY ARE YOU CRYING? 2009 01:48:09,283 --> 01:48:11,586 IT'S CONJUNCTIVITIS. 2010 01:48:11,653 --> 01:48:13,621 (Charlie) I GAVE YOUR ADDRESS TO FATHER LIAM, 2011 01:48:13,688 --> 01:48:15,189 AND I HOPE YOU DON'T MIND. 2012 01:48:15,256 --> 01:48:17,091 HE'S BEEN VERY KIND TO ME, KITTEN, 2013 01:48:17,158 --> 01:48:19,460 AND I NEED ALL THE KINDNESS I CAN GET. 2014 01:48:19,527 --> 01:48:22,630 THE SPECIAL BRANCH LIFTED ME ON A DOPE CHARGE, YOU SEE. 2015 01:48:22,697 --> 01:48:25,232 AND THEY USED THAT TO GET TO IRWIN. 2016 01:48:26,267 --> 01:48:30,538 THEY LIFTED CHARLIE ON THE DOPE CHARGE. 2017 01:48:30,605 --> 01:48:33,107 THEY SAID SHE'D BE HAVING THE BABY IN PRISON, IF I DIDN'T-- 2018 01:48:33,174 --> 01:48:35,242 (Jackie) IF YOU DIDN'T WHAT, IRWIN? 2019 01:48:38,512 --> 01:48:41,315 IF I DIDN'T INFORM THEM ABOUT OPERATIONS. 2020 01:48:43,484 --> 01:48:45,019 YOU DO IT. NO, YOU DO IT. 2021 01:48:45,086 --> 01:48:48,122 I CAN'T. I WENT TO SCHOOL WITH HIS BROTHER. 2022 01:48:48,189 --> 01:48:50,224 HEY, LADS, DID YOU HEAR THE ONE ABOUT THE CAVAN MAN? 2023 01:48:50,291 --> 01:48:51,292 WHAT CAVAN MAN? 2024 01:48:51,358 --> 01:48:52,927 CAVAN MAN IN-- 2025 01:48:52,994 --> 01:48:53,995 [thudding] 2026 01:48:59,166 --> 01:49:00,301 *[Cyprus Avenue by Van Morrison playing] 2027 01:49:00,367 --> 01:49:02,069 * AND I'M CAUGHT ONE MORE TIME * 2028 01:49:04,438 --> 01:49:08,142 * UP ON CYPRUS AVENUE 2029 01:49:14,816 --> 01:49:17,619 * CAUGHT ONE MORE TIME 2030 01:49:20,021 --> 01:49:23,625 * UP ON CYPRUS AVENUE 2031 01:49:29,697 --> 01:49:33,701 * AND I'M CONQUERED IN A CAR SEAT * 2032 01:49:35,236 --> 01:49:38,105 * NOT A THING THAT I CAN DO 2033 01:49:43,510 --> 01:49:45,012 WHAT WILL I CALL YOU? 2034 01:49:45,079 --> 01:49:46,580 * I MAY GO CRAZY 2035 01:49:46,648 --> 01:49:47,882 FATHER. 2036 01:49:48,750 --> 01:49:50,051 [quavering] 2037 01:49:51,619 --> 01:49:53,520 YOU CALL ME "FATHER." COME IN. 2038 01:50:01,395 --> 01:50:03,765 I CAN'T. 2039 01:50:03,831 --> 01:50:06,801 I PRAYED, YOU KNOW. I PRAYED YOU'D COME BACK. 2040 01:50:08,535 --> 01:50:10,104 DID YOU FIND HER? 2041 01:50:10,171 --> 01:50:13,741 [quavering] YES. NO. KIND OF. 2042 01:50:16,410 --> 01:50:18,012 WHERE'S CHARLIE? 2043 01:50:19,246 --> 01:50:21,248 SHE'S UPSTAIRS. COME ON. 2044 01:50:24,518 --> 01:50:26,053 * AND MY FEET CAN'T KEEP STILL * 2045 01:50:26,120 --> 01:50:28,155 AFTER THE DRUGS CHARGE, THERE WERE PROBLEMS AT HOME, 2046 01:50:28,222 --> 01:50:30,557 SO I TOOK HER IN. 2047 01:50:30,624 --> 01:50:33,260 SHE HARDLY EATS A THING, YOU KNOW. SHE'S WASTING AWAY. 2048 01:50:41,335 --> 01:50:43,104 MAYBE YOU COULD... 2049 01:50:44,471 --> 01:50:45,940 WHERE DO YOU SLEEP, FATHER? 2050 01:50:46,007 --> 01:50:47,374 OH, DON'T WORRY ABOUT ME. 2051 01:50:52,113 --> 01:50:53,180 CHARLIE. 2052 01:50:57,218 --> 01:50:59,553 (Charlie) IS THAT YOU, KITTEN? 2053 01:50:59,620 --> 01:51:03,825 CHARLIE. TAKE IT EASY NOW. 2054 01:51:04,892 --> 01:51:07,328 SWANN'S CROSS. 2055 01:51:07,394 --> 01:51:09,396 THEY PUT A RUBBISH BAG OVER HIS HEAD. 2056 01:51:09,463 --> 01:51:11,632 HUSH, CHARLIE. 2057 01:51:11,699 --> 01:51:14,201 MY PARENTS TOLD ME TO GO BACK WHERE I CAME FROM. 2058 01:51:14,268 --> 01:51:16,738 DON'T THINK ABOUT IT, CHARLIE. 2059 01:51:16,804 --> 01:51:19,340 YOUR BABY, THAT'S ALL THAT MATTERS NOW. 2060 01:51:20,942 --> 01:51:22,944 AND I'M HERE TO HELP YOU. 2061 01:51:27,749 --> 01:51:30,184 *[Fly, Robin, Fly by Silver Convention playing] 2062 01:51:33,187 --> 01:51:35,656 * FLY, ROBIN, FLY 2063 01:51:38,025 --> 01:51:40,427 * FLY, ROBIN, FLY 2064 01:51:42,764 --> 01:51:45,166 * FLY, ROBIN, FLY 2065 01:51:47,534 --> 01:51:50,437 * UP, UP TO THE SKY 2066 01:51:54,175 --> 01:51:56,310 ROBINS, FATHER. WOULD YOU BELIEVE IT? 2067 01:51:56,377 --> 01:51:57,711 PECKING AT THE CREAM. 2068 01:51:57,779 --> 01:52:00,081 I'M SURE THE POOR THINGS MUST BE STARVED. 2069 01:52:00,147 --> 01:52:01,148 TA. 2070 01:52:11,492 --> 01:52:13,060 * FLY, ROBIN, FLY * 2071 01:52:13,127 --> 01:52:16,831 YOU HAVE YOUR MOTHER'S EYES, DO YOU KNOW THAT, PATRICK? 2072 01:52:16,898 --> 01:52:19,801 COLOR OF THE OCEAN BEYOND ROSSES POINT. 2073 01:52:23,805 --> 01:52:25,539 YOU TOOK HER THERE? 2074 01:52:30,011 --> 01:52:31,412 MANY TIMES. 2075 01:52:34,315 --> 01:52:36,517 THINGS COULD HAVE BEEN SO DIFFERENT. 2076 01:52:36,583 --> 01:52:37,584 SHH. 2077 01:52:38,485 --> 01:52:40,254 DON'T SAY ANYTHING. 2078 01:52:42,489 --> 01:52:44,859 BECAUSE, YOU KNOW, THE STRANGEST THING... 2079 01:52:45,659 --> 01:52:47,161 I WENT LOOKING FOR HER, 2080 01:52:48,930 --> 01:52:50,564 BUT I FOUND YOU. 2081 01:52:54,768 --> 01:52:58,005 *[How Much Is That Doggie In The Window by Pattie Page playing] 2082 01:52:59,807 --> 01:53:03,845 * HOW MUCH IS THAT DOGGIE IN THE WINDOW * 2083 01:53:03,911 --> 01:53:06,480 (Mrs. Clarke) NO, IN THE END IT WAS A BLESSED RELEASE. 2084 01:53:06,547 --> 01:53:08,182 (shopkeeper) SHE WAS A LOVELY WOMAN. 2085 01:53:08,249 --> 01:53:10,517 SHE NEVER MISSED A DAY AT MASS. 2086 01:53:10,584 --> 01:53:13,320 WHEN THEY OPENED HER UP, THEY FOUND A LUMP AS BIG AS A MELON. 2087 01:53:13,387 --> 01:53:15,689 A MELON? THAT BIG? 2088 01:53:15,756 --> 01:53:18,993 MAYBE IT WAS A GRAPEFRUIT. I GET THEM MIXED UP. 2089 01:53:19,060 --> 01:53:23,630 SO, WE'RE NOT EXACTLY BLESSED WITH CHOICE, FATHER, DEAR. 2090 01:53:23,697 --> 01:53:26,767 AND IS THERE ANY RULE THAT SAYS THAT WHEN YOU'RE PREGNANT, 2091 01:53:26,834 --> 01:53:28,836 YOU NEED TO DRESS LIKE A LOLLIPOP LADY? 2092 01:53:28,903 --> 01:53:30,437 I KNOW OF NO SUCH RULE, PATRICK. 2093 01:53:30,504 --> 01:53:32,373 NO, SO I THOUGHT. 2094 01:53:34,441 --> 01:53:37,744 THIS LITTLE HIPPY NUMBER MIGHT GIVE HER THE LIFT SHE NEEDS. 2095 01:53:37,811 --> 01:53:38,946 (Liam) HMM. VERY NICE. 2096 01:53:39,013 --> 01:53:41,782 (Patrick) VELVET, FATHER. LIKE CRUSHED GRASS. 2097 01:53:41,849 --> 01:53:43,517 OH, LOOK, FATHER. 2098 01:53:47,889 --> 01:53:50,224 OH, CAN WE TRY THE SILVER FUR, MISSUS? 2099 01:53:51,025 --> 01:53:52,793 IS IT FOR YOURSELF? 2100 01:53:52,860 --> 01:53:54,862 * THE ONE WITH THE WAGGLY TAIL * 2101 01:53:54,929 --> 01:53:57,364 25 DIFFERENT COLORED BABYGROS. 2102 01:53:57,431 --> 01:53:59,901 4 TEDDY BEARS, I CAN UNDERSTAND, 2103 01:53:59,967 --> 01:54:02,136 BUT I DON'T NEED A PRAM YET, KITTEN. 2104 01:54:02,203 --> 01:54:04,038 YOU WILL. 2105 01:54:04,105 --> 01:54:05,706 WHERE DID YOU GET THE MONEY? 2106 01:54:06,407 --> 01:54:09,043 OH, SINGING. AHEM. 2107 01:54:09,110 --> 01:54:12,546 * HOW MUCH IS THAT DOGGY IN THE WINDOW? * 2108 01:54:12,613 --> 01:54:16,317 *[Charlie humming] * THE ONE WITH THE WAG-- * 2109 01:54:16,383 --> 01:54:18,852 IS IT WAGGEDY OR WAGGLY, CHARLIE? 2110 01:54:18,920 --> 01:54:20,121 WAGGLY. 2111 01:54:20,821 --> 01:54:22,924 NO, WAIT A MINUTE. 2112 01:54:22,990 --> 01:54:24,158 OH, FATHER? 2113 01:54:24,225 --> 01:54:25,759 YOO-HOO. (Liam) OH, YES. 2114 01:54:25,826 --> 01:54:27,929 YOU KNOW THE DOGGY WITH THE TAIL? 2115 01:54:27,995 --> 01:54:30,864 IS IT WAGGLY OR WAGGEDY? 2116 01:54:30,932 --> 01:54:32,233 THE SONG? 2117 01:54:33,100 --> 01:54:35,336 UM, WAGGEDY, I SEEM TO REMEMBER. 2118 01:54:35,402 --> 01:54:37,004 YOUR MOTHER NEVER STOPPED SINGING IT. 2119 01:54:37,071 --> 01:54:38,439 (Liam) AYE, WAGGEDY TAIL. 2120 01:54:38,505 --> 01:54:39,873 WAGGEDY. 2121 01:54:39,941 --> 01:54:42,776 (both) * HOW MUCH IS THAT DOGGY IN THE WINDOW? * 2122 01:54:42,843 --> 01:54:43,844 [barking] 2123 01:54:43,911 --> 01:54:47,881 (all) * THE ONE WITH THE WAGGEDY TAIL * 2124 01:54:47,949 --> 01:54:51,585 * HOW MUCH IS THAT DOGGY IN THE WINDOW? * 2125 01:54:51,652 --> 01:54:54,721 (Mrs. Clarke) OH, JESUS CHRIST AND HIS HOLY MOTHER. 2126 01:54:54,788 --> 01:54:56,958 WHY DOESN'T THE BISHOP DO SOMETHING? THE BISHOP! 2127 01:54:57,024 --> 01:54:59,326 THE BISHOP WE HAVE ISN'T WORTH A DAMN. 2128 01:54:59,393 --> 01:55:00,928 [twittering] (robin WHAT DID SHE SAY? 2129 01:55:00,995 --> 01:55:02,596 [twittering] (robin THE BISHOP ISN'T WORTH A DAMN! 2130 01:55:02,663 --> 01:55:04,231 [twittering] (robin NOW MIND YOUR LANGUAGE MISSUS! 2131 01:55:14,741 --> 01:55:16,743 DO YOU KNOW SOMETHING, THOMAS? 2132 01:55:16,810 --> 01:55:20,014 THERE ARE TIMES WHEN I WISH I WAS A BUS CONDUCTOR. 2133 01:56:07,061 --> 01:56:09,196 PATRICK! 2134 01:56:09,263 --> 01:56:11,265 CHARLIE! 2135 01:56:33,554 --> 01:56:35,356 [firemen chattering] 2136 01:57:37,184 --> 01:57:38,919 [Charlie chattering] 2137 01:57:41,155 --> 01:57:43,357 (Charlie) ...THE WELFARE STATE AND ALL. 2138 01:57:43,424 --> 01:57:45,492 CAN'T STAY HERE, ANYWAYS. 2139 01:57:45,559 --> 01:57:47,261 BUT YOU'LL COME AND SEE US, FATHER? 2140 01:57:47,328 --> 01:57:48,529 AFTER THE BABY'S-- 2141 01:57:48,595 --> 01:57:50,197 WELL, THE ONLY PARISH I'VE BEEN OFFERED 2142 01:57:50,264 --> 01:57:53,734 IS IN KILBURN, SO YOU MIGHT SEE A LOT OF ME. 2143 01:58:02,509 --> 01:58:04,578 YOU SAVED MY LIFE, FATHER. 2144 01:58:06,680 --> 01:58:07,981 AND MINE. 2145 01:58:13,720 --> 01:58:16,056 GREAT, BIG, FIREPROOF MAN. 2146 01:58:32,773 --> 01:58:34,375 [Charlie screaming] 2147 01:58:34,441 --> 01:58:37,411 (Patrick) COME ON, CHARLIE, PUSH! PUSH! 2148 01:58:37,478 --> 01:58:40,080 WELL, I AM PUSHING, KITTEN, FUCK YOU! 2149 01:58:40,147 --> 01:58:42,183 I AM PUSHING! BREATHE. 2150 01:58:42,249 --> 01:58:43,317 JESUS! 2151 01:58:43,384 --> 01:58:44,618 COME ON. 2152 01:58:44,685 --> 01:58:46,653 IT'S TEARING ME APART! 2153 01:58:46,720 --> 01:58:50,224 *[Sugar Baby Love by the Rubettes playing] 2154 01:58:51,091 --> 01:58:52,426 [gibbering] 2155 01:58:56,430 --> 01:58:59,266 HEY, YOU'RE THE TELEPHONE LADY. 2156 01:59:00,066 --> 01:59:01,935 OH, WELL. 2157 01:59:02,002 --> 01:59:05,772 IF IT ISN'T THE YOUNG BOY FROM THE MULTI-PHONE HOUSEHOLD. 2158 01:59:05,839 --> 01:59:07,274 WHAT ARE YOU DOING HERE? 2159 01:59:07,341 --> 01:59:11,312 MUM'S WITH THE DOCTOR. SHE'S, YOU KNOW, GOT A BUN IN THE FIREPLACE. 2160 01:59:13,380 --> 01:59:15,249 I THINK YOU MEAN THE OVEN, YOUNG MAN. 2161 01:59:15,316 --> 01:59:17,284 OK, THEN, THE OVEN. 2162 01:59:17,351 --> 01:59:18,785 W-WHAT'S YOUR NAME? 2163 01:59:18,852 --> 01:59:20,487 * SUGAR BABY LOVE 2164 01:59:20,554 --> 01:59:23,457 * I DIDN'T MEAN TO MAKE YOU BLUE * 2165 01:59:23,524 --> 01:59:25,559 PHANTOM LADY. 2166 01:59:25,626 --> 01:59:26,860 THAT'S A FUNNY NAME. 2167 01:59:26,927 --> 01:59:28,995 I KNOW THAT. I'M A FUNNY LADY. 2168 01:59:30,331 --> 01:59:31,932 IS THAT YOUR BABY? 2169 01:59:31,998 --> 01:59:34,701 [baby cooing] NO, IT'S HERS. 2170 01:59:34,768 --> 01:59:36,337 * I DIDN'T MEAN TO HURT YOU * 2171 01:59:36,403 --> 01:59:38,205 SHE'S HAVING HER FIREPLACE CHECKED. 2172 01:59:38,272 --> 01:59:39,806 [laughs] 2173 01:59:39,873 --> 01:59:41,675 ISN'T SHE? YES, SHE IS. 2174 01:59:41,742 --> 01:59:43,444 [baby cooing] 2175 01:59:43,510 --> 01:59:45,912 CHARLIE, DARLING, THIS IS-- 2176 01:59:45,979 --> 01:59:47,514 PATRICK. 2177 01:59:47,581 --> 01:59:49,950 THIS IS MY YOUNG FRIEND PATRICK. 2178 01:59:50,016 --> 01:59:51,952 SO, HOW'S YOUR FIREPLACE? 2179 01:59:52,018 --> 01:59:53,053 OH. 2180 01:59:53,119 --> 01:59:55,289 MY FIREPLACE IS 100%. 2181 01:59:55,356 --> 02:00:00,794 AND YOUR LITTLE BUN IS JUST FINE, TOO, AREN'T YOU? YES, YOU ARE. 2182 02:00:00,861 --> 02:00:04,097 * MAKE THE SAME MISTAKES 2183 02:00:04,164 --> 02:00:06,333 * AS ME AND YOU 2184 02:00:06,400 --> 02:00:10,237 PATRICK, THERE'S YOUR MUM. YOU'D BETTER RUN. 2185 02:00:10,771 --> 02:00:12,573 OK. 2186 02:00:12,639 --> 02:00:16,510 PATRICK, WILL YOU TELL HER THAT 2187 02:00:16,577 --> 02:00:21,147 THE TELEPHONE LADY SAYS THAT SHE HOPES IT'S A GIRL THIS TIME. 2188 02:00:21,214 --> 02:00:23,149 OK. OK. 2189 02:00:27,588 --> 02:00:31,292 * SUGAR BABY LOVE, SUGAR BABY LOVE * 2190 02:00:31,358 --> 02:00:34,328 * SUGAR BABY LOVE, SUGAR BABY LOVE * 2191 02:00:34,395 --> 02:00:37,764 * SUGAR BABY LOVE, SUGAR BABY LOVE * 2192 02:00:37,831 --> 02:00:39,600 [twittering] SHE LOOKS NOTHING LIKE MITZI GAYNOR. 2193 02:00:39,666 --> 02:00:41,535 [twittering] WHAT DO YOU KNOW ABOUT MITZI GAYNOR? 2194 02:00:41,602 --> 02:00:42,903 [twittering] NOTHING. BUT AS OSCAR WILDE SAID... 2195 02:00:42,969 --> 02:00:44,271 * SUGAR BABY LOVE 2196 02:00:44,338 --> 02:00:46,106 [twittering] "I LOVE TALKING ABOUT NOTHING. 2197 02:00:46,172 --> 02:00:47,908 [twittering] "IT'S THE ONLY THING I KNOW ANYTHING ABOUT." 2198 02:00:47,974 --> 02:00:51,144 * I DIDN'T MEAN TO MAKE YOU BLUE * 2199 02:00:53,179 --> 02:00:55,482 * SUGAR BABY LOVE, SUGAR BABY LOVE * 2200 02:00:55,549 --> 02:00:58,819 * SUGAR BABY LOVE 2201 02:00:58,885 --> 02:01:01,955 * SUGAR BABY LOVE 2202 02:01:02,022 --> 02:01:06,192 * I DIDN'T MEAN TO HURT YOU 2203 02:01:06,259 --> 02:01:11,064 * SUGAR BABY LOVE, SUGAR BABY LOVE * 2204 02:01:15,902 --> 02:01:17,771 * TAKE MY ADVICE 2205 02:01:19,172 --> 02:01:21,274 * IF YOU LOVE SOMEONE 2206 02:01:22,776 --> 02:01:24,411 * DON'T THINK TWICE 2207 02:01:24,478 --> 02:01:28,048 * LOVE YOUR BABY LOVE 2208 02:01:28,114 --> 02:01:30,183 * SUGAR BABY LOVE * 2209 02:01:30,250 --> 02:01:32,018 *[Breakfast On Pluto playing] 2210 02:01:32,085 --> 02:01:36,690 * GO ANYWHERE WITHOUT LEAVING YOUR CHAIR * 2211 02:01:36,757 --> 02:01:41,895 * AND LET YOUR THOUGHTS RUN FREE * 2212 02:01:41,962 --> 02:01:46,333 * LIVING WITHIN ALL THE DREAMS YOU CAN SPIN * 2213 02:01:47,334 --> 02:01:51,271 * THERE IS SO MUCH TO SEE 2214 02:01:52,573 --> 02:01:57,911 * IF YOU CAN'T FLY HIGH, NO NEED TO FEEL LOW * 2215 02:01:57,978 --> 02:02:03,283 * THE WORLD IS A MERRY-GO-ROUND * 2216 02:02:03,350 --> 02:02:08,822 * LOOK AT THE SKY AND UP THERE YOU'LL GO * 2217 02:02:08,889 --> 02:02:14,027 * PEACEFULLY FLOATING AROUND 2218 02:02:14,094 --> 02:02:19,099 * NO CARES TO CARE AND NO RACES TO RUN * 2219 02:02:19,165 --> 02:02:23,236 * FLYING UP IN THE AIR 2220 02:02:24,738 --> 02:02:29,676 * NO TIME TO CHANGE AND NO TIME TO LEARN * 2221 02:02:29,743 --> 02:02:35,348 * AND NO TIME TO WONDER WHERE * 2222 02:02:35,416 --> 02:02:40,587 * UP ON THE MOON, WE'LL ALL BE THERE SOON * 2223 02:02:40,654 --> 02:02:45,325 * WATCHING THE EARTH DOWN BELOW * 2224 02:02:45,392 --> 02:02:51,197 * WE'LL JOURNEY TO MARS AND VISIT THE STARS * 2225 02:02:51,264 --> 02:02:56,537 * FINDING OUR BREAKFAST ON PLUTO * 2226 02:02:56,603 --> 02:03:01,542 * GO ANYWHERE WITHOUT LEAVING YOUR CHAIR * 2227 02:03:01,608 --> 02:03:05,779 * AND LET YOUR THOUGHTS RUN FREE * 2228 02:03:07,147 --> 02:03:12,453 * LIVING WITHIN ALL THE DREAMS YOU CAN SPIN * 2229 02:03:12,519 --> 02:03:16,490 * THERE IS SO MUCH TO SEE 2230 02:03:38,845 --> 02:03:44,050 * NO CARES TO CARE AND NO RACES TO RUN * 2231 02:03:44,117 --> 02:03:48,021 * FLYING UP IN THE AIR 2232 02:03:49,456 --> 02:03:54,427 * NO TIME TO CHANGE AND NO TIME TO LEARN * 2233 02:03:54,495 --> 02:03:59,700 * AND NO TIME TO WONDER WHERE * 2234 02:03:59,766 --> 02:04:05,205 * UP ON THE MOON, WE'LL ALL BE THERE SOON * 2235 02:04:05,271 --> 02:04:10,276 * WATCHING THE EARTH DOWN BELOW * 2236 02:04:10,343 --> 02:04:15,849 * WE'LL JOURNEY TO MARS AND VISIT THE STARS * 2237 02:04:15,916 --> 02:04:20,954 * FINDING OUR BREAKFAST ON PLUTO * 2238 02:04:21,021 --> 02:04:26,092 * GO ANYWHERE WITHOUT LEAVING YOUR CHAIR * 2239 02:04:26,159 --> 02:04:31,331 * AND LET YOUR THOUGHTS RUN FREE * 2240 02:04:31,397 --> 02:04:36,637 * LIVING WITHIN ALL THE DREAMS YOU CAN SPIN * 2241 02:04:36,703 --> 02:04:40,907 * THERE IS SO MUCH TO SEE * 2242 02:05:13,473 --> 02:05:15,241 *[The Windmills Of Your Mind by Dusty Springfield playing] 2243 02:05:15,308 --> 02:05:18,178 * ROUND, LIKE A CIRCLE IN A SPIRAL * 2244 02:05:18,244 --> 02:05:21,214 * LIKE A WHEEL WITHIN A WHEEL * 2245 02:05:21,281 --> 02:05:24,017 * NEVER ENDING OR BEGINNING 2246 02:05:24,084 --> 02:05:27,153 * ON AN EVER-SPINNING REEL 2247 02:05:27,220 --> 02:05:30,256 * LIKE A SNOWBALL DOWN A MOUNTAIN * 2248 02:05:30,323 --> 02:05:33,359 * OR A CARNIVAL BALLOON 2249 02:05:33,426 --> 02:05:35,662 * LIKE A CAROUSEL THAT'S TURNING * 2250 02:05:35,729 --> 02:05:39,032 * RUNNING RINGS AROUND THE MOON * 2251 02:05:39,099 --> 02:05:41,835 * LIKE A CLOCK WHOSE HANDS ARE SWEEPING * 2252 02:05:41,902 --> 02:05:45,205 * PAST THE MINUTES OF ITS FACE * 2253 02:05:45,271 --> 02:05:47,908 * AND THE WORLD IS LIKE AN APPLE * 2254 02:05:47,974 --> 02:05:52,178 * WHIRLING SILENTLY IN SPACE 2255 02:05:52,245 --> 02:05:56,850 * LIKE THE CIRCLES THAT YOU FIND * 2256 02:05:56,917 --> 02:06:01,822 * IN THE WINDMILLS OF YOUR MIND * 2257 02:06:08,662 --> 02:06:11,998 * LIKE A TUNNEL THAT YOU FOLLOW * 2258 02:06:12,065 --> 02:06:15,969 * TO A TUNNEL OF ITS OWN 2259 02:06:17,103 --> 02:06:20,406 * DOWN A HOLLOW TO A CAVERN * 2260 02:06:20,473 --> 02:06:25,145 * WHERE THE SUN HAS NEVER SHONE * 2261 02:06:25,211 --> 02:06:28,949 * LIKE A DOOR THAT KEEPS REVOLVING * 2262 02:06:29,015 --> 02:06:32,853 * IN A HALF-FORGOTTEN DREAM 2263 02:06:33,920 --> 02:06:37,023 * OR THE RIPPLES FROM A PEBBLE * 2264 02:06:37,090 --> 02:06:41,962 * SOMEONE TOSSES IN A STREAM * 2265 02:06:42,028 --> 02:06:45,398 * LIKE A CLOCK WHOSE HANDS ARE SWEEPING * 2266 02:06:45,465 --> 02:06:50,303 * PAST THE MINUTES OF ITS FACE * 2267 02:06:50,370 --> 02:06:53,707 * AND THE WORLD IS LIKE AN APPLE * 2268 02:06:53,774 --> 02:06:58,311 * WHIRLING SILENTLY IN SPACE * 2269 02:06:58,378 --> 02:07:01,848 * LIKE THE CIRCLES THAT YOU FIND * 2270 02:07:01,915 --> 02:07:06,720 * IN THE WINDMILLS OF YOUR MIND * 2271 02:07:10,223 --> 02:07:13,226 * KEYS THAT JINGLE IN YOUR POCKET * 2272 02:07:13,293 --> 02:07:17,831 * WORDS THAT JANGLE IN YOUR HEAD * 2273 02:07:17,898 --> 02:07:21,434 * WHY DID SUMMER GO SO QUICKLY * 2274 02:07:21,501 --> 02:07:25,839 * WAS IT SOMETHING THAT YOU SAID * 2275 02:07:25,906 --> 02:07:29,009 * LOVERS WALK ALONG A SHORE 2276 02:07:29,075 --> 02:07:34,014 * AND LEAVE THEIR FOOTPRINTS IN THE SAND * 2277 02:07:34,080 --> 02:07:37,617 * IS THE SOUND OF DISTANT DRUMMING * 2278 02:07:37,684 --> 02:07:42,222 * JUST THE FINGERS OF YOUR HAND * 2279 02:07:42,288 --> 02:07:45,658 * PICTURES HANGING IN A HALLWAY * 2280 02:07:45,726 --> 02:07:50,063 * AND THE FRAGMENT OF A SONG * 2281 02:07:50,130 --> 02:07:53,867 * HALF-REMEMBERED NAMES AND FACES * 2282 02:07:53,934 --> 02:07:58,404 * BUT TO WHOM DO THEY BELONG? * 2283 02:07:58,471 --> 02:08:01,875 * WHEN YOU KNEW THAT IT WAS OVER * 2284 02:08:01,942 --> 02:08:06,579 * YOU WERE SUDDENLY AWARE 2285 02:08:06,646 --> 02:08:10,583 * THAT THE AUTUMN LEAVES WERE TURNING * 2286 02:08:10,650 --> 02:08:14,921 * TO THE COLOR OF HIS HAIR 2287 02:08:14,988 --> 02:08:17,924 * LIKE A CIRCLE IN A SPIRAL 2288 02:08:17,991 --> 02:08:20,961 * LIKE A WHEEL WITHIN A WHEEL * 2289 02:08:21,027 --> 02:08:24,230 * NEVER ENDING OR BEGINNING * 2290 02:08:24,297 --> 02:08:27,233 * ON AN EVER-SPINNING REEL 2291 02:08:27,300 --> 02:08:31,738 * AS THE IMAGES UNWIND 2292 02:08:31,805 --> 02:08:36,442 * LIKE THE CIRCLES THAT YOU FIND * 2293 02:08:36,509 --> 02:08:41,281 * IN THE WINDMILLS OF YOUR MIND *